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This topic comprises 3 pages: 1  2  3 
 
Author Topic: cameras
Daryl C. W. O'Shea
Film God

Posts: 3977
From: Midland Ontario Canada (where Panavision & IMAX lenses come from)
Registered: Jun 2002


 - posted 03-05-2003 12:34 AM      Profile for Daryl C. W. O'Shea   Author's Homepage   Email Daryl C. W. O'Shea   Send New Private Message       Edit/Delete Post 
The AE-1 Program is my absolute favorite camera. That's one that'll last forever.

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Bruce McGee
Phenomenal Film Handler

Posts: 1776
From: Asheville, NC USA... Nowhere in Particular.
Registered: Aug 1999


 - posted 03-05-2003 09:11 AM      Profile for Bruce McGee   Email Bruce McGee   Send New Private Message       Edit/Delete Post 
I had a Canon AE-1 programmable until a crackhead broke into my house a few years back. He got lots of other stuff too. This kind-of stopped my 35mm still-photo hobby for awhile. One day, I hope to run across another AE-1 the way that I did the one that got stolen. Good camera.

(See my new image. No, I am NOT a crackhead. [Smile] )

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Will Kutler
Phenomenal Film Handler

Posts: 1506
From: Tucson, AZ, USA
Registered: Feb 2001


 - posted 03-05-2003 09:43 PM      Profile for Will Kutler   Email Will Kutler   Send New Private Message       Edit/Delete Post 
I have always liked Nikon, and my F-2s are very rugged.

Although they have been out of production for quite some time, they are still very popular and hold their value. I have a book at home on Nikon. If anyone needs info I can see if it is in it. The book covers almost the entire realm of Nikon products and includes origonal prices and collectors values. I do not believe that repairing a Nikon F2 would be a problem...so many are traded...just look at e-bay or any photography magazine, etc, etc...

I have heard good things about the AE-1 but have never used one. In my opinion, the more electronics and gadgets the more prone to breakage and more $$ to fix...

If you opt to go to a local camera show...here is some advice...
Most large camera shows usually have an independant camera repairperson on hand. For a small fee, they can check F-stop and shutter speed accuracy and many other things prior to your purchase....

If you opt to purchase used equipment, use some common sense. A lot can be learned by just examining the camera body...Is the body spotless....or is it dinged up. Brassing (the erosion of the origonal finish to reveal the metal body) can also be indicative of the camera having many miles on it. But just because the camera may have a lot of useage does not necessarily mean that it has been abused.

When looking at lenses...check for lense fungus. I do not know what causes this and am under the impression that if the lense has been exposed it is unrepairable. Lense fungus looks like a fine spider-web on the glass. Also look for dents and finish erosion. How stiff is the focus and zoom mechanisms? Has the lense been protected by a uv or polorizing filter? Does the lense have caps on both ends...maybe a case with the humidity/moisture absorbant packs?

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Will Kutler
Phenomenal Film Handler

Posts: 1506
From: Tucson, AZ, USA
Registered: Feb 2001


 - posted 03-24-2003 08:58 PM      Profile for Will Kutler   Email Will Kutler   Send New Private Message       Edit/Delete Post 
I need to clarify something that I wrote about the Nikon F2. The light meter is center weighted, however, on the early F2, daylight through the top of the prisim illuminated the meter. However, one cannot see the meter with a baseball cap on...or if one is under a shaded area. A later version of the F2 fixed this problem by using led's to illuminate the meter.

Anyhow, I purchased my F2's in 1995. Back then they were really holding their value. A mint condition body could fetch $400.00 or more, and the motor drives and battery packs were also in the $400.00-$500.00 range.

Usually if one went to a camera show, dealers would always ask top price for equipment.

Anyhow, I went to a show this past weekend and was shocked to see how much prices have fallen on all 35mm slr equipment! One dealer was selling a F2 w/ motor drive and battery pack all in beautiful condition for $450.00! WOW! It has been some time since I have been in the buyer's market. And this was not the only F2 there!

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Scott Norwood
Film God

Posts: 8146
From: Boston, MA. USA (1774.21 miles northeast of Dallas)
Registered: Jun 99


 - posted 03-24-2003 09:29 PM      Profile for Scott Norwood   Author's Homepage   Email Scott Norwood   Send New Private Message       Edit/Delete Post 
For those who care, I ended up getting a really good deal on an F3 in nearly mint condition. I've shot a few rolls of film with it so far and have been very happy with it. The thing is a tank. At the moment, I have two lenses (50mm f/1.8 and 35-105 f/3.5 zoom) and both are noticeably sharper than the Minolta lenses that I used to have (which I had thought were quite decent).

