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Topic: Disney booking conditions changed?
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Melanie Loggins
Expert Film Handler

Posts: 154
From: Wayne, NE, USA
Registered: Aug 2011
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posted 05-05-2015 12:39 PM
Justin, my sitaution is like Mikes: 30 minutes west is a town with a mutliplex and shopping, and 45 minutes east is a much larger town with 3 multiplexes and better shopping. It's routine for most people around here to leave town at least once week. (I did twice just this past weekend, and I was working!) There is not much shopping and even less eating in my town, so it's easy to make a day of the mall, Wal-Mart, eating and movie. I can open a movie (and still just charge $4) and still hear about people going out of town to see it, simply because they were already going to be out of town anyway. I wasn't 100% full with Iron Man 3, Thor 2, or Captain America 2. And having seen the reviews of Age of Ultron, I feel pretty comfortable not counting on three weeks. If my average holds up, and last weekend was already above average, I'll end up depositing more money this way.
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Mike Blakesley
Film God

Posts: 12767
From: Forsyth, Montana
Registered: Jun 99
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posted 05-05-2015 08:31 PM
Looks like Disney actually gave in. I wish I could have a personal conversation with Bob Iger and be able to say "Yes, Bob, you DO create great value for the theaters, but why do you (and other studios) insist on torpedoing that value almost immediately by releasing the video too soon?"
Disney Backs Down on New 'Avengers' Matinee Rule in Wake of Theater Complaints
by Pamela McClintock 5/5/2015 1:49pm PDT
About a month ago, as Avengers: Age of Ultron prepared to open, Disney sent a note to theater owners updating its master licensing agreement, which governs the terms by which an exhibitor can play a film. Looking to get even more back from the box office, the studio wanted discounted matinees to end at 5 p.m., versus 6 p.m., the traditional cut-off time.
The directive prompted an immediate response from National Association of Theater Owners John Fithian, who wrote a letter to Disney stating he had received "an avalanche of complaints, concerns and fears" from his members.
Those concerns also included Disney's intention to use NATO's average ticket price (currently $8.12) as the minumum mark for splitting box office revenue, even though ticket prices could be lower in smaller cities and towns. If cinema operators discount tickets below whatever a studio minimum is, they must make up it up and chip in the difference to the overall pool. Every studio has a minimum, but they fluctuate market to market.
Though Disney itself didn't get barraged with individual complaints, it has decided to abandon the idea of cutting matinees off at 5 p.m. The studio also will revisit using the average ticket price across all markets, even though it has never invoked the directive, which has been on the books for more than a year.
For years, Disney wasn't as aggressive as other studio in terms of revenue splits with theaters. But two years ago, just before Iron Man 3 opened, the studio renegotiated its terms and is getting as much as 60 percent back on its big tentpoles, Avengers: Age of Ultron. That's in line with other big event pics from rival studios.
"We have obviously with our film strategy created and will continue to create huge value for the theater owners here in the United States and around the world," said Disney chairman-CEO Bob Iger when asked about the revenue split during an earnings call Tuesday morning. "And clearly with the hand that we have got -- Disney and Pixar and Marvel and Star Wars -- our discussions in terms of the rates that we get paid or the splits have factored in the films that we release."
Iger said he would not discuss specifics but that, "I want to emphasize, again, the investment this company has made in its motion pictures and the results are evident in terms of the value ... to the theater owners."
The Wall Street Journal first reported the dispute.
Hollywood Reporter article
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Mike Blakesley
Film God

Posts: 12767
From: Forsyth, Montana
Registered: Jun 99
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posted 05-07-2015 12:14 PM
Well like I said above, if you are making it at your current price then that's great -- if you don't NEED to raise them, don't. There is something to be said for the "volume price" model. Wal-Mart does quite well with that!
But if an increase is needed, I would say a P.R. campaign is in order. Nobody is going to fault you if you explain that the increase is necessary.
Just point out the facts -
- The average ticket price nationwide is over $8.00
- You need to bring in more money in order to continue to make improvements (include the fact that digital projectors don't last forever)
- Your costs have gone up (wages, insurance, the cost of digital, well you know the list!)
- Even if you went to $6, you are probably still at least $2 or $3 less than the chain multiplexes (and I'll bet your concessions are lower too, and you probably have better service)
There is also the thought that someday, Disney and the rest might decide to enforce that per-cap thing to the letter, which would mean you'd have no choice but to raise prices dramatically to keep from losing money. If they start using the national average, that'd mean you'd be paying over $4 in film rental for every ticket you sell assuming the rent is 50%. This might not ever happen if you don't play many films on the break, but you never know.
Hope this helps!
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