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This topic comprises 2 pages: 1 2
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Author
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Topic: Working On A Film Set
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Greg Anderson
Jedi Master Film Handler

Posts: 766
From: Ogden Valley, Utah
Registered: Nov 1999
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posted 04-28-2008 10:34 PM
Actors (and everyone else) are increasingly annoyed at the problem of cell phones ruining a take. Turn it off or leave it in the car. It's not enough to put it on vibrate mode because when it's totally quiet on the set you'll hear it buzzing. And even if it's in silent mode, some cell phones can induce noise into the sound system. Nobody will know it's your fault but you still will have ruined the take.
Here's something: Eye lines. Actors don't want people moving or, worse, staring at them from a place that gets into the actors' field of view. This will be especially important to an on-set still photographer. You would normally be right beside the movie cameras but no matter where you are you have to move slowly. Some actors are really sensitive about distractions.
If the shoot has any exterior work, be ready for any weather conditions. Keep jackets, hats, boots, umbrellas, etc. in your car all the time. There will be no time to go home and get something you may have forgotten. Even if you're not shooting outdoors, your interior locations may be cramped and you'll be waiting outside anyway.
A typical work day is 12 hours. SAG rules say that an actor needs 12 hours off between shifts. So if any shooting day runs late it can throw off the rest of the week's schedule. For this reason, Monday call times are generally very early and any night work is scheduled for later in the week. You may be showing up at the crack of dawn on a Monday and working until well past midnight later in the week, only to turn around and do it again the next week.
So... get plenty of rest during your time off. You may have to cut back on TV or movies or general partying. Weekends will be full of housework, washing the car and other stuff you used to just chip-away-at during normal weeks. It's the price you pay to live the glamorous, movie production life.
I'm sure the key still photographer will fill you in on all the other stuff. So, like any other job, remember to show up on time, listen closely to instructions, don't cause trouble, don't whine and Presto! People will enjoy working with you and you'll be able to get more work.
Oh... another thing. Those snazzy chairs for the director and cast are often conveniently placed and are often empty. But you should never sit in a chair if it has someone else's name on it.
I think we're all looking forward to a report from you after you've been on the set for a while. I mean, your long work days may make it difficult to spend time surfing Film-Tech but I'd still like to know how it's going.
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