Next on the stuff-to-get-someday list are 24 or 28mm and 200mm lenses and a strobe which fits the F3's oddball flash shoe.

Now for the next question: what's a good, inexpensive slide/negative scanner (preferably with SCSI interface)? I really only need web-quality scans, so cost is a much more important consideration than resolution. Color quality is important, though, and I'd like something that is supported under either Linux (on x86) or Solaris (on Sparc).

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Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 03-26-2003 09:44 AM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
Back in the late 70's I was a camera/optical repair technician at Canon USA. I can definately vouch for the durability of the A series cameras with the A-1 and AE-1 being the best of the electronic camera bunch. There are three I'C's inside the AE-1 and five inside the A-1 all mounted on flexible pcb's. The A-1 is very complicated to repair, and diagnose. Its has an early microprocessor inside it but all in all was reliable. The older F1 is absolutely amazing, built like no other camera, ever made...far better than even the older Nikons. The F1n is not quite as good as the old F-1 is IMHO. Its built lighter, but still has all the same bells and whistles the old F-1 has. It's light meter is certainly far better though and uses a similar silicon blue cell thats inside the A-1. Unfortunately Canon's lenses were always where they were lacking IMHO. Nikor glass was always much, much better, and as a result, I own alot of Canon stuff but I use my Nikon stuff for 35mm. An F-2 body, and many lenses...which I also use on my VistaVision camera. who cares about the repairability of these old Canon and Nikon gems. The labor to repair them is now far more than another good used clean body would cost. Parts may also be another factor in keeping these old friends clicking. Lately, I've pretty much abandoned 35mm and use my Kodak Digital camera for general snapshots. I store all of my digital photos on CD's, and Zip disks. When I shoot I still stand by both of my large format cameras. A CAMBO 4X5 and a Galvin 6X9, both view cameras. Interestingly the Galvin weighs less than half of what my F-2 weighs. So LF photography doesn't have to be bulky!!
Mark @ CLACO

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 03-26-2003 03:32 PM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
Kodak film cameras:

Simple Kodak film cameras

Kodak consumer digital cameras:

Kodak Digital Cameras

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System Notices
Forum Watchdog / Soup Nazi

Posts: 215

Registered: Apr 2004


 - posted 04-26-2004 02:41 PM      Profile for System Notices         Edit/Delete Post 

It has been 396 days since the last post.


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Joe Beres
Jedi Master Film Handler

Posts: 606
From: Minneapolis, MN, USA
Registered: Nov 2000


 - posted 04-26-2004 02:41 PM      Profile for Joe Beres   Email Joe Beres   Send New Private Message       Edit/Delete Post 
I have been considering purchasing a digital camera for a while now, but I am resistant to any P&S camera. So, I have been looking into digital SLR cameras, but they are way out of my price range at the moment.
I have been using an old Pentax P3N (followed the K-1000) manual camera for quite some time, and am pretty happy with it, but Pentax doesn't seem to have much in the Digital SLR camera market, and none of my lenses would be compatible with any digital camera anway, so I have been considering moving into a different 35mm SLR family.
A photographer friend of mine said that Canon is at the forefront of professional digital photography, and recommended looking into the 10D. With that in mind, I have been looking into some of the earlier Canon AF cameras, knowing that any lenses I acquire would be useable with (current) Canon Digital SLRs. I have looked at the EOS 650, and that seems to be a good entry point. It has a fast motor, AF, several shooting modes, and a nice low price.
Does anyone have any advice or other recommendations? It seems that many of you are really into Nikon gear. My friend was as well, until he started working in a studio with all Canon equipment. I would appreciate any input. Thanks!

EDIT: (Weird, what is up with that system notice?)

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Mike Olpin
Chop Chop!

Posts: 1852
From: Dallas, TX
Registered: Jan 2002


 - posted 04-26-2004 02:59 PM      Profile for Mike Olpin   Email Mike Olpin   Send New Private Message       Edit/Delete Post 
That's cool! It lets you know to regard the posts before as out of date. Now someone won't go running out to buy one of the year old obsolete cameras listed above.

Oh yes, and NO SOUP FOR YOU!

