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Author Topic: The decline of 3D
Marcel Birgelen
Film God

Posts: 3357
From: Maastricht, Limburg, Netherlands
Registered: Feb 2012


 - posted 09-01-2017 03:26 AM      Profile for Marcel Birgelen   Email Marcel Birgelen   Send New Private Message       Edit/Delete Post 
quote: Dennis Benjamin
I stood at the theatre entrance with the 3D glasses collections box at the end of the show. Not one single patron remarked about the fact that the movie was not in 3D. As a matter of fact some commented on how good the 3D effects were.

I was floored....

I once went into a show as a patron, where left and right were swapped. Once the 3D show started, I immediately noticed there was something amiss. It didn't take long to figure out left and right were swapped.

So, I walked out to inform the guy on duty. He walked in, took some 3D glasses and told me: I don't see the problem, the 3D is working. It took some time to convince him left and right were switched, he simply couldn't see it. Still, he apparently tried to alter some settings, as the show was stopped and started a few times. The problem wasn't fixed and he told me he couldn't find the problem.

My solution was a rather uncomfortable one, I turned the 3D glasses upside down. I was already too far into the movie to give up on it.

Still, the only one except me that seemed to have noticed anything was my girlfriend. The rest just sat there. The few people I asked after the show all told me, they didn't see anything wrong with it.

Watching an inverted 3D show is just plain horrible. I cannot explain how anybody could have watched an entire show like this. It's far more distracting than watching a 2D show through a pair of sunglasses, yet most people don't seem to mind.

So, your story of people of complimenting you for non-existing 3D somehow feels familiar. It's also a testament to how much crap you can feed people before they actually seem to notice or start to complain about it.

Regarding 3D in general:

I've never had a problem to perceive 3D, fortunately, it also isn't causing any major discomfort in the form of headaches, although it surely strains the eyes more than watching a plain 2D movie.

But quite frankly, I've personally never seen the value of feature-length 3D presentations. I do see the added value for things like theme park attractions, but not for a 90 minute or more show.

Why? Because the distractions are just not worth it. Even the best 3D system currently on the market is creating more artifacts and distractions than what it's usually worth to endure. That's also what makes it different from color v.s. black and white. Also, the WOW effect wears off quite rapidly. Nobody is amazed at seeing a movie in color nowadays, because we're used to it. Nobody is really amazed at seeing a movie in 3D anymore, because most of us have seen plenty of them.

So, now consider a movie like Avatar, with a runtime of roughly 160 minutes. I can tell you, that after about 90 minutes into the movie, you don't really care about the 3D anymore. Yes, there might be exceptions if you really into 3D and the occasional negative parallax ("in your face") 3D effect might grab some of your attention now and then. Yet still, the immersive effect is entirely negated by the glasses getting kind of heavy and irritating and by the lack of brightness in the picture. Also, for many people, some kind of fatigue will set in, after a prolonged 3D experience, even for those who don't generally have a problem with stereoscopic 3D images.

Like Mike already mentioned, it all starts with a good movie. And a good movie is so far more immersive than any 3D could ever be.

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David Stambaugh
Film God

Posts: 4021
From: Eugene, Oregon
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 - posted 09-01-2017 12:37 PM      Profile for David Stambaugh   Author's Homepage   Email David Stambaugh   Send New Private Message       Edit/Delete Post 
The first RealD movie I saw (Monsters Inc?) had the polarizer reversed or something. You had to turn the glasses upside down for correct 3D. I got the manager to look at it and she agreed something was very wrong. I was comped. Next time I went there for 3D it was fixed.

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Mike Blakesley
Film God

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From: Forsyth, Montana
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 - posted 09-01-2017 12:44 PM      Profile for Mike Blakesley   Author's Homepage   Email Mike Blakesley   Send New Private Message       Edit/Delete Post 
It's a programming issue in the projector. With our system, it happens every time there is a projector software update and it has to be readjusted.

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Randy Stankey
Film God

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From: Erie, Pennsylvania
Registered: Jun 99


 - posted 09-01-2017 02:40 PM      Profile for Randy Stankey   Email Randy Stankey   Send New Private Message       Edit/Delete Post 
quote: Marcel Birgelen
... it surely strains the eyes more than watching a plain 2D movie. ...
Take two pairs of glasses and swap the lenses so that one pair is L/L and the other is R/R. You now have two pairs of "Un-3D" glasses.

I used to keep a pair of these doctored glasses around for whenever I didn't want to watch a movie in 3D... especially bad post-conversions.

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Marcel Birgelen
Film God

Posts: 3357
From: Maastricht, Limburg, Netherlands
Registered: Feb 2012


 - posted 09-01-2017 04:50 PM      Profile for Marcel Birgelen   Email Marcel Birgelen   Send New Private Message       Edit/Delete Post 
In the aforementioned case, it also happened after a software update. You'd say it would be easy to spot, then again, most people operating those things nowadays alongside serving popcorn are just a bunch of kids with no affinity to the business whatsoever.

quote: Randy Stankey
Take two pairs of glasses and swap the lenses so that one pair is L/L and the other is R/R. You now have two pairs of "Un-3D" glasses.

