|
|
This topic comprises 2 pages: 1 2
|
|
Author
|
Topic: Digital Camera Question
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Leo Enticknap
Film God

Posts: 7474
From: Loma Linda, CA
Registered: Jul 2000
|
posted 05-14-2003 02:28 AM
I agree. I have a 2-megapixel digicam for work which is fine for taking pictures for our website and the odd publicity leaflet. When I'm researching in other archives, it's also useful simply to take pictures of documents for reading on a PC screen later. But none of these pictures would stand enlarging beyond 15x10cm really, and so where quality is important, film wins hands down.
On the subject of which, my 10 year-old Minolta manual focus SLR recently died. The problem is something electronic (annoyingly, the shutter release is electronically operated, i.e. not separate from the exposure meter system, so when the electronics go the camera is useless), and the cost of fixing it is not much less than the camera body is worth.
And now, to change the topic to 'analogue camera question'...
I am therefore thinking about an upgrade, and starting to look around. I'm after a 35mm SLR in the UK£250-350 bracket. It would be used mainly for the usual holiday and amateur snapshot stuff, plus (in the short term at least), taking some photos to illustrate a book I'm in the process of writing (including illustrations of original documents and enlargements of film frames taken over a light box). Therefore a lens with a good macro facility is absolutely vital. Automatic focusing and exposure would be nice, but the ability to manually control everything is more important.
Some photography-minded friends have advised me to look carefully at Nikons, believing that the quality of the bundled lenses is a lot better than with other SLRs in a similar price bracket. I'm starting to think in terms of the F55, which seems to be available from online retailers for around £320 bundled with a 28-80mm and 70-200mm lens. Does anyone have any experiences of using one of these, or any other thoughts? Many thanks.
| IP: Logged
|
|
Scott Norwood
Film God

Posts: 8146
From: Boston, MA. USA (1774.21 miles northeast of Dallas)
Registered: Jun 99
|
posted 05-14-2003 07:08 AM
Leo--I just went through this process when someone stole a bag that contained my Minolta and lenses, and I ended up switching to Nikon. Here's what I learned:
If you already have a big investment in Minolta lenses, etc., you might want to stick with that brand; their products are very good and relatively inexpensive on the used market (in the US, at least); if the thief hadn't taken all of my Minolta stuff, I wouldn't have switched
Nikon seems to have the widest selection of lenses and accessories available and there is a thriving market in used equipment (unlike, say, Minolta or Canon manual-focus lenses, which are essentially dead products and can be hard to find).
Unfortunately, the low-end cameras that Nikon currently sells have plenty of features, but use rather light and flimsy plastic bodies which clearly aren't designed to last for more than a few years. From what I could tell, the "good" Nikon bodies in current production are: F5, F100, FM3A, and (possibly) F80/N80. The recently discontinued F90/N90 is also worthwhile. Unfortunately, all of these are fairly expensive, but they seem much more likely to hold up over time than the lower-end models. The F100 seems to be the best "value" in that it has most of the F5's features at about half the price.
The good news is that there are lots of good models available on the used market in good condition. If you want a manual camera, the F3, FM2, and FE2 are all good options. I'm not as familiar with the autofocus models (which didn't interest me), but there are some good options there, too.
This isn't to say that low-end cameras can't take good pictures; I just personally can't stand plastic stuff that is only built to last for a short time.
I ended up with a practically mint F3 (the standard 1980s newspaper photographer's camera) and an assortment of lenses, etc., and I couldn't be happier. The Minolta lenses were pretty good, but the Nikkors that I've used are noticeably sharper.
| IP: Logged
|
|
|
|
|
|
|
|
All times are Central (GMT -6:00)
|
This topic comprises 2 pages: 1 2
|
Powered by Infopop Corporation
UBB.classicTM
6.3.1.2
The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion
and agrees to release the authors from any and all liability.
|