Film-Tech Cinema Systems
Film-Tech Forum ARCHIVE


  
my profile | my password | search | faq & rules | forum home
  next oldest topic   next newest topic
» Film-Tech Forum ARCHIVE   » Community   » Film-Yak   » Digital Delay Processors (Page 2)

 
This topic comprises 2 pages: 1  2 
 
Author Topic: Digital Delay Processors
Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999


 - posted 01-31-2003 10:47 PM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
Of course you could still do it the old fashioned way....

If sound travels at approximately 1130ft/sec and you want 5-seconds of delay you need just 5650 feet of pipe. Then place a driver at one end and a microphone at the other. You could "plumb" it so you have several different drivers at different parts of the pipe so you could "select" different delay values. Alternately, have several different holes for various microphones.

Steve

 |  IP: Logged

Paul G. Thompson
The Weenie Man

Posts: 4718
From: Mount Vernon WA USA
Registered: Nov 2000


 - posted 01-31-2003 10:55 PM      Profile for Paul G. Thompson   Email Paul G. Thompson   Send New Private Message       Edit/Delete Post 
Well, let's see.....I don't know for sure how many microseconds it takes for one foot of coax, but one helluva BIG roll should do the trick, too. [Big Grin]

Steve, those are some nice picture transitions... [Smile]

 |  IP: Logged

Kenneth Wuepper
Phenomenal Film Handler

Posts: 1026
From: Saginaw, MI, USA
Registered: Feb 2002


 - posted 02-04-2003 10:18 PM      Profile for Kenneth Wuepper   Email Kenneth Wuepper   Send New Private Message       Edit/Delete Post 
Paul,
Our local station, WSGW 790 KHz is a talk radio station and they have a unit that is really slick. It starts in real time and builds gently to about 4 seconds of delay. The host presses one button and it drops the delayed audio and reverts to the studio microphone. When you return to the phone line it builds back to the regular delay. The system sounds very good and you don't have to be a juggler to work with it. Like with the fixed delay, you have to anticipate the end of the commercial and start talking the 4 seconds before the spot ends or there will be a gap on air.

I think the engineer would be willing to share his info with you. Try contacting the station directly by Email.

KEN

 |  IP: Logged



All times are Central (GMT -6:00)
This topic comprises 2 pages: 1  2 
 
   Close Topic    Move Topic    Delete Topic    next oldest topic   next newest topic
 - Printer-friendly view of this topic
Hop To:



Powered by Infopop Corporation
UBB.classicTM 6.3.1.2

The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion and agrees to release the authors from any and all liability.

© 1999-2020 Film-Tech Cinema Systems, LLC. All rights reserved.