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» Film-Tech Forum ARCHIVE   » Operations   » Ground Level   » Letter to Cinemark about Daly City Theatre (Page 2)

 
This topic comprises 4 pages: 1  2  3  4 
 
Author Topic: Letter to Cinemark about Daly City Theatre
Steve Scott
Phenomenal Film Handler

Posts: 1300
From: Minneapolis, MN
Registered: Sep 2000


 - posted 03-05-2007 08:39 AM      Profile for Steve Scott   Email Steve Scott   Send New Private Message       Edit/Delete Post 
That manager shouldn't need a file-load of evidence to kick them out. He/she reserves the right to remove any patron with/without refund, at management's discretion. Let alone when there are several witnesses, let alone PAYING witness-customers!

"Write a letter..." the security guard says...
How operational, not managerial.

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Jason Whyte
Expert Film Handler

Posts: 132
From: Victoria, BC, Canada
Registered: Sep 2002


 - posted 03-05-2007 09:10 AM      Profile for Jason Whyte   Author's Homepage   Email Jason Whyte   Send New Private Message       Edit/Delete Post 
quote: Geoff Jones
I am writing about my experience at the Century 20 Daly City Theatre on Saturday, March 3. I saw Zodiac in Auditorium 3 at 8:30 pm.
Well there's your first problem right there. You want a good experience at the Daly City 20? Don't go there on a Saturday night. (I visited there once in 2005 and boy was that a busy place and I also had a few chatterboxes at my screening. Great film presentation however.)

It's a sad reality. People stay the hell away from our local megaplex on Friday and Saturday nights because of the onslaught of talking teenagers and adults. Last year I went to this place on Saturday night and had my chair kicked by an idiot kid for the entire duration, and from that day on have went to the less busier downtown theaters because of it (and sat in the back row! [Wink] )

I do agree with the others, however. Use the email contact form and someone will respond.

Jason

ps - Great website!

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Bobby Henderson
"Ask me about Trajan."

Posts: 10973
From: Lawton, OK, USA
Registered: Apr 2001


 - posted 03-05-2007 11:09 AM      Profile for Bobby Henderson   Email Bobby Henderson   Send New Private Message       Edit/Delete Post 
quote: Geoff Jones
I was thinking of something along the lines of "People are talking in auditorium 3, please come in here." Hang up. Not a lengthy conversation. Honestly, that would cause less disruption than getting up and climbing across the tightly spaced seat rows to go find someone in person.
I disagree.

When a movie is playing, absolutely NO cellphone use should be permitted at all.

The simple act of opening a cellphone is disruptive. Every time some ass-hat decides he needs to check his phone for any missed calls it's like turning on a bright flashlight in the theater. Everyone needs to keep their damned cellphones in their pockets or purses and on silent mode. Period. If they need to make a call or even need to check their phone at all they should only be doing that outside of the auditorium.

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Caleb Johnstone-Cowan
Jedi Master Film Handler

Posts: 593
From: London, UK
Registered: Mar 2006


 - posted 03-05-2007 12:35 PM      Profile for Caleb Johnstone-Cowan   Email Caleb Johnstone-Cowan   Send New Private Message       Edit/Delete Post 
There's probably something in the calling the box office idea, you could have a section of the preshow that says text 'SITE SCREEN PROBLEM' to a short SMS number. It could redirect to the box office or manager and staff could be directed to the problem. Better than that buttons on seat idea from a while back perhaps?

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 03-05-2007 01:49 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
Bobby has a point, but sometimes the kids are making such a disturbance that opening up a cell phone for 30 seconds is FAR LESS ANNOYING than letting the brats continue.

Even with that being said, it is easy to simply get up out of your seat and open the phone up and put it to your ear just as you are about to exit the auditorium. The kiddies will think you are just being courteous and answering your phone outside the auditorium, when in fact you are simply pretending for a few seconds and when you get in the hallway you are actuallyly dialing the box office. You should only miss less than one minute of the movie too, and by the time a manager can come downstairs (since most like to hide upstairs) a few minutes will have passed and it won't seem like you told on them (meaning for those concerned, no potential for a beating or anything in the parking lot).

