Film-Tech Cinema Systems
Film-Tech Forum ARCHIVE


  
my profile | my password | search | faq & rules | forum home
  next oldest topic   next newest topic
» Film-Tech Forum ARCHIVE   » Community   » Film-Yak   » 64 = 65? (Page 2)

 
This topic comprises 2 pages: 1  2 
 
Author Topic: 64 = 65?
Brian Michael Weidemann
Expert cat molester

Posts: 944
From: Costa Mesa, CA United States
Registered: Feb 2004


 - posted 03-17-2004 02:34 AM      Profile for Brian Michael Weidemann   Author's Homepage   Email Brian Michael Weidemann   Send New Private Message       Edit/Delete Post 
Oh, yes, the beauty of the Fibonacci sequence! Math rules!!!

 |  IP: Logged

Michael Schaffer
"Where is the
Boardwalk Hotel?"

Posts: 4143
From: Boston, MA
Registered: Apr 2002


 - posted 03-17-2004 03:01 AM      Profile for Michael Schaffer   Author's Homepage   Email Michael Schaffer   Send New Private Message       Edit/Delete Post 
Fibonacci? Isn`t that a pasta sauce?

 |  IP: Logged

Evans A Criswell
Phenomenal Film Handler

Posts: 1579
From: Huntsville, AL, USA
Registered: Mar 2000


 - posted 03-17-2004 10:49 AM      Profile for Evans A Criswell   Author's Homepage   Email Evans A Criswell   Send New Private Message       Edit/Delete Post 
Today, since I'm in my office, I can provide better references to this subject.

The title of the book where I first saw this phenomenon illustrated was aha! Gotcha: Paradoxes to puzzle and delight by Martin Gardner (1982). I got the book free one year (it came on March 18, 1986) when I subscribed to Scientific American. While at Jacksonville State University, I checked a book out of their library that had a chapter on this kind of thing (most likely, a Martin Gardner book).

On the Fibonacci sequence, to generate it, just start with 0 and 1 and make each next number be the sum of the two numbers before it, like this: 0 1 1 2 3 5 8 13 21 34 55 89 144 ...

The growth rate converges to the "golden ratio", which is equal to (sqrt(5) + 1) / 2 or 1.6180339887...

After lunch, I'll scan a couple of things. I have another one of these "rearrange and get a different area" puzzle that's a bit harder to see.

 |  IP: Logged

Evans A Criswell
Phenomenal Film Handler

Posts: 1579
From: Huntsville, AL, USA
Registered: Mar 2000


 - posted 03-17-2004 01:12 PM      Profile for Evans A Criswell   Author's Homepage   Email Evans A Criswell   Send New Private Message       Edit/Delete Post 
OK. Here are the diagrams from the book I mentioned. The first one (the top two figures) are like the one Joe used, except it uses a 13 by 13 rectangle rearranged into an 8 by 21 rectangle.

The second one, however, uses a 12 by 12 rectangle with a 1 by 1 hole in it, which is rearranged into a 12 by 12 rectangle without a hole. I find the second one (bottom two figures) much more interesting. Feedback welcome!

Here's the image:

 -

 |  IP: Logged

Thomas Procyk
Phenomenal Film Handler

Posts: 1842
From: Royal Palm Beach, FL, USA
Registered: Feb 2002


 - posted 03-18-2004 10:27 AM      Profile for Thomas Procyk   Email Thomas Procyk   Send New Private Message       Edit/Delete Post 
Fibonacci is the name of my friend's secksy cat.

=TMP=

 |  IP: Logged



All times are Central (GMT -6:00)
This topic comprises 2 pages: 1  2 
 
   Close Topic    Move Topic    Delete Topic    next oldest topic   next newest topic
 - Printer-friendly view of this topic
Hop To:



Powered by Infopop Corporation
UBB.classicTM 6.3.1.2

The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion and agrees to release the authors from any and all liability.

© 1999-2020 Film-Tech Cinema Systems, LLC. All rights reserved.