I used to keep a pair of these doctored glasses around for whenever I didn't want to watch a movie in 3D... especially bad post-conversions.

They're an actual product and you can buy them from Amazon. DCINEX/CinemaNext, one of Europe's largest integrators has them made with your logo on it, just like regular 3D glasses.

I know at least one chain that offers them as an option, instead of 3D glasses. The irony is, they come with an additional charge. So, in order to see a 3D show in 2D, you've to pay up double.

Quite frankly, those 2D glasses suck. They might be a solution if you go out with a group and some can't handle the 3D, but I'd never go see a show that way. You get all the distractions of those glasses, but none of the remaining benefits of 3D.

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Justin Hamaker
Film God

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From: Lakeport, CA USA
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 - posted 09-01-2017 05:01 PM      Profile for Justin Hamaker   Author's Homepage   Email Justin Hamaker   Send New Private Message       Edit/Delete Post 
NEC had an issue around the time of the first Thor movie where they swapped the left/right priority (I believe the setting is "Input Frame Dominance") between versions. If you didn't get this switched you picture would look like the 3D went into the screen rather than popping out.

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Martin McCaffery
Film God

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From: Montgomery, AL
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 - posted 09-01-2017 09:34 PM      Profile for Martin McCaffery   Author's Homepage   Email Martin McCaffery   Send New Private Message       Edit/Delete Post 
Motion Picture Herald
January 16, 1954
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Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999


 - posted 09-02-2017 10:05 AM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
NEC has a bad habit of rewriting their standard files. If you want to avoid an update changing things you have set, always (and I mean always) make your own screen, PCF and 3D files. All you need do is save them under a different name.

How 3D was implemented changed a bit in DCinema. Eye dominance affected stuff before the line-interleave method came into use. Eye dominance showed up where Left and Right eyes were correct BUT you were essentially 1/2 frame out of sync so one eye was behind the other (but still looking at the correct eye). So on motion shots, you'd see a disturbing judder (particularly any horizontal action). It WOULD get you headaches.

Eye polarity (typically called normal and inverted) is where the two eyes can get swapped. Then you get reverse 3D where the orientation is such that near-field stuff is behind the far-field stuff. That is easily verified by turning the glasses upside-down.

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Mitchell Dvoskin
Phenomenal Film Handler

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From: West Milford, NJ, USA
Registered: Jan 2001


 - posted 04-06-2018 02:00 PM      Profile for Mitchell Dvoskin   Email Mitchell Dvoskin   Send New Private Message       Edit/Delete Post 
Another article on the death of theatrical 3D: Yahoo Finance

quote: Yahoo Finance
Could it be that the scourge of 3D film is coming to an end? The box office contribution of 3D showings dropped in 2017 to 12 percent of the U.S. and Canada's $11.1 billion total take, its lowest point essentially since 3D movies became a thing.

The numbers come straight from the horse's mouth: an MPAA report on ticket sales. It's a mixed bag altogether, for the most part positive: people are still watching lots of movies, and they're paying to go to theaters all over the world. Global box office hit a new record ($40.6 billion) even if the U.S. and Canada dropped 2 percent.

The decline of 3D, however, is really only noted in the following chart:

You can see that at 12 percent of total box office, it's the lowest percentage and absolute amount of ticket sales for 3D movies since 2009. The peak, in 2010, was largely due to Avatar, surely the most impressive 3D film and certainly the highest grossing, even if it did use Papyrus for its title font. It's been largely downhill since then.

And why not? 3D is expensive, uncomfortable, degrades the quality of the picture, rarely adds anything to a film, and in fact is often bolted on after the fact in post-production. (CG films, more easily converted and aimed at a younger crowd, are an exception.)

3D TVs failed, 3D gaming failed, VR's special take on 3D is at the very least failing to succeed — so why not 3D film?

As an embellishment on moviemaking, it's largely bankrupt of possibility, but the idea of creating a "premium" tier of moviegoing (the sort-of-stealth motive of 3D) is far from a bad idea. People will pay extra for things like big seats, 21+ showings where you can drink, good food, and so on. And as MoviePass has shown, they'll also pay for theaters as a service — although whether the company can pull that off at the current price point is a matter of some debate.

Even if Avatar 2 were to give the 3D box office a shot in the arm, it's unlikely that the enterprise is considered worth saving when other, fresher opportunities to put butts in seats are in the offing. Here's hoping 2018 or 2019 will be the last time you have to specify 2D when buying tickets.

While I like 3D when it is well done, my experience is that most people are indifferent to 3D (at best), but actively hostile to the up-charge. It is a shame, because they finally got 3D, both home and theatrically, to the point where it worked really good, but killed it off with too many mediocre movies that had no reason to be in 3D. It was no longer something special, deserving of a higher price.

