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This topic comprises 2 pages: 1 2
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Author
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Topic: Guilty Pleasure Movies (2014 edition)
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Mitchell Dvoskin
Phenomenal Film Handler

Posts: 1869
From: West Milford, NJ, USA
Registered: Jan 2001
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posted 02-26-2014 03:04 PM
> The Adventures of Buckaroo Banzai Across the 8th Dimension I second that. I was one of the 3 people nationwide that paid to see Buckaroo theatrically when it was in first run. Been a favorite ever since. There are so many bad movies that are actually a lot of fun, that it is hard to pick out only a few. Some off the top of my head:
Night Of The Lepus, giant killer bunny rabbits. Black Sheep (2006 Version), killer man eating sheep. Just Imagine (1930 Version), Was it a musical? Was it a comedy? Was it a science fiction film? Did it make any sense? What were they thinking.
Candy (1969), This film seem like it started out as another softcore porno about a young high school girl being lusted after by a bunch of dirty old men. However, somewhere between inception and filming, they managed to sign for the diry old men: Richard Burton, Marlon Brando, James Coburn, John Huston, Walter Matthau, John Astin, Sugar Ray Robinson, and Ringo Starr. There is not more than a few seconds of nudity in the film, but watching all those big stars humiliate themselves is a riot.
Blindman, Tony Anthony plays a blind gunfighter in the old west, with his seeing eye horse.
Twister (1996), Little plot, over the top acting, but a lot of fun.
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Leo Enticknap
Film God

Posts: 7474
From: Loma Linda, CA
Registered: Jul 2000
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posted 02-27-2014 10:02 AM
quote: Mitchell Dvoskin Just Imagine (1930 Version), Was it a musical? Was it a comedy? Was it a science fiction film? Did it make any sense? What were they thinking.
You could almost say the same thing of Things to Come. To a large extent it was rescued by the visuals, special effects, music and some of the ideas in the script. But for acting and directing, it's almost into Ed Wood territory - surprising, given that Raymond Massey and Ralph Richardson weren't exactly amateur dramatic society calibre. It is said that William Cameron Menzies posted armed guards around the entrance to the studio to keep H.G. Wells out towards the end of the shooting, because he'd insist in screwing up the continuity of scenes that would otherwise have been OK by having a character make a long, rambling political speech to camera, which he would then refuse to allow to be edited down.
I remember once seeing it at a Sunday afternoon show at a campus theatre, and the classic dialogue line "Oh, darling, I really, really have to go" ... "Of course dear, because if you don't go now, you won't be able to go for another four years" (they meant going to Mars, but in British slang nowadays "to go" means using the toilet) earned howls of laughter and a round of applause.
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This topic comprises 2 pages: 1 2
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