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Author Topic: Academy Warning on Digital Preservation
Randy Stankey
Film God

Posts: 6539
From: Erie, Pennsylvania
Registered: Jun 99


 - posted 02-07-2012 08:46 AM      Profile for Randy Stankey   Email Randy Stankey   Send New Private Message       Edit/Delete Post 
Joe, I think we're talking about the same concept but from different sides of the fence.

You were saying, "If data is copied in a timely manner."
I was saying, "If data is NOT copied in a timely manner."

If a new type of storage comes out, if the data is valuable, transfer it ASAP but real life shows that people do not take the time to do so and the OP's article suggests that most people are have not even considered it.

In David's article, had the scientists of the Pioneer mission stored their images on 5-inch glass lantern slides, they would still be accessible. Just pick them up and look at them. If you want to view them on a computer, just scan them. Further, I wonder whether digital data could be stored on film or slides using some kind of bar code. It might not be a convenient format but it is something that can be recovered in the future.

This is what I think the main point of the article is getting at. We don't know what kinds of data technology will exist in the future. Who knows? Maybe metal platter hard drives will still exist. If so, great! Just back up your data onto hard drives and you're safe for the foreseeable future.

Back in the 1970s, Hollerith cards were among the best technologies we had. It made sense to store data on cards but most people had no idea what would happen in the future. A warehouse full of punch cards is useless today, only 30 years later. However, we still have the first permanent photograph ever, taken by Joseph Niépce in 1826. It looks like crap because it wasn't a very good photo in the first place but we still have it and we can digitize and display it on computer screens.

I don't see the question as being about technology, per se. Some people are just making the assumption that digital storage is better. Others are saying film is better. The truth lies somewhere in between. Maybe making backups in both analog and digital is the answer? I don't know.

The main thing that people need to do is think ahead. Punch cards and magnetic tape are obsolete and, in many cases, unreadable but 100+ year old film is still readable but not easily accessible. Where's the middle ground? How will we carry that solution into the future?

We still have ancient records on Sumerian clay tablets and Egyptian papyrus scrolls but the people who made them, thousands of years ago, never gave any thought to those documents' longevity. Nowadays, we struggle to preserve our data for 50 or 100 years. Go figure... [Shrug]

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Scott Norwood
Film God

Posts: 8146
From: Boston, MA. USA (1774.21 miles northeast of Dallas)
Registered: Jun 99


 - posted 02-07-2012 08:55 AM      Profile for Scott Norwood   Author's Homepage   Email Scott Norwood   Send New Private Message       Edit/Delete Post 
To summarize:

Film will last longer than any digital format if kept on a shelf, but information is lost when it is duplicated. It is also a self-documenting format and its storage characteristics are well understood.

Digital data can be copied losslessly (assuming no format conversion or compression is involved), but must be copied regularly in order to preserve it due to short media and format life. Information on storage format needs to be maintained with the data. Long-term storage of digital data is an emerging field, which can be expected to experience rapid change over time.

Which is better depends on how much we trust the owners of the material to maintain it. The best option is probably to store information in both formats, although converting from one to the other will involve loss of information.

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Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999


 - posted 02-07-2012 09:58 AM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
I think Scott hit the nail on the head in that analog storage is typically self-explanatory. One does not really have to figure out film or paper formats. With digital, you must not only know the medium but how the data is stored and what that data is!

When it comes to migration (moving from one digital format that may be obsolete to a current one) the problem becomes geometric. That is, you have the ENTIRE history of one's digital work to deal with. So if next year a new format that looks like it has legs to it becomes the standard, we will have to migrate say the last 5-years of things mastered in a DCP format...but moving ahead 20-years, now we will have 20-years of history to once again migrate to the then current format. 50-years away...it repeats...etc. Your list of things to migrate is constantly growning exponentially with each migration. As for film, if motion pictures are stored on film (or stills), then it only need come off that medium to get it to the current medium of the day on a case-by-case basis unless the one detects deterioration.

The chief reason that films were lost in the 20th Century (except for Disney) was a film's value dropped pretty fast after it was released. There was no home market until TV came along to the masses and no real revenue stream for those old titles until home-video hit the masses. Disney has titles that they could reissue every 7-10 years for the next generation...thus they knew to keep them in good shape...they would be perpetually valuable.

The archiving methods in the past were very cursory. They might make a separation copy of the movie but NEVER check to see if it was a good copy. That is how cheap the studios, historically, have been with titles that have done their thing on 1st run. One would think that after making a protection copy in separation or even just a dupe negative they would then immediately strike a print off that to ensure it was a good copy. One thing I hope they start doing more is when they do separations, do it on one negative (three sequential frames) rather than three reels. This will avoid the lost color but more importantly, ensure that the shrinkage or other possible distortions are uniform across the three colors. But again, before putting the separations in the vault, strike a check print off of them to ensure that you have something worth keeping. Spending 100s of millions of dollars and not spending 10s of thousands to ensure you have it forever is short-sighted.