Of course the manager SHOULD have made sure his staff was walking the auditoriums every 15 minutes regardless, but that isn't a Cinemark-specific problem. It's everywhere in most large multiplexes where staffing has been cut to save operating costs.

I've seen a few movies at the Cinemark Denton recently and although I've not had a problem with other patrons there, that theater did not do one single walk-through on any presentation I have seen. Also the focus is so incredibly bad every visit I have to go alert them. I don't see how this can be since I know Cinemark outlaws start timers...so did the guy starting the projector not notice or not care??? (I think it was aud #2 that had a bad side to side focus issue he was simply unable to correct.) The last visit there I was surprised the xenon made the show without exploding. I tried to find someone to warn them to look at it before they lose a reflector, but since it was the 10:30 show there was nobody to be found anywhere on the floor. (I think it was auditorium #12 if anyone in Cinemarkland wants to pass along the warning.) They also are in dire need of film cleaners. I didn't know trailers COULD be that dirty. The sound (although the trailers were too loud and the feature was too soft) was tuned fairly well for a multiplex though, and the theater is always clean throughout.

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Aaron Sisemore
Flaming Ribs beat Reeses Peanut Butter Cups any day!

Posts: 3061
From: Rockwall TX USA
Registered: Sep 1999


 - posted 03-05-2007 05:47 PM      Profile for Aaron Sisemore   Email Aaron Sisemore   Send New Private Message       Edit/Delete Post 
quote: Demetris Thoupis
If at one point the movie went out of focus and out of frame would you have sat down and watched the whole movie and then complain about the presentation?
I wouldn't, but I have seen exactly that happen on numerous occasions. People coming out at the end of a film and complaining that the focus was off since the beginning of the show...

Or worse, people coming out after seeing the movie and wanting a refund because they 'didn't like the movie' or 'were offended by the violence/nudity/language/political agenda/etc.' in the movie...

-Aaron

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Patrick Dunn
Expert Film Handler

Posts: 120
From: newark, DE, United states
Registered: Aug 2005


 - posted 03-05-2007 06:55 PM      Profile for Patrick Dunn   Author's Homepage   Email Patrick Dunn   Send New Private Message       Edit/Delete Post 
quote: Aaron Sisemore
Or worse, people coming out after seeing the movie and wanting a refund because they 'didn't like the movie' or 'were offended by the violence/nudity/language/political agenda/etc.' in the movie...
I hate that, but my GM said she had worse, someone asked her for a refund because his date didn't go over too well. If anyone is ever offended by the violence or the nudity you can tell them there is a reason the movie has a rating.

And I don't think using a cell phone in the theater to alert box office would be a good idea to let them know of disruptive patrons, I agree with brad, wait until you are in the lobby before you dial it. But where I work, two of our theaters are right next to the concession stand so they can let any of us know without missing much of the movie, and they don't have to wait for us to answer the phone since sometimes when we are busy it may be a while for someone to answer the phone.

But I hate leaving the theater for any reason during a movie because I'm always afraid that I am going to miss something while I'm up.

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Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 03-05-2007 07:46 PM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
Frank said "Thats true, you shouldn't be expected to, but then don't expect the noise to end. "
That is the attitude that is distroying this industry from the inside
The theatre has an obligation to present to the paying customer an uninterupted flawless presentation that they can suspend there disbelief and enjoy

anything less is a crock of [bs]

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Geoff Jones
Jedi Master Film Handler

Posts: 579
From: Broomfield, CO, USA
Registered: Feb 2006


 - posted 03-06-2007 12:54 AM      Profile for Geoff Jones   Author's Homepage   Email Geoff Jones   Send New Private Message       Edit/Delete Post 
Thank you Gordon!

Based on a few of the comments I've gotten, I think some folks might have mis-conceptions about me, some of which are a little insulting. Here's a little more about me:

I have never talked on a cell phone during a movie. The only reason I would ever consider talking on a cell phone during a movie would be to report a problem so I wouldn't have to miss part of the movie. If I was thrown out for talking on a cell phone, I would probably be happy about it.

