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Author Topic: Is It Really True About...
Jerry Chase
Phenomenal Film Handler

Posts: 1068
From: Margate, FL, USA
Registered: Nov 2000


 - posted 12-28-2000 08:44 AM      Profile for Jerry Chase   Author's Homepage     Send New Private Message       Edit/Delete Post 
Brad, I don't know if it a record for a paying audience or not. It was fun. One of the better union projectionists and I did it together, because the selsyns were set to join three projectors, and another set were joining two. We had to use an accumulator between the two sets.

Needless to say, the print was gone over with a fine tooth comb before threading, and we used a lo-o-o-o-o-o-o-o-o-o-o-ng leader.

If the other two films hadn't been doing business, I might have considered adding them in as well, although we did have a few empty seats in one of the auditoriums.

I did get a real chuckle from one audience member. This theatre was known for a problem with customers crossing over, so, practical joker that I am, I told the manager and staff not to be too concerned that night. One kid in particular was memorable. He came out of Batman on the end auditorium, gave a furtive look around and snuck down the hall into ... Batman ... confused, he went to the next auditorium and snuck into ... Batman ... Now really confused, he walked down the hall and peeked into the next door and saw ... Batman. He then walked across the hall to where one of the other films was scheduled, but found the auditorium empty because it was between shows. He then bounced back across the hall to another auditorium showing ... Batman. At that point, he walked out the back exit, swearing to himself.

And people have to ask why we like this business...

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Adam Martin
I'm not even gonna point out the irony.

Posts: 3686
From: Dallas, TX
Registered: Nov 2000


 - posted 12-28-2000 09:53 AM      Profile for Adam Martin   Author's Homepage   Email Adam Martin       Edit/Delete Post 
A couple of years ago, I did a free show of "Home Alone 3" at the mall theater. We planned on 2 houses (the usual for a kids free show), but people just kept showing up and every 15 minutes I was unthreading the platter and adding another projector. I ended up with 4 houses for a "paying" crowd, and almost had to use a 5th.

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Scott Norwood
Film God

Posts: 8146
From: Boston, MA. USA (1774.21 miles northeast of Dallas)
Registered: Jun 99


 - posted 12-28-2000 01:47 PM      Profile for Scott Norwood   Author's Homepage   Email Scott Norwood   Send New Private Message       Edit/Delete Post 
Since the theatre work that I've done has been essentially a hobby, and since I've spent most of my time in the booth running reel-to-reel setups in single-screen theatres, I haven't had much chance to do interlocks. Last summer, I did a few two-screen interlock shows and at least one for three screens. I would have enjoyed doing more than three, but it was kind of hard to justify this sort of thing with all the crappy movies that were released over the summer. At the 10-plex, it was "theoretically" possible to interlock all ten screens, although I don't think anyone has ever actually done this. I've heard of a few four-screen interlock shows, though.

I enjoyed interlocks, although I was probably lucky in that I never had any problems with them. If I'd had a drive belt break (Cinemeccanicas) or bulb blow, I would probably feel differently.

Are there any automation systems that allow the use of start timers for interlocking? It's probably not a very good idea anyway, but it would be nice to have the option, at least...


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Randy Stankey
Film God

Posts: 6539
From: Erie, Pennsylvania
Registered: Jun 99


 - posted 12-28-2000 02:56 PM      Profile for Randy Stankey   Email Randy Stankey   Send New Private Message       Edit/Delete Post 
I have only done four projectors in interlock but only three for a real "go show". The interesting thing is that I did it with an automatic lens change. Flat trailers on a scope feature. It was pretty cool watching all the turrets go in succession.

If you have common HEIGHT masking, an auto-lens change can be a beautiful thing. The picture goes black and the curtains open and this huge picture hits the screen. I have actually been in an auditorium and heard the audience gasp when the feature comes on screen.

Pretty much the only reason I did it was because people were telling me that a interlocking lens change couldn't be done... It's an ego thing I guess. If you want me to do almost anything, basically all you have to do is tell me that it can't be done. I'll MAKE a way if I have to!