Like with film, LPs or even cylinders are almost self-explanatory on how to get the information off of them...it makes the a good storage medium for longevity if not for accuracy. Remember too...all of this encyription business will only go to thwart future archivists from retrieving "lost data."

-Steve

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Brian Guckian
Jedi Master Film Handler

Posts: 594
From: Dublin, Ireland
Registered: Apr 2003


 - posted 02-07-2012 11:01 AM      Profile for Brian Guckian   Email Brian Guckian   Send New Private Message       Edit/Delete Post 
quote: Randy Stankey
I wonder whether digital data could be stored on film or slides using some kind of bar code.
In recent years ARRI and more recently Point.360 have developed systems which facilitate encoding "born-digital" material onto single-strip 35mm B/W film.

Details for the Point.360 system:

Point.360 Visionary Archive Technology

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Scott Norwood
Film God

Posts: 8146
From: Boston, MA. USA (1774.21 miles northeast of Dallas)
Registered: Jun 99


 - posted 02-07-2012 01:08 PM      Profile for Scott Norwood   Author's Homepage   Email Scott Norwood   Send New Private Message       Edit/Delete Post 
Recording digital data on film will solve the media life problem, but not the problem of format documentation or of reader hardware.

Microfilm is a good choice for long-term preservation of human-readable material (newspapers, text, etc.) for this reason, as the reader hardware consists of little more than a lens. Storing non-textual data, however, is a much more difficult problem.

One point in favor of film is that the people who run labs and archives are generally familiar with the idea of storing material for decades. IT people (I am one) generally don't consider long-term storage issues, and ten years is usually the outside limit on the lifespan of most "normal" data. If you were to go into a typical company and ask them to restore material from a backup made more than a decade ago, they probably would not be able to do it.

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David Buckley
Jedi Master Film Handler

Posts: 525
From: Oxford, N. Canterbury, New Zealand
Registered: Aug 2004


 - posted 02-07-2012 01:13 PM      Profile for David Buckley   Author's Homepage   Email David Buckley   Send New Private Message       Edit/Delete Post 
quote: Randy Stankey
Back in the 1970s, Hollerith cards were among the best technologies we had.
These cards are still handy for taking notes; they just fit nicely in a shirt pocket. Not that I wear shirts with pockets much these days.

At work I have a couple of boxes of original IBM Hollerith cards, which should last me until my box is summoned. These cards have outlasted the IBM 360/44, which was what these cards were originally purchased for, by half a century.

More scarily perhaps, some of my colleauges who date back to that era still have boxes of cards in their offices that ran production back in the day. And it was only last year I persuaded the tape librarian to dump all the old 9 track tapes from the safe, these dating back to the IBM's sucessor, a Burroughs...

Books and other physical stuff last (almost) forever, and almost in spite of our efforts not to care for it. Digital data only lasts as long as we want it to and we are willing to put in the effort to keep it.

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Brian Guckian
Jedi Master Film Handler

Posts: 594
From: Dublin, Ireland
Registered: Apr 2003


 - posted 02-07-2012 01:40 PM      Profile for Brian Guckian   Email Brian Guckian   Send New Private Message       Edit/Delete Post 
quote: Scott Norwood
Recording digital data on film will solve the media life problem, but not the problem of format documentation or of reader hardware.
Interestingly this issue is addressed in both systems mentioned earlier (apologies as I don't have any links to the ARRI one). Here's an extract from the Point.360 Visionary Archive information, linked to above:

All the information needed to understand and recover Visionary Archive films are recorded in human readable form right at the beginning of each reel of film. If digital technology becomes obsolete, Visionary Archive films will be readable and recoverable

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Paul Gordon
Jedi Master Film Handler

Posts: 580
From: Ottawa, Ontario, Canada
Registered: Aug 2005


 - posted 02-07-2012 02:00 PM      Profile for Paul Gordon   Author's Homepage   Email Paul Gordon   Send New Private Message       Edit/Delete Post 
Of course archiving to film is a moot point if no one is making film emulsion or stock anymore. How long does Kodak have? not a lot of other players make black and white motion picture stocks.

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Joe Redifer
You need a beating today

Posts: 12859
From: Denver, Colorado
Registered: May 99


 - posted 02-07-2012 04:35 PM      Profile for Joe Redifer   Author's Homepage   Email Joe Redifer   Send New Private Message       Edit/Delete Post 
The best way to store stuff seems to be posting it on Facebook. Even after you delete it, it's still there forever and ever.

EDIT: This is my 12,000th post. I demand $1 from each of you.

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Scott Norwood
Film God

Posts: 8146
From: Boston, MA. USA (1774.21 miles northeast of Dallas)
Registered: Jun 99


 - posted 02-07-2012 04:53 PM      Profile for Scott Norwood   Author's Homepage   Email Scott Norwood   Send New Private Message       Edit/Delete Post 
Joe--don't use Facebook. Use Mega Upload. It's way less likely to disappear in the future. Oh, wait....

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