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This topic comprises 3 pages: 1 2 3
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Author
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Topic: Wurlitzer Organs
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Leo Enticknap
Film God

Posts: 7474
From: Loma Linda, CA
Registered: Jul 2000
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posted 07-29-2005 07:03 PM
Many thanks Bernard - will have a look.
Today's generation of silent film accompianists, e.g. Neil Brand, Stephen Horne or Phil Carli, are amazing people who never fail to bring a film to life. But I can't help thinking that with Ena's and Florence's generation passing, we really have lost our last solid link to when silent film shows were an everyday commercial reality rather than something which is done by enthusiasts and archivists as an historical reconstruction. I never heard or projected for Florence de Jong playing, but when Ena appeared at the NFT there was no doubt in anyone's mind that this was something special. Mine is probably the last generation which will ever hear a silent film accompanist play who actually worked in the 1920s, I'd guess.
BTW, Ena didn't just have it in for Hollywood and/or Von Stroheim. Another of her party tricks was the closing scene from Shooting Stars, one of my favourite films, in which she subverted the bitter ending by playing There's No Business Like Show Business as the former star walks off the set as a destitute extra in the film's final shot.
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Charles Greenlee
Jedi Master Film Handler

Posts: 801
From: Savannah, Ga, U.S.
Registered: Jun 2006
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posted 08-28-2006 03:12 AM
Pipe organs are some of the most awesome (in the classical meaning of the word), and fascinating instruments. Often the building they are in was designed around them, as they are huge and highly involved. They can be extremely ornate, and few things are more beautiful than a room lined in plished organ pipes. Not to mention the sound, talk about filling the room. If any instrument could produce a note powerful enough to make someone crap themselves, it'd be a pipe organ. The one at the cathedral downtown can make your eyes rattle around in your skull, and it is not the grandest, though no toy either.
Pipe organs, the original sythesizer, originally created sometime in the 200's BC, I beleive it got it's capability to imitate other intruments around 15th or 16th century. Odd that people, when asked, quote the sythesizer as dating back to the 1950's or 60's, when it's much much older. They're thinking of the elctronic sythesizer, which is nice, but I'd rather have an organ. I wonder if I can get a pipe organ that'll run midi.
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This topic comprises 3 pages: 1 2 3
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