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» Film-Tech Forum ARCHIVE   » Community   » Film-Yak   » 'Hateful Eight' pirated screener traced back to top exec (Page 2)

 
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Author Topic: 'Hateful Eight' pirated screener traced back to top exec
Leo Enticknap
Film God

Posts: 7474
From: Loma Linda, CA
Registered: Jul 2000


 - posted 01-04-2016 01:04 AM      Profile for Leo Enticknap   Author's Homepage   Email Leo Enticknap   Send New Private Message       Edit/Delete Post 
Thanks Sean. I couldn't for the life of me remember what that thing is called. I wonder how well it's been selling.

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Richard P. May
Expert Film Handler

Posts: 243
From: Los Angeles, CA
Registered: Jan 2006


 - posted 01-04-2016 09:54 AM      Profile for Richard P. May   Email Richard P. May   Send New Private Message       Edit/Delete Post 
While I agree that seeing movies in a theater is the best way, and gets audience input while one is at it, many of the categories involved in the awards just aren't available to most of the award voters.
Limited release films, showing only in L.A. or N.Y. for a week can't get a representative number of voters to see them. Same with documentaries and short subjects.
Until very recently it is possible that the winners in these last categories were decided by under 500 voters out of over 6000 Academy members.
With the news of the posting of HATEFUL 8 on the internet, it would be interesting if someone came up with an estimate of how many people actually viewed it that way. An article in this morning's L.A. Times blamed some of the reason it has not done well at the boxoffice is because of this piracy. If true, this would mean that millions (literally) of people saw it on their computers.

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Mike Blakesley
Film God

Posts: 12767
From: Forsyth, Montana
Registered: Jun 99


 - posted 01-04-2016 01:29 PM      Profile for Mike Blakesley   Author's Homepage   Email Mike Blakesley   Send New Private Message       Edit/Delete Post 
I don't think anyone would argue that art/specialty films, or those with limited releases should not have DVD screeners. But sending out hundreds (thousands?) of screeners of a movie that's widely available to see in theaters is just asking for trouble.

If a movie came out in, say, October and wanted to be an Oscar contender, I could see where screeners might be necessary since the movie would likely be gone from most theaters. But something high-profile like "Hateful Eight" shouldn't have that kind of exposure problem.

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