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» Film-Tech Forum ARCHIVE   » Community   » Film-Yak   » Remote Focus & Framing (Page 2)

 
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Author Topic: Remote Focus & Framing
Adam Fraser
Master Film Handler

Posts: 499
From: Houghton Lake, MI, USA
Registered: Dec 2001


 - posted 04-02-2002 01:03 AM      Profile for Adam Fraser   Author's Homepage   Email Adam Fraser   Send New Private Message       Edit/Delete Post 
With a Simplex head set up you should only have to focus a little bit on the first nite of the movie and it should stay very close for the rest of the run for that particular movie. At least that is the way with our X-L's. As for framing I agree with the other guys, if it is done right the first time, no framing adjustments should be needed.

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Adam Fraser
www.pinestheatre.com

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Tom Fermanian
Expert Film Handler

Posts: 101
From: Sainte Adele, Quebec, Canada
Registered: Dec 2001


 - posted 04-02-2002 09:49 AM      Profile for Tom Fermanian   Email Tom Fermanian   Send New Private Message       Edit/Delete Post 
Hi all,
Thanks for reply, framing issues, the cinema in question runs loads of subtitled stuff and sub-titling may vary depending on the number of lines of text, also some of the foreign films (european pictures are shot in 1.75 to 1.66 ratio) which we are showing in it 1.85 (cannot justify cost of extra lenses) already cuts the picture slightly so it's good to be able to reajust framing in those cases,

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Rachel Gilardi
Madam Moderator

Posts: 2214
From: Peabody, MA, USA
Registered: Dec 2007


 - posted 04-02-2002 04:47 PM      Profile for Rachel Gilardi   Email Rachel Gilardi   Send New Private Message       Edit/Delete Post 
My theater also runs a lot of subtitles films. As long as the projectionist stays with the film until the trailers have passed and the film is on the screen (which should always be done) they should be able to adjust it at that time and have no problem thru-out the rest of the film.


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John Walsh
Film God

Posts: 2490
From: Connecticut, USA, Earth, Milky Way
Registered: Oct 1999


 - posted 04-02-2002 08:24 PM      Profile for John Walsh   Email John Walsh   Send New Private Message       Edit/Delete Post 
On some of our Simplexes, I made a template for the framing knob showing where to position it for subtitles, scope (adj. top masking) etc. I'll ask Brad to post the picture I'll send.


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Bernard Tonks
Jedi Master Film Handler

Posts: 619
From: Cranleigh, Surrey, England
Registered: Apr 2001


 - posted 04-03-2002 01:20 PM      Profile for Bernard Tonks   Email Bernard Tonks   Send New Private Message       Edit/Delete Post 
Very impressive John, I know I would like to see a movie in your theater. Reminds me of a great projectionist friend of mine who remains a presentation Showman to this day (and is a member of Film-Tech), made numical charts for framing & focus on Westar (Century) projectors at a cinema where I took my first chief projectionists job at the Playhouse-Classic, Hampstead some 40 years ago. There were six ratios being 1.33. 1.66. 1.75. 1.85. 2.01. 2.35. He also did the same for me at my own cinema with four ratios, and has helped me out in the box for the past 18 years. The charts were a valuable asset and always 100% accurate for perfect pre-set framing. So easily achieved for film done right!


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John Walsh
Film God

Posts: 2490
From: Connecticut, USA, Earth, Milky Way
Registered: Oct 1999


 - posted 04-05-2002 09:54 AM      Profile for John Walsh   Email John Walsh   Send New Private Message       Edit/Delete Post 
Thanks, Bernard, but I must confess: I did it mostly to keep from getting yelled at by a fellow I was running dailies for! I would have to change back and forth, on the fly, any of five ratios. This at least got it close even before I opened the dowser.

If any one wants one of those, send me your address, and I'll mail you some on sticky-back paper. The 'scope' setting may be a little off, but the other index marks should work.

It's meant for a Simplex; Because of the knob design of other projector makes, it might not work on Cinemecannica's Norelcos, etc.

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