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This topic comprises 2 pages: 1 2
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Author
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Topic: Deaf Moviegoes Sue Cinemark
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Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999
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posted 12-06-2010 02:39 PM
I've said it before, I'll say it again...the problem is in the way the law was implemented and how it was written.
Words like "reasonable accommodation" are very poor choices in law..."reasonable" is WAY TOO subjective and will forever require courts to refine it.
Also, there is a difference between discrimination and accommodation. While most of society will find it wrong to discriminate...accommodate is another idea all together.
How the Feds should have handled it, in terms of deaf/blind/hard of hearing is to standardized on specific frequencies for IR and RF to be for ADA use exclusively.
At that point, the theatre (or any business catering to the public) would then be responsible for broadcasting any audio (including descriptive for the blind) on those frequencies and that is it. The disabled would be responsible for their own receivers. These would work in theatres, malls, churches...whatever and wherever. In this way, the disabled can have a hearing system that is actually calibrated to their specific type of hearing loss. Furthermore, it would remove the disgusting aspect of wearing the headset worn by God know's who that hasn't bathed in God knows how long! If you need captions, you bring the receiver and display needed for such things.
At that point, all the theatre would need to do is post in the boxoffice what the frequencies you are broadcasting what on (IR or RF). That is it. The financial burden to the business is trivially low at that point as they are only buying an RF transmitter or IR emitters...which as compared to the speakers for the able bodies, are in-line. There would also be minimal maintenance to keeping the IR/RF system up and going.
Come up with some nice standards for coverage and signal strength in the venue and meters to measure it and the business can easily know if they are in compliance. As it is now...theatres are told they have to have what 4% of their seat count...but no standards on coverage of the auditorium. Why is the theatre responsible for providing the headset that, most likely , does not correct for the particular person's hearing deficiency.
-Steve
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This topic comprises 2 pages: 1 2
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