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» Film-Tech Forum ARCHIVE   » Community   » Film-Yak   » Leni Riefenstahl is dead (Page 2)

 
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Author Topic: Leni Riefenstahl is dead
Christian Appelt
Jedi Master Film Handler

Posts: 505
From: Frankfurt, Germany
Registered: Dec 2001


 - posted 09-13-2003 12:15 PM      Profile for Christian Appelt   Email Christian Appelt   Send New Private Message       Edit/Delete Post 
I talked with two film students last night, and you wouldn`t believe how brainwashed some people can get.

They had swallowed all the lies about being "unpolitical", just wanting to "live for art`s sake" and whatever the Nazi propaganda artists used as excuses after the war.

"Leni Riefenstahl was no real Nazi", one of the students said, "otherwise they wouldn`t admire her in the United States and Japan".

The whole Nazi movement was fueled by fanaticism and distilled negative emotions. Look at the Reichsparteitag film (Triumph des Willens), and remember that this is the poison of chauvinism, hysteria and xenophobia that made possible what happened later.

Riefenstahl certainly was not dumb, and she knew very well what she was doing. She didn`t commit murder, but she was important in mixing the poisonous brew that Hitler and Goebbels fed to the German people.

I do not believe in capital punisment in times of peace, but if you ask me what I would have considered just, Riefenstahl should have had to answer at the Nuremberg trials. It did not happen, so instead of being hanged for constructing such "beautiful" propaganda, using gypsies from the concentration camp as extras for her film "Tiefland", Ms. Riefenstahl lived a long life and was ultimately free to practise her craft.

Back to these two film students: they didn`t like the idea of personal guilt, so they changed the theme: "Riefenstahl was one of the first important woman filmmakers", so she should be honored.

When I told them that most great film editors and many screenwriters were women before Ms. Riefenstahl even knew how to heil the Fuehrer, they said this was typical, a case of successful-woman-bashing.
"She always was a pariah while Veit Harlan went almost unharmed", was their next argument.
Well, director Veit Harlan DID "Jud Suess", but at least he tried after the war to take the responsibility, he didn`t blame dead Nazis.
I saw that the discussion went nowhere because these people didn`t like the idea of guilt and they did not know the facts.

Some people have fallen in love with the idea of an "unpolitical, naive woman filmmaker with great visual talent", and nothing, be it fact or moral question, can penetrate that protective image which Ms. Reiefnstahl spent creating during the last half century.

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Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 09-13-2003 01:54 PM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
I don't believe in mixing politics and film history togather as it gets far to convoluted. To flip the tables if Germany had one they probably then should have tried Frank Capra for his "Why we fight" propaganda films

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Michael Schaffer
"Where is the
Boardwalk Hotel?"

Posts: 4143
From: Boston, MA
Registered: Apr 2002


 - posted 09-13-2003 02:12 PM      Profile for Michael Schaffer   Author's Homepage   Email Michael Schaffer   Send New Private Message       Edit/Delete Post 
Indeed there should be no mixup of politics and art. But in extreme situations like in dictatorships there is no way to avoid that. Everybody understood that very well during the NS period. It wasn`t like "oh, uh, yes, there happened to be racial laws and deportations and lots of other repressive measures, and a world war, and now that you mention it, I should have noticed really, but I somewhow didn`t" - everybody could see what was going on, at least to a certain extent.
During that period, it was practically impossible to be unpolitic, especially for people in the public light.

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Steve Kraus
Film God

Posts: 4094
From: Chicago, IL, USA
Registered: May 2000


 - posted 09-13-2003 03:08 PM      Profile for Steve Kraus     Send New Private Message       Edit/Delete Post 
Huh? She made a film of goosestepping Nazis and for that she should be tried, maybe executed? Did I miss something, some other crime? Imprison or execute someone for a film about a bunch of bozos marching with flags? Oh wait...it's because it might promote war or hatred, right? Well good thing John Wayne is already in the ground or he'd be awaiting trial in The Hague, right? No? Oh right...propaganda like The Green Berets is okay because...well...because he's on our side and we are making the rules.

I guess the principles of free speech extend only to Americans or to those who promote images you agree with. This sort of thinking is just as disgusting as anything Leni did.

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Michael Schaffer
"Where is the
Boardwalk Hotel?"

Posts: 4143
From: Boston, MA
Registered: Apr 2002


 - posted 09-14-2003 04:07 AM      Profile for Michael Schaffer   Author's Homepage   Email Michael Schaffer   Send New Private Message       Edit/Delete Post 
A lot of people left Germany because there was no freedom of speech anymore during the NS period while less talented people made big careers supporting the regime.
It plays no role if her films were actively promoting hatred or just showing blond girls at athletics. We are not talking about content but the fact that she was an active supporter of the dictatorship and gained a lot from her support and then after the war refused to reflect on her role.
That is actually the worst kind of character. Some of the Nazis at least stuck with their convictions and took the consequences. Others actually reflected on what had happened and what their role had been, like Albert Speer.

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