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Michael Pace
Film Handler

Posts: 64
From: Dalby, Queensland, Australia
Registered: Aug 2000


 - posted 12-29-2000 04:23 AM      Profile for Michael Pace   Email Michael Pace   Send New Private Message       Edit/Delete Post 
It was interesting to read the comparison of theatre and railroads.

One thing that I think that is wrong with the cinema industry is that it contains too few entrepreneurs and too many accountants.

Michael.

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Erik Schill
Film Handler

Posts: 38
From: Rochester, NY, USA
Registered: Nov 2000


 - posted 12-29-2000 01:46 PM      Profile for Erik Schill   Email Erik Schill   Send New Private Message       Edit/Delete Post 
just a silly question while you guys are talking about interlocking, the theatre I work at has 12 theatres, and 5 different booths, we have one that has 6 in it, 3 on one side, 3 on the otherside, I can't even see a possability for interlocking, cause we have heat ducts and crap between projectors in that booth, we have 2 booths that have that have 2 in them, how ever in one of them there is a make up area between them, so again no way, and in the other one the projectors are like 100+ feet apart, and again heat ducts, and a roof hatch in the way, then we have 2 booths with just one in each, now my question, the only other projection booth I have ever been in is the one at our old theatre, which is now trashed, is this lay out really really really stupid and gay, cause I sure as hell think so, it's a pain to move prints, and it's almost imposable to keep your eyes on all the prints at the same time, and that's why we have so many film crashes

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Jerry Chase
Phenomenal Film Handler

Posts: 1068
From: Margate, FL, USA
Registered: Nov 2000


 - posted 12-29-2000 04:10 PM      Profile for Jerry Chase   Author's Homepage     Send New Private Message       Edit/Delete Post 
Erik,
There are a lot of the conversion theatres that have similar multiple booth layouts. One that comes to mind is the Fox in Tuscaloosa, AL (hopefully long closed).

In that theatre, the projectionist had to walk down the center aisle of one auditorium and go behind the screen, then up either a laddre or stairs to get to a booth for another auditorium. Yours does seem pretty nasty, though. Is it one of the old SBC houses? One SBC booth I ran was so small that the reel to reel operation couldn't be converted to platter, because there wasn't room. I don't know how it ever passed fire code inspection for the C.O..


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Mike Blakesley
Film God

Posts: 12767
From: Forsyth, Montana
Registered: Jun 99


 - posted 12-29-2000 05:44 PM      Profile for Mike Blakesley   Author's Homepage   Email Mike Blakesley   Send New Private Message       Edit/Delete Post 
The comparison between the TV craze of the '50s doesn't really hold water. Consider the fact that before TV, movies were the quickest way people got their news. Also, there was not near the amount of different entertainments competing for people's time as there is today. Also, a mega-selling video movie that wasn't a hit in the theatres first is a rarity.

I also disagree with the comment that movies aren't as much of a social experience any more. That's the BIGGEST reason for theatres' continued existence.

People will always want to get out of the house. Our job is to have places they want to go to. "If we build it they will come."

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Jerry Chase
Phenomenal Film Handler

Posts: 1068
From: Margate, FL, USA
Registered: Nov 2000


 - posted 12-29-2000 07:15 PM      Profile for Jerry Chase   Author's Homepage     Send New Private Message       Edit/Delete Post 
Movies the first place to get news? I think not. Radio and newspapers held that slot. However, movie newsreels were the first place where people saw fluff news.

I'll agree that there wasn't the amount of entertainment available back then, but people didn't have much time for entertainment either. Dances, church activities, local sports, and school functions all vied for the entertainment dollar and limited time available.

I agree about video sales being predicated on success at the boxoffice, and am thankful. Without that, the pressure to cut theatres out of the loop would be mounting. At various times, distribution direct to cable, ppv, or tape have been tried. Each attempt was a rousing dud.

As I said, I used to think the social experience part was important. With stadium seating placing each viewer into a virtual cocoon, and people loving it, I just can't continue to hold that position.

However, If by social experience, you mean getting the wife out of the house, or girlfriend away from parents, then I'll go along with that definition.

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