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» Film-Tech Forum ARCHIVE   » Community   » Film-Yak   » What is new with the restored "SEVEN SAMURAI" (Page 2)

 
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Author Topic: What is new with the restored "SEVEN SAMURAI"
Claude S. Ayakawa
Film God

Posts: 2738
From: Waipahu, Hawaii, USA
Registered: Aug 2002


 - posted 03-02-2003 06:26 PM      Profile for Claude S. Ayakawa   Author's Homepage   Email Claude S. Ayakawa   Send New Private Message       Edit/Delete Post 
Paul said

"to do so would be to assume everyone should submit to US terms and culture, something we certainly dont seem willing to do for others"

Paul,

If this is true, why is President Bush trying to convince the world we have the right to attack Iraq when many countries are opposed. This decision is a administration policy and it is now being forced on the UN and the free world.

Also Paul, not being Japanese and never being subjected to such a racial slur, you have no right to disagree with me! [Mad]

End of discussion!

-Claude

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Paul Linfesty
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From: Bakersfield, CA, USA
Registered: Nov 1999


 - posted 03-02-2003 09:01 PM      Profile for Paul Linfesty   Email Paul Linfesty   Send New Private Message       Edit/Delete Post 
Claude, number one, re-read my post carefully. My point is that we do seem to expect the world to see everything through OUR eyes, but we don't seem to extend the same courtesy in seeing how the world sees us. If my original post was unclear, I apologize for that.

And second (sorry, its NOT the end of discussion. That's a moderator's call) if you will re-read my post, AGAIN, I indicated I fully understand how the term is offensive to you. My point is that the term does not have the same negative meaning where the poster lives. And there is nothing wrong with you educating him to how the term is offensive to you. However, you seem to insist that he had to have known that before you let him know your feelings, and I just don't think that is fair.

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Claude S. Ayakawa
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From: Waipahu, Hawaii, USA
Registered: Aug 2002


 - posted 03-04-2003 12:29 AM      Profile for Claude S. Ayakawa   Author's Homepage   Email Claude S. Ayakawa   Send New Private Message       Edit/Delete Post 
Almost 48 hours has passed and we have not heard from Per regarding the offensive word "JAP" he used in his last post on this thread.
Perhaps I was a bit harsh due to the possibility that he was not aware that the word was a racist slur because he is not an American. I have decided to give him the benefit of doubt and hope he will respond with an acceptable explanation within the next three days. If he does and and say that it was not his intention to offend anyone because he was not aware that the word is offensive to people of Japanese ancestry like myself, I will gladly offer my apology for lashing out at him in anger. If he does not respond by that time, I would have to assume that he was indeed aware that the word was racist and I had every right to be upset.

-Claude

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Per Hauberg
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From: Malling, Denmark
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 - posted 03-04-2003 10:25 AM      Profile for Per Hauberg   Author's Homepage   Email Per Hauberg   Send New Private Message       Edit/Delete Post 
Dear Claude - Dear everyone

No wonder, there is war somewhere in the world every day.
My use of the expression "jap's" was not ment in any bad manner at all, but used as i would refer to my own people as "danes".
If the conversation in these forums has to be held in pure diplomatic style, with culture consulents correcting every word before posted, not to step on anybodys little toes, the moderators will be having a tough time in the future.
I have never meet a live japanese human being, but i have with pleasure been running every Kursosawa-film available, during my 30 years in this chair. The films of Akira Kurosawa sure have learned me, that traditions and proudness is counting more in Japan than most other places in the world (no offense to the rest of the world !), but am i all wrong, when i think, that not only Mr Kurosawas civil wars, but also Pearl Harbor is quite long ago, and both people and life and the world has changed quite a bit since then.
My parents also learned me, that germans were bad people - because of the war going on in our part of the world in the early forties, but heaven forbid, danes and germans should be throwing rotten tomatoes at each other so many years later.
Even if the world has been getting smaller, starting when Jules Verne wrote about Phileas Fogg, culturel differences still exists and will, as You just demonstrated it, someday call out a Doktor Merkwürdichliebe/Dr. Strangelove (can i mention a certain Texan now without getting banned ?) to push the red button. What danes want, is PAX, clean socks in our shoes and a less confronting difference between politeness and pompousness.
I hope, i - in spite of my bad english - have made it clear, that there was no harm ment in what i wrote, and that i do not find, that i owe any particular member of this honored forum (no matter his background) any apology at all.