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Mike Blakesley
Film God

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From: Forsyth, Montana
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 - posted 04-06-2018 02:44 PM      Profile for Mike Blakesley   Author's Homepage   Email Mike Blakesley   Send New Private Message       Edit/Delete Post 
It's been about 2 years now since we had our last 3-D movie. In the last year I've had exactly one guy ask about 3-D. Everybody else has lost interest. Like I've said before, we didn't ever really get complaints (to our faces at least) about the surcharge, the biggest gripe I heard was people didn't like wearing the glasses.

Even though there is a huge frenzy over the new Avatar land at Disney World (which IS extremely well-done), I'm still not sure if Disney and James Cameron can whip up enough interest by the time the Avatar sequels come around to make 3-D a thing again or not.

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Frank Cox
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From: Melville Saskatchewan Canada
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 - posted 04-06-2018 03:00 PM      Profile for Frank Cox   Author's Homepage   Email Frank Cox   Send New Private Message       Edit/Delete Post 
When I first got the 3D it was a big thing and lots of people went out of their way to "see it in 3D!" And I got lots of comments about the wonderful special effects and such.

Now people don't seem to care much either way. Nobody (well, almost nobody) complains about the surcharge.

Very few people seem to actively dislike it, but it's no longer the special thing that it used to be.

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Alan Gouger
Jedi Master Film Handler

Posts: 501
From: Bradenton, FL, USA
Registered: Jul 2000


 - posted 04-06-2018 10:13 PM      Profile for Alan Gouger   Author's Homepage   Email Alan Gouger   Send New Private Message       Edit/Delete Post 
Just recently ordered a new silver screen, and now I see this thread [Razz]

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Mitchell Dvoskin
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Posts: 1869
From: West Milford, NJ, USA
Registered: Jan 2001


 - posted 04-09-2018 03:14 PM      Profile for Mitchell Dvoskin   Email Mitchell Dvoskin   Send New Private Message       Edit/Delete Post 
> Now people don't seem to care much either way. Nobody (well, almost nobody) complains about the surcharge.

People rarely complain about pricing. They just don't go. It would be been an interesting experiment to have the same movie with the same showtimes, at the same price for both 2D and 3D, and see if there is as great a difference in the attendance for 2D vs 3D. I think 2D will still win, since there are people who just don't like it, but I tend to think the difference would be a lot closer without the upcharge.

Who knows, I could be wrong.

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John T. Hendrickson, Jr
Jedi Master Film Handler

Posts: 889
From: Freehold, NJ, USA
Registered: Apr 2001


 - posted 04-18-2018 03:13 PM      Profile for John T. Hendrickson, Jr   Email John T. Hendrickson, Jr   Send New Private Message       Edit/Delete Post 
Never liked it when I worked in the industry and I'm surprised that it's lasted as long as it has. You couldn't drag me to a 3D presentation these days. Well, maybe Avitar in 2020 if I live that long. [Big Grin]

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Bobby Henderson
"Ask me about Trajan."

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From: Lawton, OK, USA
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 - posted 04-19-2018 12:51 AM      Profile for Bobby Henderson   Email Bobby Henderson   Send New Private Message       Edit/Delete Post 
I think it absolutely is all about the pricing. $3 to $4 extra for 3D, even if it is (MOST OF THE TIME) a phony, bullshit 2D to 3D conversion job? Yeah, customers are going to actually search out the 2D version of the show. Between the ticket prices and snack bar prices a trip to the theater is kind of expensive for the majority of people in the middle and lower income brackets. Any analogies of what it costs to attend a live stage play can please be forwarded along to those cats with McMansions and country club memberships. A trip to the movie theater ain't the same as a freaking show on Broadway.

I think 3D is pretty cool when it is well done. Avatar was great in 3D. So was Gravity. I have a 3D Blu-ray of that one (even though I watched it for the first time in 2D, but with a killer Atmos sound mix).

People my age remember the 1980's when 3D didn't cost anything extra. You got some cheap paper glasses with thin plastic polarized lenses in them. It was fine for what it was. Somehow with "digital" being involved now everyone has to get price gouged for the 3D business model.

I think it really sucks how movie theaters are on the hook for these technological things rather than the damned movie studios. 3D is one thing. How about laser-based projection? That crap costs a giant fortune. IMAX has to blow $2 million+ per screen to do its "IMAX with Laser" conversion job. Dolby Cinema ain't cheap, and they almost always never do 3D even though 3D would look far better on their setups than any standard single or dual projector setup. It costs a fortune for a movie theater to install a Dolby Atmos sound system where Atmos works like it is advertised.

Basically what's going on in the movie business and movie theater business is extreme imbalance. A number of very selfish, greedy parties is just trying to get theirs at any cost and screwing over other partners in the business. I think the movie studios and movie theater chains should be working more closely together to improve the movie-going experience. And that means sharing the cost of making that happen. They kind of need to start doing that shit soon since the movie distributors made a complete shit show of their home video business over the past few years.

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