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Topic: T-H-E-A-T-R-E vs. T-H-E-A-T-E-R
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William Hooper
Phenomenal Film Handler
Posts: 1879
From: Mobile, AL USA
Registered: Jun 99
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posted 01-27-2003 03:45 AM
quote: The system used in his American Dictionary (1828) was adopted in America and accounts for most of the distinguishing features of modern American orthography.
But only in the professional print media (newspapers, dictionaries, etc.) & even until today.
But the buildings were still called theatre. It would seem to be an easy explanation that it was because the first managers (who named the buildings) were immigrants from England. But the fact is that a fiercely nationalistic idea of an "American" theater grew up among actors & managers in the US, & yet the building & enterprise was still called "theatre".
Here's a fast example; an 1843 playbill from (by then) Ludlow & Smith's St. Charles Theatre in New Orleans: http://www.saengeramusements.com/theatres/nawlins/stcharle/stcbill1a.jpg
Ludlow & Smith were both born in America (New York) & quickly moved toward, embraced, & encouraged an "Amercian" theater of American characterization, performances, actors, & plays. But they called their buildings & enterprise "theatre". The reason of course is because it's show bidness - if there's a cachet of patriarchy with "theatre", the spelling is manipulative. More exotic, more refined, more legitimate. The marquee is mighty important!
Know when you're being manipulated! On the other hand, if you're just caving in to exotical secondary spellings, it can look desparate & make the reader wonder if you're just bourgeois or a failure at manipulation because you give it all away:
http://www.parathea.org/
Where they must also have monstre truque sheaux.
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