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 04-26-2004 08:46 PM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
Please consider this camera, which sells for under $500:

Kodak EasyShare DX6490 Camera

quote:
Fully loaded with advanced features, the DX6490 satisfies your artistic passion for creative freedom, vivid color, and in-depth detail. 10X SCHNEIDER-KREUZNACH VARIOGON Optical Zoom Lens
KODAK Color Science Image Processing Chip
Manual, Semi-Manual, Automated Controls
Bright 2.2" (56 mm) LCD Display and Electronic Viewfinder


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Christopher Duvall
Jedi Master Film Handler

Posts: 500
From: Denver, CO
Registered: Dec 1999


 - posted 04-27-2004 06:43 PM      Profile for Christopher Duvall   Email Christopher Duvall   Send New Private Message       Edit/Delete Post 
I just bought myself a Canon Digital Rebel about 2 months ago. I have since then have take 1884 (and counting) with it. I have become addicted to it and want to get more goodies for it. It came with an 18-50mm lens that is built just for that camera. All other Canon EOS lenses will be multiplied by 1.6. The new lens I purchased a couple of weeks ago is a 70-300mm. I have also picked up a remote switch, a tripod and a lens hood. The last major item I want is a speedlite for it. I want the 550EX but will settle for the 420EX.

This has been my first foray into "real" photography where I have to watch for f stops, light metering, focal lengths and what-not. I have been learning so much over the last few months and looking for more to learn. If anybody knows any good books, magazines or websites, I am looking for them. I expect John P. may post a few goodies, but if anybody has anything let me know.

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 04-27-2004 09:01 PM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
quote: Christopher Duvall
If anybody knows any good books, magazines or websites, I am looking for them. I expect John P. may post a few goodies, but if anybody has anything let me know.

Well, a real "goodie" is the Kodak Digital Learning Center:

http://www.kodak.com/US/en/digital/dlc/index.jhtml

http://www.kodak.com/US/en/digital/dlc/aboutTheDlc.shtml

quote:
About the Digital Learning Center

The KODAK Digital Learning Center (DLC) is your digital reference solution. The DLC was developed to educate people about the digital world and to help them succeed with digital imaging. The site was built on the basics of educational instruction and has been utilized by thousands of people to Take Pictures. Further.

The creation of the DLC was the result of the dream of one extrodinary man.

Walter "Gus" Radzyminski
October 8, 1951 - March 4, 1999
A scholar who lived to teach others so that others could stand on their own.

Gus Radzyminski is the person primarily responsible for the KODAK Digital Learning Center. In 1996 it was Gus who challenged his team to create a common place where individuals could visit and gather information about digital imaging. From that challenge the DLC was born. The site now enjoys a worldwide reputation as a highly informative and educational virtual classroom, and has evolved as a gathering place for individuals of all levels of expertise.

In late 1998 Gus had another idea, the DLC Plus; a place where individuals with common digital needs and backgrounds could go and learn about what others in related fields were doing with digital photography. The DLC Plus demonstrates real applications and helps others recognize new ways to use digital imaging in their daily lives. It is based on Gus' simple philosophy: lead by example. The DLC Plus came to life in April of 1999.

Gus passed away suddenly on March 4th, 1999. Like many great institutions of learning, a key benefactor is at the heart of it all. Gus' many friends at Kodak and the countless users of the DLC have been the beneficiaries of his vision and commitment, and it is to his memory that we dedicate the KODAK Digital Learning Center.

The digital world is growing fast but, thanks to Gus, Kodak has a strong foundation from which we can distribute information quickly and effectively to users everywhere. Gus is greatly missed, but he has left an indelible mark for Kodak-a sitelet named the Kodak Digital Learning Center.

Enjoy the site that we dedicate to this great man.



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Mike Blakesley
Film God

Posts: 12767
From: Forsyth, Montana
Registered: Jun 99


 - posted 04-27-2004 10:36 PM      Profile for Mike Blakesley   Author's Homepage   Email Mike Blakesley   Send New Private Message       Edit/Delete Post 
[LIGHT BULB GOING ON] Ah! I finally get the meaning of the System Notices thing. It lets you know that posts above it are ancient. Thanks Mike Olpin for pointing that out.

Sorry for the interruption. Now back to your scheduled topic.

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Mike Heenan
Phenomenal Film Handler

Posts: 1896
From: Scottsdale, AZ, USA
Registered: Mar 2000


 - posted 04-29-2004 01:10 AM      Profile for Mike Heenan   Email Mike Heenan   Send New Private Message       Edit/Delete Post 
Has anyone heard abuot the new Samsung minidv/digital cam combo? I forget the model number, but I remember the specs being a 4.0 mp on the digital camera at least.

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