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Author Topic: US: That irritating beep tone on censored words...
Bobby Henderson
"Ask me about Trajan."

Posts: 10973
From: Lawton, OK, USA
Registered: Apr 2001


 - posted 03-02-2008 12:54 AM      Profile for Bobby Henderson   Email Bobby Henderson   Send New Private Message       Edit/Delete Post 
"Tits also sounds like a snack. Yes. Not just any snack. I'm talking about new Nabisco Tits!"

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Joe Redifer
You need a beating today

Posts: 12859
From: Denver, Colorado
Registered: May 99


 - posted 03-02-2008 01:11 AM      Profile for Joe Redifer   Author's Homepage   Email Joe Redifer   Send New Private Message       Edit/Delete Post 
Evans, you probably saw it on Jimmy Kimmel Live. He has something called "Unnecessary Censorship" or something like that which does exactly what you said. I've only seen his show once when a guy I worked with was one of his guests and it was on.

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Sean McKinnon
Phenomenal Film Handler

Posts: 1712
From: Peabody Massachusetts
Registered: Sep 2000


 - posted 03-02-2008 10:09 AM      Profile for Sean McKinnon   Author's Homepage   Email Sean McKinnon   Send New Private Message       Edit/Delete Post 
quote: Evans A Criswell
There are cases where innocent dialogue can be made dirty by censoring it.
"Opie And Anthony" a syndicated "Shock Jock" radio show from CBS Radio out of New York uses that as a bit too. It's pretty funny, and adding in those "bleeps" can really really change things!
For example take this innocent sentence;

"This big black cat jumped on me and started to lick my hand"

Now add in the "Bleeps"

"This big black [BLEEP] jumped on me and started to lick my [BLEEP]"

Now it sounds lick something tottally different!

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Greg Anderson
Jedi Master Film Handler

Posts: 766
From: Ogden Valley, Utah
Registered: Nov 1999


 - posted 03-02-2008 10:27 AM      Profile for Greg Anderson   Author's Homepage   Email Greg Anderson   Send New Private Message       Edit/Delete Post 
I remember when TV was filled with professional entertainers... guys like George Carlin who could talk to Johnny Carson and, knowing they were on broadcast television, would simply clean up their language voluntarily. They knew how to save the other material for other venues. I find it annoying when people who know they're going to be censored use the foul language anyway (Jon Stewart, Joel McHale) as if they're being cute. Well, I'm not 13 years old anymore and it's not funny.

And never mind that our airwaves are filled with non-professionals these days... like people on so-called "reality TV" who don't know what they're doing to begin with... and they're drunk anyway. Besides, all of these typical foul words are just old and boring. Those tranks need to invent some new words to use with their bojo friends.

When I was working on episodic TV, I could tell that the writers were heavily influenced by the original programs they were watching on HBO and Showtime. While they were unable to do the same kind of work on broadcast TV, they still kept pushing in that direction. And it just made the shows more awkward because, as a viewer, you knew what they wanted to do but they couldn't. Bunch of losers. Why didn't they just get jobs at HBO?

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Stephen Furley
Film God

Posts: 3059
From: Coulsdon, Croydon, England
Registered: May 2002


 - posted 03-02-2008 12:36 PM      Profile for Stephen Furley   Email Stephen Furley   Send New Private Message       Edit/Delete Post 
quote: Bobby Henderson
I think it's all pretty silly. I'll make a reference to George Carlin's brilliant "seven words you can never say on TV" bit.
Bobby, I just noticed what you wrote; I didn't post the link in response to what you wrote, we must have both had the same thought at almost exactly the same moment. In the few minutes that it took me to find the copy on You Tube, and post the link to it your post came in just before mine.

When I was over there a few years ago George Carlin was appearing soon at somewhere that I visited, I think it was at the Union County Arts Center at Rahway, NJ. I wasn't going to be in the Country that day, or I might have gone to see the show. He now looks very different to he did when he recorded 'Class Clown'. I don't think I ever heard him over here since that record that I heard, almost exactly a third of a century ago now.

Despite it being so long ago, there are a couple of other bits that I remember. The first was another section of his thoughts on words; I think I can remember it almost word for word:

'Here are words that no one has ever said before:

Please saw my legs off.

Hand me that piano.

Do what you want to the girl, but leave me alone.'

The other was a piece about Muhammad Ali; I hope that at this distance in time from the events involved it's not considered too political:

'He had an unusual job; beating people up. Government wanted him to change jobs; government wanted him to kill people. He said ¨No, I'll beat 'em up, but I don't want to kill 'em¨. Government said ¨You won't kill 'em, we won't let you beat 'em up¨'

Bizarre way or looking at things.