I make a point of buying concessions when I go to good theatres.

I always carry my trash out with me, and tell my friends to as well.

I write a silly little blog about movie theatres, with the hope that it might help people find and support good theatres, and therefore improve the overall movie-going experience. (I'd love for folks here to submit reviews!)

If the movie is unwatchably out of focus or one of the many other problems that I have encountered, I do get up and go complain about it.

If the problems are minor or periodic, I complain about them after the movie, because I'd rather suffer through them than risk missing something crucial, unless I've seen the movie before.

If I were to ask for my money back after a movie (which I haven't done in years), I would not be doing it because I'm a cheapskate; I would be doing it to cause a hassle for the manager, with the honest hope that he or she will try to fix the problem, to avoid that hassle in the future. And I would never ask for my money back because the movie was lame or I had a bad date.

I like to sit in the center, and sadly, most theatres I've been to lately do not have enough leg room for me simply get up out of my seat without literally climbing over folks. (And I'm not a particularly large person.)

When I go to the movies, I want a large, enveloping, immersive image. I haven't been to the Bridge theatre in some time, but from what I remember, the screen there wasn't much bigger than my home theatre. That's one reason I didn't consider going there. (If my memory is incorrect, I sincerely apologize.) Also, the Daly City 20 had been recommended for its large screens and good sound.

I think Film Tech is a great resource and have been visting the forums for years, long before I ever posted. And I sometimes think Joe is funny!

Cheers,
Geoff

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John Joseph Fink
Film Handler

Posts: 60
From: West Hartford, CT
Registered: Feb 2006


 - posted 03-06-2007 06:25 AM      Profile for John Joseph Fink   Author's Homepage   Email John Joseph Fink   Send New Private Message       Edit/Delete Post 
quote: Gordon McLeod
The theatre has an obligation to present to the paying customer an uninterupted flawless presentation that they can suspend there disbelief and enjoy

anything less is a crock of

Too often that is forgotten! I have complained about the state of projection at many theaters in the area are often I'm told "it can't be fixed" or "we'll look in to it" and nothing is done. Most recently at National Amusements my party complained four times about framing at Daddy's Little Girl and nothing was done. We were given return passes and I told them "why didn't you just fix the problem". They responded "the intercom system was broken, we couldn't communicate with the booth". "Nobody could have walked up there" "No". I mean what the hell is that? I also find problems in a lot of the former Loews, AMC sites with poor quality projection. Clearview, a chain that used to have horrable projection finally got tired of my endless complaints both to managers and in the lobby and I'm happy to say they've finally cleaned up their act, actually caring about focus, lighting and framing! But what the industry needs to understand is that if these problems persist due to lack of compitant booth opperators people will stay home and make it a NetFlix night. Tragically some of these managers I've run in to, like the one first discribed here, don't get that.

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Frank Dubrois
Jedi Master Film Handler

Posts: 896
From: Cleveland, OH
Registered: Mar 2005


 - posted 03-06-2007 08:05 AM      Profile for Frank Dubrois     Send New Private Message       Edit/Delete Post 
quote: Gordon McLeod
That is the attitude that is distroying this industry from the inside. The theatre has an obligation to present to the paying customer an uninterupted flawless presentation that they can suspend there disbelief and enjoy
Gordon, I think you misunderstood me. I agree 100% with your statement. I was trying to tell him that if HE doesn't get up to alert staff to the problem, and since the staff obviously doesn't care enough to check, he should expect the problem to go away. That theater is apparently suffering from what you describe, and its sad. We have the same situation where I am at, I see, I try to work on it, but the kids and some management just dont care. The only way to get rid of a problem is to take care of it yourself. Unfortunately, most noise or projection problems are only solved when patrons complain. I like the point that someone made about bad focus. Would he sit there though the whole movie hoping someone will come in and check? nowadays, you just can't count on that...especially in the big megaplexes. I think his complaint is warranted, but sitting in his seat hoping for results simply doesn't work. The theater deserves bad marks for customer service.

