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» Film-Tech Forum ARCHIVE   » Community   » Film-Yak   » Things That Annoy You IN A Booth (Page 3)

 
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Author Topic: Things That Annoy You IN A Booth
Joe Redifer
You need a beating today

Posts: 12859
From: Denver, Colorado
Registered: May 99


 - posted 05-10-2001 05:37 PM      Profile for Joe Redifer   Author's Homepage   Email Joe Redifer   Send New Private Message       Edit/Delete Post 
I agree about the Simplex Millenium. If only there were a way to tighten it down more....

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Randy Stankey
Film God

Posts: 6539
From: Erie, Pennsylvania
Registered: Jun 99


 - posted 05-10-2001 10:02 PM      Profile for Randy Stankey   Email Randy Stankey   Send New Private Message       Edit/Delete Post 
Hey! Guess which theatre I just got the go ahead to hold a week long projector "boot camp" at?

I think I'm going to lock one of the projectors down and make the kids thread up repeatedly until they get it right.

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Joe Redifer
You need a beating today

Posts: 12859
From: Denver, Colorado
Registered: May 99


 - posted 05-11-2001 01:10 AM      Profile for Joe Redifer   Author's Homepage   Email Joe Redifer   Send New Private Message       Edit/Delete Post 
Christie Epic!?!

Norelco AA2!?!

Brenkert with a Jaxlight!?!


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Bob Minge
Film Handler

Posts: 43
From: Fergus Falls, MN, USA
Registered: Aug 2000


 - posted 05-11-2001 01:22 AM      Profile for Bob Minge   Author's Homepage   Email Bob Minge   Send New Private Message       Edit/Delete Post 
Help. How do you "lock down" a framing knob on a Simplex 35?? The assistant that I trained in is in frame every time, like me...(except when am in hurry and forget to turn motor...DUH) but the assistant that was not trained by the former manager cannot (or won't) get it in frame consistantly even when I showed her. Summer is comming up and she will be getting more assistant hours then, so need some advice.

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Paul G. Thompson
The Weenie Man

Posts: 4718
From: Mount Vernon WA USA
Registered: Nov 2000


 - posted 05-11-2001 01:47 AM      Profile for Paul G. Thompson   Email Paul G. Thompson   Send New Private Message       Edit/Delete Post 
Bob, Stand over her with a club until she consistantly does it right. There should be no excuse for her not threading in frame - especially on a Simplex 35.



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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 05-11-2001 01:54 AM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
Paul, same for those "projectionists" who make out of frame splices necessitating the use of the framing control too.

Pete, Joe already said what I was going to. Running first run product in only one of two aspect ratios, I've never had the need for a framing adjustment in those booths. However, a repertory/arthouse booth is a completely different story.

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Dwayne Caldwell
Master Film Handler

Posts: 323
From: Rockwall, TX, USA
Registered: Apr 2000


 - posted 05-11-2001 02:45 AM      Profile for Dwayne Caldwell   Email Dwayne Caldwell   Send New Private Message       Edit/Delete Post 
Getting back to the annoying things in a booth:

Replacement intermittents that are extremely loud and can even be heard in the office across the booth.

Seeing cups or other concession objects obstructing the projector port glass (this of course, only pertains to those ports glass windows that are set low enough {or from another point of view, back rows that are too close to the port window} for a person in the back row to reach the recess.)

Dumb ass customers that feel the need to put their hand, with middle finger extended, in the path of the projector's light beam (also only pertaining to low set port glass windows).

Port glass windows set too close to the back row.

Transmissions from various fast food establishments that your walkie can pick up.

Getting a report from the one customer in the building that thinks your watch is two minutes too fast.

Moving prints. Period.

Getting a radio call saying there is no picture only to find out that it is the defective dowser plate sticking (because it is made of a material that melts like butter when exposed to a 4K lamp for more than five seconds at a time) in a brand of projector which shall remain nameless.

Fire alarms.

Any booth having to do with AMC.

A certain digital format which shall remain nameless.

Finding that certain tool cabinets have been locked and I don't have a key.

People asking for tools that I know I'll never see again if I loan them.

When the power grid that services the theatre goes out for two hours.

And the bitch list could go on and on.

------------------
The man with the magic hands.


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Joe Redifer
You need a beating today

Posts: 12859
From: Denver, Colorado
Registered: May 99


 - posted 05-11-2001 04:10 AM      Profile for Joe Redifer   Author's Homepage   Email Joe Redifer   Send New Private Message       Edit/Delete Post 
Dwayne-

Your list is great! I never once had a problem with drink cups, etc in the projector port, though. I guess I was lucky. Many MANY times I caught patrons doing the "middle finger shadow puppet " during credits in the projector beam. Many times they would turn around and find me mimicking their shadow puppet right at them. If they were the only ones left in the auditorium, I would just close the hand douser, mute the sound and walk away.