All the best

Per Hauberg

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Claude S. Ayakawa
Film God

Posts: 2738
From: Waipahu, Hawaii, USA
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 - posted 03-04-2003 02:58 PM      Profile for Claude S. Ayakawa   Author's Homepage   Email Claude S. Ayakawa   Send New Private Message       Edit/Delete Post 
Per,

Your prompt response to the post I wrote last night indicates that you do log on to the Film Tech Forum very frequently and were aware of my earlier post asking for your apology for using the racist word "JAP". Based on your reply to my last post, I have a feeling that you were planning to ignore it. While the reasons you had given in your last post mirrors the exact sentiments of my fellow Americans with your explanation which I am willing to accept, I have come to the conclusion that you are a very self centered and a very ill mannered person for your refusal to at least say that you are sorry for using the word "Jap" that you did not know was offensive to every Japanese and many others.

I too will withold my apology for lashing out at you in my earlier post because I suspect you did know the word was offensive in the back of your mind from the many American films and world news reports that all Japanese take offence when they are referred to as "Japs".

-Claude

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Claude S. Ayakawa
Film God

Posts: 2738
From: Waipahu, Hawaii, USA
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 - posted 03-04-2003 03:02 PM      Profile for Claude S. Ayakawa   Author's Homepage   Email Claude S. Ayakawa   Send New Private Message       Edit/Delete Post 
Per,

Your prompt response to the post I wrote last night indicates that you do log on to the Film Tech Forum very frequently and were aware of my earlier post asking for your apology for using the racist word "JAP". Based on your reply to my last post, I have a feeling that you were planning to ignore it. While the reasons you had given in your last post mirrors the exact sentiments of my fellow Americans with your explanation which I am willing to accept, I have come to the conclusion that you are a very self centered and a very ill mannered person for your refusal to at least say that you are sorry for using the word "Jap" that you did not know was offensive to every Japanese and many others.

I too will withold my apology for lashing out at you in my earlier post because I suspect you did know the word was offensive in the back of your mind from the many American films and world news reports that all Japanese take offence when they are referred to as "Japs".

-Claude

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Michael Coate
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Posts: 1904
From: Los Angeles, California
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 - posted 03-04-2003 05:45 PM      Profile for Michael Coate   Email Michael Coate   Send New Private Message       Edit/Delete Post 
quote:
Some Kurosawa films vere Perspecta Sound - but i don't remember ever seing the Perspecta logo on a Seven Samurai print.
The Hidden Fortress and Sanjuro both have a "Perspecta Stereophonic Sound" logo in their on-screen credits. A couple other Kurosawa films may have also used Perspecta, but those were the only two I checked.

quote:
Were the [Japanese] running mag sound that early at all?
Kurosawa's Red Beard may also have been in stereo, at least in Japan. The new Criterion Region 1 DVD has a Dolby Digital 4.0 track (or "3/1" for those who dislike the decimal terminology).

The Criterion Collection DVD liner notes: "The new sound mix [for the Red Beard DVD] was created from the original 4-track magnetic master..."

The book The Emperor And The Wolf: The Lives And Films Of Akira Kurosawa And Toshiro Mifune by Stuart Galbraith IV (Faber and Faber; 2002) states that the Japanese roadshow release in 1965 was in "four-track magnetic stereophonic sound" and that the general release version was "issued in Perspecta Stereophonic Sound." The book also mentions Red Beard as being "the last film of record in Perspecta Stereophonic Sound."

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Claude S. Ayakawa
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From: Waipahu, Hawaii, USA
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 - posted 03-04-2003 06:12 PM      Profile for Claude S. Ayakawa   Author's Homepage   Email Claude S. Ayakawa   Send New Private Message       Edit/Delete Post 
Mike,

"RED BEARD" (AKAHIGE) like "SICHININ NO SAMURAI" was released by Toho and from the trailer on the DVD, one can see the magnetic recorder when the score was being recorded and there were four UV meters. Toho used Perspecta a lot because the logo was always on the "Owari" (End Title Card) for almost every Toho films at the time. Although the Toho Theatre in Honolulu was equipped for mag stereo in addition to 70mm, the picture played here in mono. Stereo was rarely used by the Japanese at the time except two pictures that was produced by Masaichi Nagata and released by his Daie Studio. The pictures were two of Japan's only 70mm films. One of the film was "SHAKA" which was about the life of Buddah and the other one was "THE GREAT WALL" about the first emperor of China who built the Great Wall of China to keep invadors out. Strange as it may seem, both pictures played in Honolulu's new Kokusai Gekijo (Theatre) in mono and 35mm scope at the time and the theatre was equipped for the latest 70mm and stereo equipment. Like the Toho, no pictures played in stereo in this theatre as far as I know.

