Film-Tech Cinema Systems
Film-Tech Forum ARCHIVE


  
my profile | my password | search | faq & rules | forum home
  next oldest topic   next newest topic
» Film-Tech Forum ARCHIVE   » Operations   » Ground Level   » Cinearts Theatres shun F & I films for Hollywood fare (Page 2)

 
This topic comprises 2 pages: 1  2 
 
Author Topic: Cinearts Theatres shun F & I films for Hollywood fare
Dan Zastrow
Film Handler

Posts: 38
From: San Rafael,CA. USA
Registered: May 2006


 - posted 05-25-2006 02:46 PM      Profile for Dan Zastrow   Author's Homepage   Email Dan Zastrow   Send New Private Message       Edit/Delete Post 
For the big studios that have their "indie" division and the big chain that has it's "art" screens its just about not missing out on a revenue stream. Every one of them is looking for the next MARCH OF THE PENGUINS or WINGED MIGRATION but when times are lean like now they have to fill the screens with something. I love what Century does to get around that. When they do have a "specialty" title and place it in what is otherwise a commercial theater they say that its "A Cinearts Approved Screen". [Roll Eyes]

 |  IP: Logged

Scott D. Neff
Theatre Dork

Posts: 919
From: San Francisco, CA
Registered: Oct 1999


 - posted 05-25-2006 09:37 PM      Profile for Scott D. Neff   Author's Homepage   Email Scott D. Neff   Send New Private Message       Edit/Delete Post 
quote: Mike Spaeth
While everyone is championing Landmark, let's look at some of the films they've played at the Midtown 8 in Atlanta.
Now Playing: The Da Vinci Code, American Dreamz. Opening Friday: X-Men

Exactly! Landmark plays first run movies in a good handful of their markets, nobody rags on them for being untrue to their independent film roots.

I rarely see "Art Theatres" turning down the latest Tarantino flick if it's offered to them. Can anybody seriously tell me that an art theatre should turn down "mainstream" product just because it's labelled "mainstream"? I'm sure ANY theatre owner would play DV Code if there wasn't another theatre in town.

We also know how political the studios can be. If there's nothing preventing Landmark from playing X-Men at their theatre (ie. no other theatre nearby) and Fox wants it to play there, then Fox reminds the theatre that they can't cherry-pick their product, that they need to scratch each other's backs.

That's why, I feel, that the most successful art theatres are the independents; the people that take over the old multi-plex because it's affordable. These theatres don't really have a choice of what to play so they take the time to build their audience and make an atmosphere that is distinctly different from the people who ran the theatre before them.

The million dollar question is: What would all the art theatres do if suddenly their nearest competition closed? I somehow doubt that they'd still be showing Kinky Boots.

 |  IP: Logged

Eric Hooper
Jedi Master Film Handler

Posts: 532
From: Fort Worth, TX, USA
Registered: May 2003


 - posted 05-25-2006 11:31 PM      Profile for Eric Hooper   Email Eric Hooper   Send New Private Message       Edit/Delete Post 
For the record, I think it's great that the Hyatt has gone back to mainstream fare. I could never see how they survived showing ROCK SCHOOL six shows a day...and nothing ever seemed to last there more than a week...

 |  IP: Logged

Caleb Johnstone-Cowan
Jedi Master Film Handler

Posts: 593
From: London, UK
Registered: Mar 2006


 - posted 05-25-2006 11:40 PM      Profile for Caleb Johnstone-Cowan   Email Caleb Johnstone-Cowan   Send New Private Message       Edit/Delete Post 
They aren't an art theatre if they're showing Kinky Boots! Suppose it's a foreign film.

 |  IP: Logged

Dan Zastrow
Film Handler

Posts: 38
From: San Rafael,CA. USA
Registered: May 2006


 - posted 05-26-2006 12:00 PM      Profile for Dan Zastrow   Author's Homepage   Email Dan Zastrow   Send New Private Message       Edit/Delete Post 
Scott
The art houses CAN play any of the major release films even if the local giga-plex is running it. When it comes to the big studio releases there is no clearance issues. The folks who are running true specialty screening rooms care very much what hits their screens and, as I have said in an earlier post, box office is not always the determining factor. If they did pick-up DV Code, which any theater with a sheet on the wall and a magic lantern could, they well would have had a nice weekend BO. But they do not because they really are trying to be an alternative. I'm not a snob; I watched DV Code and loved it. I simply believe we need to nurture other kinds of film watching environments, which would include micro-cinemas, outdoor screenings and the local independent houses.
[Smile]

 |  IP: Logged

Steve Scott
Phenomenal Film Handler

Posts: 1300
From: Minneapolis, MN
Registered: Sep 2000


 - posted 05-26-2006 03:06 PM      Profile for Steve Scott   Email Steve Scott   Send New Private Message       Edit/Delete Post 
Let's not forget that a growing amount of Landmark's indie content is produced by Magnolia, owned by 2929 entertainment, of which Landmark is a part of.

 |  IP: Logged

Eric Hooper
Jedi Master Film Handler

Posts: 532
From: Fort Worth, TX, USA
Registered: May 2003


 - posted 07-26-2006 12:57 PM      Profile for Eric Hooper   Email Eric Hooper   Send New Private Message       Edit/Delete Post 
Hmmm, let's see what's showing at the "CineArts" Santana Row this week!

- Clerks II
- Lady In The Water
- Pirates: Dead Man's Chest
- Devil Wears Prada
- Superman Returns

Tee-hee. [Razz]

 |  IP: Logged

Mike Spaeth
Phenomenal Film Handler

Posts: 1129
From: Marietta, GA
Registered: Jul 2000


 - posted 07-26-2006 04:01 PM      Profile for Mike Spaeth   Author's Homepage   Email Mike Spaeth   Send New Private Message       Edit/Delete Post 
Hey Clerks II is "sorta" indie, at least a sequel to an "indie."

 |  IP: Logged

Bill Gabel
Film God

Posts: 3873
From: Technicolor / Postworks NY, USA
Registered: Jan 2002


 - posted 07-26-2006 07:56 PM      Profile for Bill Gabel   Email Bill Gabel   Send New Private Message       Edit/Delete Post 
quote: Mike Spaeth
Clerks II is "sorta" indie
It's budget was about $5 million to make and $20 million to market. [beer]

 |  IP: Logged



All times are Central (GMT -6:00)
This topic comprises 2 pages: 1  2 
 
   Close Topic    Move Topic    Delete Topic    next oldest topic   next newest topic
 - Printer-friendly view of this topic
Hop To:



Powered by Infopop Corporation
UBB.classicTM 6.3.1.2

The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion and agrees to release the authors from any and all liability.

© 1999-2020 Film-Tech Cinema Systems, LLC. All rights reserved.