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Demetris Thoupis
Phenomenal Film Handler

Posts: 1240
From: Aradippou, Larnaca, Cyprus
Registered: Apr 2001


 - posted 03-06-2007 11:13 AM      Profile for Demetris Thoupis   Email Demetris Thoupis   Send New Private Message       Edit/Delete Post 
Geof,
I apologise if my comment offended you. It was not refered specifically to you but I was rather making a general comment.
Demetris

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Bobby Henderson
"Ask me about Trajan."

Posts: 10973
From: Lawton, OK, USA
Registered: Apr 2001


 - posted 03-06-2007 11:48 AM      Profile for Bobby Henderson   Email Bobby Henderson   Send New Private Message       Edit/Delete Post 
quote: John Joseph Fink
But what the industry needs to understand is that if these problems persist due to lack of compitant booth opperators people will stay home and make it a NetFlix night.
I believe the problem is greater than simply having competent booth personnel. I think it has a lot more to do with corporate culture/policy than anything else.

The corporate management of many theater chains simply does not believe in investing enough money into auditorium and booth designs to achieve very good or great levels of presentation quality. Most executives only seem interested in "good enough" standards.

Those same executives also feel that regular maintenance is a pretty optional thing as well. Regardless of theater chain, many booths have to fight to get replacement parts, bulbs, speaker drivers and other items. The projection systems and audio A/B chains rarely get seen by qualified technical people either.

Lots of the theater chain brass keep holding to the belief audiences will keep coming regardless of sub-par presentation quality. That's the marketing strategy of a loser who only hopes to keep holding onto what he has instead of gaining more customers.

Movie theaters could be fighting from a position of strength if they wanted to do so. It's feasible to build and maintain theater auditoriums that can blow away the quality anyone can get from home theater. Someone can spend $200,000 on a very high end home theater, but it's still going to be a tiny room compared to a house with a 70' wide screen and several hundred seats. When that same big house has bright, sharp projection and sound that pounds the air in your chest you're going to want to come back regardless of what equipment you may have in the home. The trouble is very few commercial movie theaters are offering anything like that.

And that's a shame. Because there's so many other negative reasons why a lot of potential customers are staying away from movie theaters. The advent of Blu-Ray, HD-DVD and new versions of Dolby and DTS audio just sweeten the deal for home viewing. The rude, selfish behavior of other audience members is at least to some level out of the control of theater staff. However, the presentation quality of the show itself is fully within the control of theater. So I see little excuse for that end of it to be sub-par.

I was willing to drive hundreds of miles to watch movies at high quality theaters like the long gone GCC Northpark 1-2 in Dallas. That sort of phenomenon appears not to matter much to theater chain executives.

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Frank Dubrois
Jedi Master Film Handler

Posts: 896
From: Cleveland, OH
Registered: Mar 2005


 - posted 03-06-2007 04:17 PM      Profile for Frank Dubrois     Send New Private Message       Edit/Delete Post 
quote: Bobby Henderson
The corporate management of many theater chains simply does not believe in investing enough money into auditorium and booth designs to achieve very good or great levels of presentation quality. Most executives only seem interested in "good enough" standards.
I agree. Maintenence isnt an option, only REPAIR. Hire as many crappy workers as you can, keep them for the summer, then fire them before they get a raise... We don't get good employees that care because corporate America doesnt care about quality, only the bottom line. One well trained, high quality, caring employee can do the work of 2 slackers, easily. You do the math. Obviously this cant be explained to accountants, but its truth.

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Joe Redifer
You need a beating today

Posts: 12859
From: Denver, Colorado
Registered: May 99


 - posted 03-06-2007 06:51 PM      Profile for Joe Redifer   Author's Homepage   Email Joe Redifer   Send New Private Message       Edit/Delete Post 
quote: Frank Dubrois
Hire as many crappy workers as you can
I think you mean "as few as they can get away with". Even if the workers are crappy, the more they have the higher their payroll will be, and theaters HATE paying people.

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