-Claude

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Per Hauberg
Jedi Master Film Handler

Posts: 883
From: Malling, Denmark
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 - posted 03-04-2003 07:24 PM      Profile for Per Hauberg   Author's Homepage   Email Per Hauberg   Send New Private Message       Edit/Delete Post 
Not that I really want to fan the flames, but if I just shut up my big mouth, I'm ignoring things, I'm told. Therefore one last word from the cold North:

Paul:

An old Perspecta track transferred to some kind of discrete stereo --wasn't that what happened to "Fantasia" ?
The first mag prints of "F" were still featuring the original orchestra recording. -Then later on came a new recording for the first Dolby Stereo release (about 1980 ? - but that's another story), and if I am not all derailed (no offense ment towards to any railroader amongst us !!), the latest prints had the original music once more, but this time cleaned up. -Am I right ??

------------------------------------

Michael (Schaffer)

I sincerely do hope, You know the exact mening (including possible mis-interpretation)of those foreign sentenses of Yours.

------------------------------------

Claude

The water underneath You is now so deep, that I in no way can or will stay serious about this whole matter. Do let a pro help You with that past of Yours - and Your arrogance; -Then as soon as possible give Paul an apology, and last: Before getting us all put in the penalty box, when Brad gets home from the great trade show, please be kind enough to check the indication of time on as well Your own march 4th. posts as mine. That ought to outdo Your latest attempt on me.

Do rest assured, that even without Your apology (which I do not expect and definitely could not use for anything, either), there will be no hard feelings: I will continue showing the films of Mr Kurosawa as often as possible and enjoy every foot, allthough I must say that this, my first, encounter with the 2003 oriental codes of honour and politeness not excactly increase my wish to learn more about other cultures. -But as long as I can see, the feelings are mutual, it helps !

A very good friend of mine made a speech at my 50th birthday, claiming that I am as sensual as a pre-menstrual faggot. In our culture, not even words like these comes out of disrespect, nor does anybody get offended. -That's what highly educated danes can say to each other, when they are just polite and kind rest of the way - And we sure are. Believe me - who should know better... [Wink]

----------------------------------

Not being of enough arrogance to believe that I, as a private, barely english-speaking member, can stop this kindergarden show, I humbly suggest we all hush up the sidetrack and get back to "Seven Samurai"

Thus written on wednesday, march 5th., 02.09 in the morning - local time, hoping that peace and big smiles may again take the lead at the Film-Tech Forums AND very much in the hope, that I did not offend anyone (else). I did not mean to ! -Honest !!

Per Hauberg

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Michael Coate
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Posts: 1904
From: Los Angeles, California
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 - posted 03-04-2003 07:25 PM      Profile for Michael Coate   Email Michael Coate   Send New Private Message       Edit/Delete Post 
quote:
Stereo was rarely used by the Japanese at the time except two pictures that was produced by Masaichi Nagata and released by his Daie Studio. The pictures were two of Japan's only 70mm films. One of the film was "SHAKA" which was about the life of Buddah and the other one was "THE GREAT WALL" about the first emperor of China who built the Great Wall of China to keep invadors out.
Both of those titles, Shin No Shikotei (aka The Great Wall) and Shaka (aka Buddha), were included in the "Presented In 70mm" filmography, of which I was a contributor, published in Widescreen Review Magazine a couple years ago.

There was at least one other 70mm production from Japan, a short produced in Super Technirama 70 whose title escapes me at the moment. I saw a private screening of the print a couple years ago, and it looked fantastic!

While there doesn't seem to be much evidence that Japan produced very many genuine 70mm films, in the 1960s and maybe into the 1970s they appear to have run a TON of 70mm blow-ups, including a number of American and European productions that played in 35mm here (You Only Live Twice, Hell In The Pacific, Once Upon A Time In The West, etc...)

quote:
Strange as it may seem, both pictures played in Honolulu's new Kokusai Gekijo (Theatre) in mono and 35mm scope at the time and the theatre was equipped for the latest 70mm and stereo equipment. Like the Toho, no pictures played in stereo in this theatre as far as I know.
I'm unaware of any U.S. screenings in 70mm (commercial engagements anyway) of those two titles, so I don't think it's all that strange that they played in 35mm in Hawaii.

Re Hawaii theatres. When I was in Hawaii (1986) I was very impressed with the number of theatres in Honolulu that were everything an avid movie buff could ask for: (1) many large single-screen and twins were still in operation, (2) many were well-equipped with 70mm projection and/or Dolby Stereo and/or HPS-4000, (3) they were playing a couple of films in 70mm at the time, (4) many were within walking distance of one another. At the time, I thought I would have withdrawals going a whole week away from my beloved Westwood Village! I was pleasantly surprised by the movie situation in Honolulu at the time. (I can't comment on what it's like now, and never mind I shouldn't have been seeing so many movies on that "vacation"!)

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Per Hauberg
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From: Malling, Denmark
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 - posted 03-04-2003 07:38 PM      Profile for Per Hauberg   Author's Homepage   Email Per Hauberg   Send New Private Message       Edit/Delete Post 
About japanese theatres running "TONS of 70mm blow-ups".

