|
|
This topic comprises 4 pages: 1 2 3 4
|
|
Author
|
Topic: So how many hours do you spend in traffic each week?
|
|
|
Leo Enticknap
Film God

Posts: 7474
From: Loma Linda, CA
Registered: Jul 2000
|
posted 06-23-2013 05:09 PM
quote: Stephen Furley The old British Rail Diesel trains from the '50s had an interesting gearbox; I don't know why a smaller version of it wasn't designed for cars. It's a Wilson constant mesh epicyclic box. There are four gears, in the top one all of the gears are locked together and there is a direct 1:1 drive through the box. The other three gears are provided by three epicyclic gear systems, with the one to be used selected by tightening a brake band around it. To change gear, other than to fourth, one brake band is loosened and another is tightened. As suggested by the name, all of the gears are constantly meshed. There's an automatic wear adjuster thich takes up any slack in the brake bands. It's a very simple system, and seems to work well.
Sounds like the predecessor to the continuously variable transmission, which is just starting to become standard on some seriously expensive luxury cars. I've only driven a CVT once, in a rental (free upgrade, as they didn't have the boring compact I'd booked) for a couple of days. I only ever drove it in inner city streets and never got a chance to see how it would cope with serious bends and gradients, though.
Interesting that the basic principle was understood and implemented over half a century ago.
| IP: Logged
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Leo Enticknap
Film God

Posts: 7474
From: Loma Linda, CA
Registered: Jul 2000
|
posted 06-25-2013 12:29 PM
I was taught never to ride the clutch or to leave it disengaged for prolonged periods, as these are basically quick and efficient ways to wear them out. I always go into neutral, clutch up and handbrake on when stopped in traffic. It's not such a problem here, because the traffic light sequence pauses on amber for 1-2 seconds when going from red to green, not an instant red-green switch as in California; so your reaction time doesn't have to be instant when setting off.
The other thing that irritates me about people who leave their foot on the footbrake while stopped in traffic is that their brake lights can dazzle the driver behind, especially if it's dark outside and they have a high level brake light. There's also another safety issue: without wanting to sound overly morbid, if I'm stopped at at pedestrian crossing with the car in D and held stationary on the footbrake alone (or, in a manual, in first gear with the clutch and footbrake both pressed down), then if I have a masssive heart attack, I will probably release my foot from the brake, the car will roll forward and I'll take any pedestrian who is on the crossing at the time with me into the next world. At least if I'm in neutral with the handbrake applied, I'll just be me.
| IP: Logged
|
|
|
|
|
|
|
|
|
|
|
|
|
|
All times are Central (GMT -6:00)
|
This topic comprises 4 pages: 1 2 3 4
|
Powered by Infopop Corporation
UBB.classicTM
6.3.1.2
The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion
and agrees to release the authors from any and all liability.
|