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» Film-Tech Forum ARCHIVE   » Community   » Film-Yak   » Kabul Residents Swarm Cinema (Page 2)

 
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Author Topic: Kabul Residents Swarm Cinema
Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 11-22-2001 03:39 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
It could've been something small like a Marc 350 arc lamp, but anything that would fit in there would not be enough.

What a great shot. Most projectionists I know like to keep their hands inside the machine in the middle of a reel!


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Richard Fowler
Film God

Posts: 2392
From: Ft. Lauderdale, FL, USA
Registered: Jun 2001


 - posted 11-23-2001 08:18 AM      Profile for Richard Fowler   Email Richard Fowler   Send New Private Message       Edit/Delete Post 
Looks like the russian copy of the Zeiss TK portable....maybe Mark at GTS should open a branch office upgrading these machines to xenon like they do in Germany ( Mountains and religious issues like Utah - just watch out for the land mines ). This portable has a bulb mounted on the off side of the machine with a light path using a mirror to do a 90 degree turn.........
Richard Fowler
TVP-Theatre & Video Products Inc. www.tvpmiami.com

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Leo Enticknap
Film God

Posts: 7474
From: Loma Linda, CA
Registered: Jul 2000


 - posted 11-23-2001 08:33 AM      Profile for Leo Enticknap   Author's Homepage   Email Leo Enticknap   Send New Private Message       Edit/Delete Post 
I imagine that the mirror would absorb quite a bit of light, even starting off with a bulb that isn't massively powerful.

It's hard to tell from that low-resolution picture, but the firetrap just left of the takeup spool looks like one from a Meopta C-2 (the full-size 16/35 convertible); didn't know that this was based on a Zeiss design, though.

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 11-26-2001 03:03 PM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
Latest estimates are that there are over 100,000 theatre screens capable of showing 35mm film in the world. Nice to see another!

A sign in my Kodak Research Lab building lobby says it all: "Photography - The Universal Language".

------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Research Labs, Building 69, Room 7525A
Rochester, New York, 14650-1922 USA
Tel: 716-477-5325 Cell: 716-781-4036 Fax: 716-722-7243
E-Mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion


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James R. Hammonds, Jr
Jedi Master Film Handler

Posts: 931
From: Houston, TX, USA
Registered: Nov 2000


 - posted 11-26-2001 07:56 PM      Profile for James R. Hammonds, Jr   Email James R. Hammonds, Jr   Send New Private Message       Edit/Delete Post 
Have they ordered FILMGUARD yet?

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John Wilson
Film God

Posts: 5438
From: Sydney, Australia.
Registered: Dec 1999


 - posted 11-27-2001 02:58 AM      Profile for John Wilson   Email John Wilson   Send New Private Message       Edit/Delete Post 
Here's a close up shot of these projectors. I've got more and I'll post them as soon as I can scan them.


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Colin Wiseley
Expert Film Handler

Posts: 123
From: Blacksburg, VA
Registered: Dec 1999


 - posted 11-28-2001 04:32 PM      Profile for Colin Wiseley   Email Colin Wiseley   Send New Private Message       Edit/Delete Post 
Do you have a threading diagram for the projector? I can't figure out how the film runs through it.

------------------
Colin Wiseley
Lyric Theatre
Blacksburg, VA
www.thelyric.com

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Richard Fowler
Film God

Posts: 2392
From: Ft. Lauderdale, FL, USA
Registered: Jun 2001


 - posted 11-28-2001 04:42 PM      Profile for Richard Fowler   Email Richard Fowler   Send New Private Message       Edit/Delete Post 
The Zeiss Jena TK35 or Russian copy has one drive sprocket. The film enters at the top left of the sprocket, goes up a guide channel ( the slightly curve piece above the sprocket ) loops around the lamphouse reflecting mirror / through the gate and sound drum and back to the bottom side of the sprocket........there is also a crank available that fits the sprocket shaft for those cold day start ups or to check threading.
Richard Fowler
TVP-Theatre and Video Products Inc. www.tvpmiami.com



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John Walsh
Film God

Posts: 2490
From: Connecticut, USA, Earth, Milky Way
Registered: Oct 1999


 - posted 11-28-2001 04:44 PM      Profile for John Walsh   Email John Walsh   Send New Private Message       Edit/Delete Post 
I'm guessing, but is the supply reel on the left, and the take-up reel on top? Seems weird, but that's the only way I can figure it runs. That sprocket must be shared (run film on both sides.)

Also, it looks like there's a lens inside, then another lens holder on the outside.

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Richard Fowler
Film God

Posts: 2392
From: Ft. Lauderdale, FL, USA
Registered: Jun 2001


 - posted 11-28-2001 06:21 PM      Profile for Richard Fowler   Email Richard Fowler   Send New Private Message       Edit/Delete Post 
Feed reel at top......take up at rear...one drive sprocket.
Richard Fowler
TVP-Theatre & Video Products Inc. www.tvpmiami.com

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Scott Norwood
Film God

Posts: 8146
From: Boston, MA. USA (1774.21 miles northeast of Dallas)
Registered: Jun 99


 - posted 11-28-2001 06:28 PM      Profile for Scott Norwood   Author's Homepage   Email Scott Norwood   Send New Private Message       Edit/Delete Post 
I assume that the outside lens holder is for the scope adapter, like on most 16mm projectors. It probably swings out of the way when it's not being used.

I'm sure that these projectors would be quite terrible for theatre use when compared with, say, a Simplex or Century, but the idea of a 35mm projector that isn't much bigger than a 16mm classroom machine is really appealing for home or portable use.

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