I once was told by an english Bond-distributor, that japanese audiences were willing to pay a bit extra at the box-office for 70mm screenings - A bit, that would cover the added expence. In other countries, this was not accepted...
I do believe, that the same attitude was ruling here in the seventies. "Ordinary people" were not aware of the difference, and did not drive a mile or ten extra because a cinema a little further out the road ran the 70mm print. Sad !

p.

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Paul Linfesty
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From: Bakersfield, CA, USA
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 - posted 03-04-2003 09:51 PM      Profile for Paul Linfesty   Email Paul Linfesty   Send New Private Message       Edit/Delete Post 
quote:
An old Perspecta track transferred to some kind of discrete stereo --wasn't that what happened to "Fantasia" ?
As far as I know, FANTASIA never had any kind of Perspecta release. The original 1940 release contained a three optical-track stereo double system that was reproduced in the theatre as 6 channels (stage L,C,R,L wall, back wall, R wall)that was switched EITHER by a live person in the theatre OR by notches cut into the side of the 35mm soundtrack film that operated the switches. I've read some articles that mentioned the former and some the latter (for all I know, maybe both methods were employed at different sites).

The 1950's SuperScope version was in mag stereo, with a transfer from the original 3 tracks. This transfer was done over PHONE lines! And then the original optical stereo masters were apparently destroyed. Buzz from those phone lines became a permanent part of the soundtrack until it was digitally cleaned up.

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Claude S. Ayakawa
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From: Waipahu, Hawaii, USA
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 - posted 03-04-2003 10:24 PM      Profile for Claude S. Ayakawa   Author's Homepage   Email Claude S. Ayakawa   Send New Private Message       Edit/Delete Post 
Michael,

Honolulu at one time or another had a total of nine theatres that was capable of playing films in 70mm. Out of the nine, there is only one remaining and it is Pacific's (Consolidated) Kahala #1. The Kahala is not a old theatre having first opened about 20 years ago as part of five theatre multiplex complex at the Kahala shopping mall in east Honolulu. It was not set up for 70mm when it first opened but received it from another theatre when it closed. I think that theatre was the old Royal in Waikiki. As far as I can remember, I think the Kahala only played one film in 70mm at it was "GOOD MORNING VIETNAM" All of our other 70mm theatres played films on a very regular basis especially the Cinerama. One of the nice things about the Cinerama was the 70mm festival they would have at least once a year. The theatre was one of few that was able to play film like "AMADEUS" and "GETTYSBURG" in 70mm when prints were limited to big cities such as Los Angeles, San Francisco, Seattle, Chicago, New York and Toronto. There might have been a few other cities but these are the only cities i can remember. The Cinerama also played all three of the original "STAR WARS" films in 70mm. When it came to picture and sound, nothing can touch the Cinerama because it was Honolulu's best movie theatre. The Waikiki Twins became Hawaii's premiere movie theatres with the finest picture and sound after it was renovated with new seats and a brand new top of the line HPS-4000 sound system. Now that these grand movie palaces are gone, going to the movies is not as exciting as it used to be.

Paul,

I saw a mag print of "FANTASIA" at the old Queen Theatre here in Honolulu either in the late fifties or early sixties and sound wise, it was the best presentation of the movie I ever heard. One part of the film I remember is the "AVE MARIA" sequence at the end when the voices of the chorus would first come from the rear of the theatre and pan to the front. The film must have been remixed differently after that because there is no panning of sound from the rear surround speakers anymore even with the latest 5.1 SRD mix.

-Claude

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Daryl C. W. O'Shea
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From: Midland Ontario Canada (where Panavision & IMAX lenses come from)
Registered: Jun 2002


 - posted 03-04-2003 10:28 PM      Profile for Daryl C. W. O'Shea   Author's Homepage   Email Daryl C. W. O'Shea   Send New Private Message       Edit/Delete Post 
quote:
Buzz from those phone lines became a permanent part of the soundtrack until it was digitally cleaned up.
Not only that, but the signal would be limited to the POTS' maximums of 0-4 KHz with most phones restricting signals to 300 Hz to 3,200 Hz.

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Paul Linfesty
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From: Bakersfield, CA, USA
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 - posted 03-04-2003 10:50 PM      Profile for Paul Linfesty   Email Paul Linfesty   Send New Private Message       Edit/Delete Post 
quote:
The film must have been remixed differently after that because there is no panning of sound from the rear surround speakers anymore even with the latest 5.1 SRD mix.
And that was a BIG disappointment to me when I bought the DVD. I got to see the special FANTASOUND 6 channel mix at the Cinerama Dome in 1990 (70mm SR) and couldn't believe they would suppress this for the home. And here Columbia did a great job recreating the 5-channel Quintaphonic (Quintophonic on the film's credits) for the Tommy DVD.

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