Film-Tech Cinema Systems
Film-Tech Forum ARCHIVE


  
my profile | my password | search | faq & rules | forum home
  next oldest topic   next newest topic
» Film-Tech Forum ARCHIVE   » Operations   » Ground Level   » Union Projectionists picket Orinda Theatre (CA) (Page 2)

 
This topic comprises 2 pages: 1  2 
 
Author Topic: Union Projectionists picket Orinda Theatre (CA)
Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 08-03-2009 09:12 AM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
IMHO all the present Locals need to look towards the Seattle Local as a model of existance if the rest of em are to survive. They have a number of locations for Landmark where the Projectionist was kept on rather than the theater manager. Thus the projectionist is now also the Theater's manager. This makes 100% more sense to me then keeping the manager that hasn't a clue about the upstairs equipment!!! I can't believe the guys picketing in this local are as blind as they are!! The Seattle guys have more foresight then the rest of the locals combined....

Mark

 |  IP: Logged

Rick Raskin
Phenomenal Film Handler

Posts: 1100
From: Manassas Virginia
Registered: Jan 2003


 - posted 08-03-2009 12:20 PM      Profile for Rick Raskin   Email Rick Raskin   Send New Private Message       Edit/Delete Post 
In the 70s some of us advocated the same thing for the Washington DC local. We were met with resistance.

 |  IP: Logged

Jack Ondracek
Film God

Posts: 2348
From: Port Orchard, WA, USA
Registered: Oct 2002


 - posted 08-03-2009 12:42 PM      Profile for Jack Ondracek   Author's Homepage   Email Jack Ondracek   Send New Private Message       Edit/Delete Post 
quote: Mark Gulbrandsen
IMHO all the present Locals need to look towards the Seattle Local as a model of existance if the rest of em are to survive. They have a number of locations for Landmark where the Projectionist was kept on rather than the theater manager.
I was gone before that happened, but I can say that they did have a training program in place during the mid '70s, when the vast majority of the town was still changeover, and both projection and sound service were unionized.

The training was broken up into several areas specific to the craft, with one or two of their senior projectionists teaching and/or evaluating the candidate's skill in that area. Once you performed to the satisfaction in one area, you'd be sent to a different theatre, where you'd start on another. In the end, you presented yourself at the Seattle Labor Temple, where you'd be given a box of parts and told to assemble and properly time a projector (I think it was a Super or an E-7). After that, they trotted out a piece of plywood with two changeover solenoids, a couple of pushbuttons, a power cord and a bunch of jumpers. They wanted to see if you were intelligent enough to wire the two solenoids in reverse. Seems simple, but it did make some look crosseyed. It was all a bunch of window dressing, but they felt they had to come up with something as a "final exam".

As for your ability to run a show: That had already been evaluated in several booths, with different machinery, lighting designs, curtain timings and operational philosophies as a result of having traveled around during your "training". Some of those booths you'd never see again unless you were very good or very lucky.

Back then, the program took 3 months to complete, during which you were not paid or assigned any shift on your own for any reason. On the other hand, once I got through it, I was double shifted just about continuously until I got my own booth.

So... yes. I'd also put Local 154 up there, as far as training is concerned.

My point in suggesting Brad wouldn't turn his program over was based more on his being very specific about his expectations and the fact that union training is pretty much a thing of the past.

I don't recall ANYONE at that level, being hair triggered about the changeover. The delay was understood, and taught... so was the fact that you had to allow for the different spin-up times you'd find if you weren't in the same booth every day. Funny, huh? You actually had to think .

 |  IP: Logged



All times are Central (GMT -6:00)
This topic comprises 2 pages: 1  2 
 
   Close Topic    Move Topic    Delete Topic    next oldest topic   next newest topic
 - Printer-friendly view of this topic
Hop To:



Powered by Infopop Corporation
UBB.classicTM 6.3.1.2

The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion and agrees to release the authors from any and all liability.

© 1999-2020 Film-Tech Cinema Systems, LLC. All rights reserved.