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This topic comprises 3 pages: 1 2 3
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Topic: How long do you keep ticket stubs?
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Ky Boyd
Hey I'm #23

Posts: 314
From: Santa Rosa, CA, USA
Registered: Jun 99
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posted 05-23-2006 08:53 PM
Since I actually have to sign and return the Master License agreements with each studio, I have copies in my files. The following are from the Sony and Warner MLA's:
From the SPR (Sony Pictures Releasing) Theatrical Master License Agreement - Rev 9/04: "Section VIII RETENTION AND AUDIT OF BOOKS AND RECORDS: Exhibitor shall preserve and make available for examination by SPR, or its authorized representative, complete and accurate books and records regarding operation of Exhibitor's business, including, but not limited to, ticket stubs and admission records. SPR shall have the right to audit such books and records with respect to the Film for at least four years after the end of exhibition of that Film. Exhibitor shall reimburse SPR for its audit costs, attorneys fees, costs of suit and collection agency fees when the audit reveals underreporting by Exhibitor."
From the "Standards Terms & Conditions United States license agreement from Warner Brothers Distributing, Inc. (no date or version number provided in document): "Section 27 Document Retention A. Exhibitor will keep, maintain, and preserve (with respect to electronic records, shall maintain continued accessibility, and any necessary conversions must retain all of the information of the original) for at least four (4) years followig the grant of any license by Warner, complete and accurate records and accounts related to such license including, without limitation, all invoices, correspondence, banking, financial, and other records, whether paper or electronic, pertaining to: (1) the acquisition, supply, identification, and disposition of all tickets for admission to the theatre during the license period (except that ticket stubs not generated by a computer system neeed only be kept for one year);
It's interesting to me given the above, that Century Theatres and others don't actually keep ticket stubs when you visit their theatres. I've never seen a rider or an addendum, but one must certainly exist for those chains/theatres, that tear the box office issued ticket to deface it, but do not keep a stub. If I recall correctly, Century's tickets aren't even perforated for stubs.
Yeah, its a pain to have monthly boxes of daily bags of ticket stubs hanging around for four years, but that's what the agreements require.
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Dave Williams
Wet nipple scene

Posts: 1836
From: Salt Lake City, UT, USA
Registered: Jan 2000
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posted 05-24-2006 09:51 AM
There are certain chains that do not take stubs, such as Century or here in Utah the Megaplex chain. The ticketing software spits out to a separate report each time a ticket is sold or returned. This is their record of a stub equivalent, since the definition of a ticket stub is nothing more than the theaters record of the "individual" transaction itself.
Using stubs is the first and best way to invite the possibility of theft. Chains that do not use stubs, and use thermal printed tickets with individual bar codes and so on, eliminate this kind of double dipping.
As for per-capitas raising and falling dramatically? Anyone that has ever used this to successfully prosecute by this evidence has achieved total judical misconduct. This is not evidence. There are myriad reasons for fluctuations in per-capitas, just as there are for anything in our economy. You cannot use the whims of customers as evidence of theft.
You can perhaps use the old fashioned red handed approach. Proper supervision of stock supplies, door personel, box office persons, concessionists, and even yes, even watching the flow of traffic as people do not stop at the candy counter.
Better to know and understand market fluctuations and plan accordingly than it is to assume that per-capitas only fluctuate with potential theft.
In the stock market, there is a presumption of the "enron" effect. If something raises too high, too fast, it is because the company might be corrupt. Instead, we need to look at the whims of investors who get caught up in these things. The same goes for concessions. Certain shows on certain days with certain types of movies, and dependant upon many external market factors, will each reap different per-capitas. Films like "the unbearable lightness of being" will not sell much popcorn, while any film bearing "star wars" will. We do not currently have anything in place to monitor this.
Also take into account the time of day the movies are playing. Are they before or after main meals, or are they during main meals, when people tend to get hungry? A mis-timed exibition can kill your per caps.
Also the price of Gas, bread, milk, and health insurance, all weigh heavy on the mind of the consumer. When anything like these go up, people react by making adjustments elsewhere. People stop going to movies and spending lots on concessions because other financial woes begin to weigh heavy. Things like this can fluctuate in a single hour, depending on news saturation of stories.
It's all just a crap shoot anyway. I spend out the wazoo on concessions when I see movies. I know I am supporting my theater, not hollywood on this issue. If I like the place, I come back and spend more. Most people think they are getting ripped off by the horrid presentations of entertainment that they are told are movies, but suck my ass in whole new and horrible ways.
I am just ranting.
Ciao
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