With our old walkies at the Chinese, they could sometimes hear me at Bowles Crossing 12, which was 23 miles away from my theater! I could not hear them. This was proved to me one night when I came home to find an MP3 of something I said a few hours earlier on the walkie. And I know the guy (the projectionist at Bowles) wasn't sitting out in the parking lot recording me because I could hear Bowles booth noise in the background and I knew he worked that evening.


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Jesse Skeen
Phenomenal Film Handler

Posts: 1517
From: Sacramento, CA
Registered: Aug 2000


 - posted 05-11-2001 10:56 AM      Profile for Jesse Skeen   Email Jesse Skeen   Send New Private Message       Edit/Delete Post 
Being overly obsessive, I've found that you do need to adjust the framing ever so slightly depending on what you're running. This of course means doing so the first time that show is run on that screen, then not having to touch it again until something else plays! To keep people from threading out of frame, maybe the framing knob should have an electronic lock on it requiring a password to adjust? Anyone wanna look into that?

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Joe Redifer
You need a beating today

Posts: 12859
From: Denver, Colorado
Registered: May 99


 - posted 05-11-2001 04:23 PM      Profile for Joe Redifer   Author's Homepage   Email Joe Redifer   Send New Private Message       Edit/Delete Post 
No problem! We could just hire a security guard to stand by each knob as well! Let me guess, you have to adjust framing when you go from a scope to flat movie or vice-versa? That can be the case when you have odd masking, etc...

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 05-11-2001 05:29 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
That is easily fixed by aligning the turret. If things are set up properly (not that all theaters are), there is no need for a framing control.

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Ethan Harper
E-dawggg!!!

Posts: 325
From: Plano, TX, USA
Registered: May 2000


 - posted 05-11-2001 11:41 PM      Profile for Ethan Harper   Email Ethan Harper   Send New Private Message       Edit/Delete Post 
Im surprised no one has said laser pointers yet. Or is this no longer the common problem it use to be?

Dwayne, when I worked at Cinemark (ugh!) we use to pick up the Wendy's 2 miles down and various apartment maintenance workers. I thought it was cool because somehow, I managed to order food at Wendy's over the radio. Not including the number of arguments my Manager got into with the maintenance workers over the radio. That always seemed to entertain me. Although, this one time the maintenance workers decided to play the "Sanford and Son" theme song over the radio which I felt was more enjoyable than listening to the CRAP that Cinemark decides to put in their Non-Sync. It was either that or the porno clips that they played over the radio as well.

Annoying things hmmm...let's see:
Managers or employees that think they know more than you.

The boss wanting you to train managers on how to run the booth.

Mono

People that don't work here think that somehow they belong in the booth.

I would say static but because we use FilmGuard I don't even know what that is.

Smelly trashcans

People trying to talk to you through the port hole.

Pre-show commercials.

Opaque splicing Tape.

Tools left out.

Purple pair of panties left on port hole.

uniforms.

People not responding to you on the radio.

People that cut you off on the radio.

People that push the talk button on the radio repeatedly to get a long series of clicking for others to hear, or other wierd sound effects.

DLP(ugh!what a piece of CRAP!)

I will have to think of more later.

------------------
--"That's my story and i'm sticking to it!"--


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Aaron Sisemore
Flaming Ribs beat Reeses Peanut Butter Cups any day!

Posts: 3061
From: Rockwall TX USA
Registered: Sep 1999


 - posted 05-12-2001 12:10 AM      Profile for Aaron Sisemore   Email Aaron Sisemore   Send New Private Message       Edit/Delete Post 
Ethan:

I'd rather listen to good mono (Mono done right?) than bad stereo ANY DAY. and I know Scott Norwood and others will agree with me.

I didn't realize laser pointers were a problem in the booth.

Aaron

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Joe Redifer
You need a beating today

Posts: 12859
From: Denver, Colorado
Registered: May 99


 - posted 05-12-2001 12:28 AM      Profile for Joe Redifer   Author's Homepage   Email Joe Redifer   Send New Private Message       Edit/Delete Post 
Aaron said:

"I didn't realize that laser pointers were a problem in the booth."

Well yeah! Who do you think is responsible? Someone in the audience? NO!


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Scott Norwood
Film God

Posts: 8146
From: Boston, MA. USA (1774.21 miles northeast of Dallas)
Registered: Jun 99


 - posted 05-12-2001 05:33 PM      Profile for Scott Norwood   Author's Homepage   Email Scott Norwood   Send New Private Message       Edit/Delete Post 
Aaron got to it before I did: crappy Dolby/SMART/Ultra setups that sound worse than good mono are high on my list.
Other stuff: mono films (or trailers) being played in SR, Dolby A prints being played in SR, not having DTS disks for a film in DTS, not having proper lenses and aperture plates to show a film in 1.66 or 1.33 when appropriate, crappy lenses in general, poorly cut aperture plates in general, rewind benches without adjustable speed controls, improperly placed changeover cues, prints with multiple sets of cue marks in rapid succession at the end of each reel, prints missing leaders and tails, Technicolor reels, crappy lab work, torn/stretched perfs, noisy rectifiers, crappy booth monitor setups (which basically includes everything less than the THX crossover/monitor), poor ventilation, etc., etc.

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