His 'seven words' piece struck me as being genuinely funny. Of course, there never was a list of seven words, those words have been heard on television, and many others have been censored, seemingly quite randomly, and I see nothing wrong with making fun of that. Putting the very mild word 'Tits' at the end of the list makes it seem quite ridiculous. I also like the bit about the ratio of words - '399,993 to 7'.

'Derek and Clive' on the other hand struck me as being utterly un-funny. I believe that there were three 'Derek and Clive' records, but I only ever heard the first one, 'Derek and Clive Live'. It consists of a series of conversations between two characters, played by two comedians who had done much better work earlier on. It's just an endless string of four-letter words about nothing in particular. I can't quote any of it, because I simply can't remember any of it, and doubt if I could have done, even a week after I heard it.

The most famous swearing episode on British television was probably this:

You Tube again

This was the famous Sex Pistols interview, from 1976. The programme was 'Today', an early evening current affairs type magazine programme, made by Thames Television, who at that time held the Independent television clannel for the London area on Weekdays. At that time there were only three broadcast channels, two BBC and one independent. This was some time after the start of punk; the Sex Pistols had been featured on several previous programmes, but these had been pre-recorded concert footage. The newspapers had been full of stories about how vile and terrible they were, there were ridiculous stories accusing them of just about everything short of baby-eating. One thing about them however was clearly true; they tended to swear quite a lot. Given this fact, if you don't want swearing on your early evening programe, then it's probably not a good idea to include a live interview with the Sex Pistols. Why not pre record it, or at least put in a delay with a loop of tape running round a couple of Quad VTRs, as had been done previously with other 'risky' material? The presenter given the thankless task of trying to interview the Pistols was Bill Grundy, who clearly hadn't got a clue how to handle the situation, and may himself have been drinking before the show. The resulting total mayhem was, I am sure, exactly what the Sex Pistols and their manager, Malcolm Mc Laren, would have wanted. Grundy just looks totally out of place among all the punks, but basically just lets them get on with it. To be honest, there's probably not much else he could do, the whole situation was almost totally out of his control. Grundy was sacked after this episode.

I believe that one of the young women at the back was Siouxsie, who later came to fame with The Banshees.

[ 03-02-2008, 02:17 PM: Message edited by: Stephen Furley ]

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Tim Reed
Better Projection Pays

Posts: 5246
From: Northampton, PA
Registered: Sep 1999


 - posted 03-02-2008 12:45 PM      Profile for Tim Reed   Author's Homepage     Send New Private Message       Edit/Delete Post 
Unfortunately, I grew to dislike George Carlin in later years. The older he got, the more the "lost hippie" with the ponytail schtick grated on me - among other things.

But I used to have all of his albums back in the 70s.

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Stephen Furley
Film God

Posts: 3059
From: Coulsdon, Croydon, England
Registered: May 2002


 - posted 03-02-2008 02:28 PM      Profile for Stephen Furley   Email Stephen Furley   Send New Private Message       Edit/Delete Post 
I only ever heard him that one time, on the record. I don't know what he was like when he was older.

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Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999


 - posted 03-02-2008 02:59 PM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
There is no doubt about Carlin's genious. Most of the '70s albums show it, with abundance. However, like Tim, I have found that his more recent stuff to be lacking in anything particularly funny (in the side-splittingly funny sense). Last night, HBO premiered a recent Carlin standup performance (actually, I think it was live)...I don't recall laughing out loud once (or "lol" in today's text speak). That was not the case in the past.

Now, Carlin definately still has his mastery of words...which was truely what he brought to the comedic field above and beyond other comedians. Even his books show it.

I'm wondering if comedy is something where you have to have that genius but also in the right time to make it work. Kinda like music...very few people or groups that were wildly popular can cointinue that for many decades (with the new music remaining popular)....there is a timing to it all. I recall seeing an interview with Pete Townsend...who wrote most everything for THE WHO where he was talking about coming to grips with the fact that it was unlikely that he would ever be able to write the kinds of stuff that made THE WHO wildly popular again (this was back before John died...so all of THE WHO were there except Keith Moon). It isn't that he couldn't write okay or good music...but the over-the-top incredible music was now in his past. You find the same sort of thing with Paul McCartney and others...

There is a certain pluse that a comedian must have to make their material funny and I'm not sure that it lasts forever...at least not at the genius level...at some point...it drifts down to merely being humerous. My top comedians remain, Carlin, Pryor and Cosby. I think a common thing with those three is that they all knew how to tell a very funny story. They also had very powerful facial expressions that somehow came through on their LPs!

Steve

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