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This topic comprises 2 pages: 1 2
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Author
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Topic: 3D: Apparently they're out of ideas already
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Claude S. Ayakawa
Film God

Posts: 2738
From: Waipahu, Hawaii, USA
Registered: Aug 2002
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posted 06-18-2008 03:10 PM
I had the good fortune to be around when the first color dual projection 3-D film was released in 1952 and it was Arch Oboler's BWANA DEVIL in Natural Vision at Honolulu's Liberty Theatre. I was only fourteen at that time and I was immediately hooked and made an effort to see every 3-D film that played there. Unfortunately some of the better 3-D films that were released later such as KISS ME KATE, DIAL M FOR MURDER, HONDO, CHARGE AT FEATHER RIVER and one or two others did not play in Honolulu in 3-D. Some of the better ones I remember seeing included INFERNO, THE MAZE, THOSE REDHEADS FROM SEATTLE in addition to the classics such as HOUSE OF WAX, IT CAME FROM OUT OF SPACE and THE CREATURE FROM THE BLACK LAGOON.
After dual projection 3-D had faded away in the fifties, I was very happy when I learned about a single projection 3-D system some studios were going to use to reintroduce the process in theatres with FRIDAY 13th in 3-D, JAWS 3-D and a few others. Frankly, I thought the process was dreadful and no way came close to the 3-D films I had enjoyed in the fifties.
After that bad experience, the next opportunity I had with 3-D cinema was IMAX 3-D when I saw ACROSS THE SEA OF TIME at Lincoln Centre in New York City and was captivated by the process and was very happy when Honolulu's now defunct IMAX theatre had installed it.
Today's 3-D films in Real D is very good but in my opinion is not as good as the original 3-D films in the fifties and IMAX 3-D. Unlike many of you, I am very excited about the future use of 3-D in cinema but not too trilled about it's use mostly with animated films in the near future..
-Claude
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Mark Lensenmayer
Phenomenal Film Handler

Posts: 1605
From: Upper Arlington, OH
Registered: Sep 1999
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posted 06-19-2008 07:18 AM
Just like good and bad movies, there is good and bad 3-D. The key is the story. If you have a good story, 3-D can enhance the picture. If you look at DIAL M, there are very very few 3-D gimmicks. The only time the 3-D is obvious is when the hand with the knife comes out of the screen, involving the audience with the act. Another good 3-D film is HOUSE OF WAX, with a good story. Gimmicks are limited pretty much to the amazing paddleball guy. But the story still is the strongest element. (and the director of that film had only 1 eye and couldn't see a 3rd dimension)
Polar Express works well as a 2-d film, but even better in 3-D, because the story is the important thing. 3-D added only an element of fun to NIGHTMARE BEFORE CHRISTMAS...its still a great picture.
Until someone (and I've got high hopes for James Cameron here) pays more attention to the story than the effects, 3D will be hot for awhile then die off.
Someday Hollywood will learn that GOOD STORIES will save the industry, not gimmicks.
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