I do too.
Last night, I finished inspecting a 135 minute movie from 1972. It took nearly 5 hours to completely check. Some reels had very few problems, others had lots of old cement splices that pop when flexed even slightly. Using my Marble splicer, I taped over all of the cement splices, and remade ones that were crooked, which, I must say, there were many.
Hopefully, all this work will hold on this print for a long time. It ran just fine when I ran it last night on the Holmes.
I used to inspect 16mm for TV in the 80's, too. I love it!
The Sweedish archive print mentioned on another topic would be a prime candidate for my magic fingers.
Bruce
--Chris
I also like to get rid of those 'lab' splices once and for all ( those in the middel of the frame )
Of cause the biggest joy is to give that print the first 'layer' of Filmguard 
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It's the new small talk. You do it so awfully well! - My Fair Lady
Take last week for example. We built 4 prints and tore down 10. We barely got it all down the way it was, much less with inspection time.