1. Some people say they want a demonstration to prove that the code is real and that it works. They claim they don't need to know how it works, just that it works.
2. The same people are offering theories on how it might work, possibly begging for clues from those who swear it's real and that it works.
3. Those who swear it's real won't give any specifics about how it works. They also refuse to be involved in any demonstration and claim you'd have to contact the MPAA to make that happen.
4. Everyone's too chicken to contact the MPAA to ask for a demonstration.
5. People are still insisting that the CAP code is just a hoax.
THERE. Did I cover it all? How many more posts will there be re-stating one or all of the things I just wrote?
I'll call Scully!
If she doesn't know, I'll go all the way to Skinner!
*play music*
*fade to black*
Russ

Chris,
Be sure and let us know what the MPAA says. However, the odds that they do not already know of this thread is incredible and no one from the MPAA is coming forth to offer such a demo. I doubt you will even get a response.
(Be careful, Mr. Vee has already bound and gagged John once!
)
"Trust no one."
------------------
The man with the magic hands.
------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Eastman Kodak Company
Research Labs, Building 69, Room 7419
Rochester, New York, 14650-1922 USA
Tel: 716-477-5325 Fax: 716-722-7243
E-Mail: john.pytlak@kodak.com
Looks like it's just you and me, John. Oh, by the way, Emilia dropped off that file about the Grassy Knoll. Elvis says thanks for fixing his Brownie camera.
Aren't you the one who started the CAP Code thread? Thanks for believing in me.
BTW, you're correct --- CAP Code is real. 
Glad to hear Amelia is still kickin'. She hasn't been seen much since that operation in the South Pacific back in '37. Hope you gave her my regards.
I wish "swivel hips" would get a new Kodak digital camera. I'm tired of having to arrange to get Picture CD's from his old Brownie 127 film so he can use Adobe PhotoShop to modify them before he puts them up on his website. 
Speaking of Grassy Knolls, Kodak offered me the assignment of analyzing the Zapruder film, but I was too busy with my work helping projectionists. So I asked my good friend and mentor Rollie Zavada (who retired from Kodak) to do it as a consultant to Kodak and the NARA. Rollie's excellent report is on the internet:
http://www.jfk-info.com/zreport.htm
(Look for my name in the credits.
)
------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Eastman Kodak Company
Research Labs, Building 69, Room 7419
Rochester, New York, 14650-1922 USA
Tel: 716-477-5325 Fax: 716-722-7243
E-Mail: john.pytlak@kodak.com