Film-Tech Cinema Systems
Film-Tech Forum ARCHIVE


  
my profile | my password | search | faq & rules | forum home
  next oldest topic   next newest topic
» Film-Tech Forum ARCHIVE   » Community   » Film-Yak   » Making of a triode valve (vacuum tube). (Page 2)

 
This topic comprises 2 pages: 1  2 
 
Author Topic: Making of a triode valve (vacuum tube).
Richard Fowler
Film God

Posts: 2392
From: Ft. Lauderdale, FL, USA
Registered: Jun 2001


 - posted 01-07-2008 11:21 AM      Profile for Richard Fowler   Email Richard Fowler   Send New Private Message       Edit/Delete Post 
Some xenon bulb manufacturers will recycle usable components from D.O.A. bulbs....their is a lot of hand made work to those xenon "tubes".

 |  IP: Logged

Alan Plester
Expert Film Handler

Posts: 209
From: great yarmouth england
Registered: Apr 2001


 - posted 01-07-2008 11:40 AM      Profile for Alan Plester   Email Alan Plester   Send New Private Message       Edit/Delete Post 
Watched & watched again, that is one of the most amazing vids i`ve seen in years, wonder how long that takes in real time?.

 |  IP: Logged

Stephen Furley
Film God

Posts: 3059
From: Coulsdon, Croydon, England
Registered: May 2002


 - posted 01-07-2008 12:23 PM      Profile for Stephen Furley   Email Stephen Furley   Send New Private Message       Edit/Delete Post 
Probably not that long once he's got the tools set up. You see all three electrodes being made in pretty much real time; most of the metalwork is spot welded, which is a quick process. You see quite a bit of the glasswork though obviously it takes a bit longer for things to heat up and cool down than you see. I'm not sure how long the electrodes have to spend in the various baths, and the pumping and bombarding would take a while, though again I'm not sure how long.

Sealing metal electrodes into glass is tricky, as most metals expand considerably more than glass does, and therefore can crack the glass as they heat up.

 |  IP: Logged

Louis Bornwasser
Film God

Posts: 4441
From: prospect ky usa
Registered: Mar 2005


 - posted 01-07-2008 01:21 PM      Profile for Louis Bornwasser   Author's Homepage   Email Louis Bornwasser   Send New Private Message       Edit/Delete Post 
6L6 and their clones: 6CA7, KT-88, SC-1000m have passed into the public domain years ago. Most tube types were "bartered" between manufacturers. Example GE 6CA7s were actually Amperex (Holland) The rest were probably Mullard G.B.

FYI: the original 6L6 was a coproduction of RCA and Motiograph, just prior to WW2; they had a contractual 5 year non-compete and after the war, everyone had them.

BTW: We made oscilloscope tubes in high school physics class in the bottom of a flask with a double stopper. Crude, but it worked. Louis

 |  IP: Logged

Stephen Furley
Film God

Posts: 3059
From: Coulsdon, Croydon, England
Registered: May 2002


 - posted 01-07-2008 01:58 PM      Profile for Stephen Furley   Email Stephen Furley   Send New Private Message       Edit/Delete Post 
Probably not that long once he's got the tools set up. You see all three electrodes being made in pretty much real time; most of the metalwork is spot welded, which is a quick process. You see quite a bit of the glasswork though obviously it takes a bit longer for things to heat up and cool down than you see. I'm not sure how long the electrodes have to spend in the various baths, and the pumping and bombarding would take a while, though again I'm not sure how long.

Sealing metal electrodes into glass is tricky, as most metals expand considerably more than glass does, and therefore can crack the glass as they heat up.

 |  IP: Logged

Aaron Sisemore
Flaming Ribs beat Reeses Peanut Butter Cups any day!

Posts: 3061
From: Rockwall TX USA
Registered: Sep 1999


 - posted 01-07-2008 02:18 PM      Profile for Aaron Sisemore   Email Aaron Sisemore   Send New Private Message       Edit/Delete Post 
quote: Louis Bornwasser
GE 6CA7s were actually Amperex (Holland) The rest were probably Mullard G.B.
While it is true that the American manufacturers stuck their brand name on the Mullard and Amperex 6CA7/EL34s, GE actually made their own 6CA7 (the Fat Boy style) in Owensboro, and Sylvania also made one domestically. The GE ceased production in early 1993, and the Sylvania (later PhilipsECG) ceased ca. 1987.

-Aaron

 |  IP: Logged

Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 01-07-2008 02:39 PM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
quote: Jack Ondracek
High power broadcast transmitting tubes still are. There are two or three companies in the US that do this. The cost is about half what a new tube would run, and carries the same warranty as new.

You're right. We used to send the Klystrons back to Varian in Salt Lake City for rebuilding. Every time the tower was struck by lightning(John Hancock building) it would erode away some grapite pieces in the tube which had a similar function to a grid in a regular tube... eventually it would fail. Rebuild cost about 150K every time... Te Aural klystron was only run at 1/3 power and it always lasted the longest of the three.

Mark

 |  IP: Logged

Will Kutler
Phenomenal Film Handler

Posts: 1506
From: Tucson, AZ, USA
Registered: Feb 2001


 - posted 01-07-2008 09:57 PM      Profile for Will Kutler   Email Will Kutler   Send New Private Message       Edit/Delete Post 
My Baby...my 1938 RCA 816K uses 2 6L6's in push-pull with a 12 inch electrodynamic speaker

Restoration is comming along ok. New custom-wound power transformer (thanks to 3rd party who damaged the original) from Heyboer Transformers using the original end caps. Need to have chassis and other sheet-metal parts replated so I can begin reassembly.

 |  IP: Logged

Bob Koch
Expert Film Handler

Posts: 183
From: williams ca
Registered: Nov 2001


 - posted 01-08-2008 01:33 PM      Profile for Bob Koch   Email Bob Koch   Send New Private Message       Edit/Delete Post 
Louis; I built an amplifier when I was in hi school that had a 6F5 driving a single 6L6. This was quite awhile before the war1937-8]. I certainly never heard anything about Motiograph being involved with any development of any kind. They took over some WE Mirrophonic designs as WE was being escorted out of the film sound reproduction business.

 |  IP: Logged



All times are Central (GMT -6:00)
This topic comprises 2 pages: 1  2 
 
   Close Topic    Move Topic    Delete Topic    next oldest topic   next newest topic
 - Printer-friendly view of this topic
Hop To:



Powered by Infopop Corporation
UBB.classicTM 6.3.1.2

The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion and agrees to release the authors from any and all liability.

© 1999-2020 Film-Tech Cinema Systems, LLC. All rights reserved.