Here's the situation...
Today, someone comes out of Frequency and politely (yeah right) informs me that there is no sound. I peak in the auditorium on my way to the booth and the DTS is booming away. The man mumbles something like, "Well, it WASN'T working... and we missed like two minutes of important stuff!" I paused to feel the man's pain, then headed to the booth, where everything was perfectly normal... reader was reading, disks were blinking their proper cadence, etc.
I pay my dues by watching things for a few minutes, then return to the concession stand. Two minutes later a different person emerges, this one even more "polite" than the first. I repeat my procedure, but this time I'm able to personally witness the lack of sound in the auditorium. "Yup, that's a problem," I say as I bolt for the booth. The person kindly informs me that I'm right, it IS a problem, "and especially because this is an action, suspense movie." Like she would want to watch a romantic comedy without any sound! Anyway, when I reach the booth, I notice that everything looks fine still. Instinctively, I punch the SR button, to appease the maddening crowd.
So anyway, that's my story. What get's me is that it didn't switch to SR if there was a problem with the DTS. In the past, that's what has happened. But it stayed on DTS, pumping silence into the auditorium.
So I'm at a loss. And please, I'd appreciate it if your answers were dumbed down a bit. I've learned everything I know by trial and error and I'm just starting to fiddle with some of the sound stuff but I don't know anything about. Even stuff like cards and processors bring a blank look to my face, so if there's a simple explanation for what happened, I'd love to hear it. If a more technical explanation is necessary, fire away but I'll be giving my computer that blank stare, guaranteed.
And again, remember... we've had perfect showings of Frequency before and after this incident.
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Scott A. Magie
scoooot@hotmail.com
"Anybody wanna peanut?"
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"And the monkey flips the switch."
- Major Don West, "Lost In Space"
Andrew D'Vrey
IATSE Local 219
Tell us what kind of projector the DTS reader is mounted on, if there are any other digital readers mounted on top of it as well as the DTS one, what order (from top to bottom) the digital readers are mounted, what kind of platter is handling the film, what kind of sound processor you are using (Dolby, Ultra Stereo, SMART, etc and the model number), and finally, do you have a 2 drive or a 3 drive DTS unit? Also, please let us know if the cd rom drives are the originals. All of these things can cause the problem you described and are generally easily remedied.
Then we can help. 
Or I could be completely wrong
. This is just one possibility. All I know is when Green Mile dropped out of DTS, and therefore had no sound, for 5 minutes when our district manager was sitting in there with a sold out crowd-which we had to give refund tickets too-we pulled the unit and sent it in for repairs immediatly, no questions asked
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Are you referring to the Cat. 410? If so, it isn't a pulse stretcher but a time-constant contractor!
It places a smaller value resistor in parallel to the debounce resistor to allow it to switch faster to format 05 so as to minimize the "pop" and no sound time.
Whom ever thought it was a good idea to wait until the very last bit left the processor before sending the "fallback" signal (ie go to SR) should be taken out back and beaten sensless. When you KNOW you are going to lose digital signal (and with the Dolby digital system, it knows it is going to lose digital when the buffer isn't full up to the sync delay) why wait to the last bit...switch .5 sec early, it really doesn't matter since you are not going to switch back and forth in the .5 second (or you shouldn't if you don't want to call attention to the problem).
Steve
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"Old projectionists never die, they just changeover!"

Sorry for the sketchy details. This is my new theater and I've been too busy cleaning 1/2 inch of coagulated peanut oil off of the popper to memorize what I have in my booths yet. I'll check on model numbers, etc. and post again Tuesday night.
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Scott A. Magie
scoooot@hotmail.com
"Anybody wanna peanut?"
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ps- The reader is not dirty. I've seen very dirty readers working fine and this one was freshly cleaned days ago.
Also, I've witnessed a DTS6D hooked into an Ultra unit where the projector was shaking enough where it wouldn't track a solid timecode and lost timecode for a few minutes at a time. The problem with it not reverting was that jumper had fallen off as units were moved around! Once it was replaced, analog fallback commenced again normally. This was just last year. Besides, no studio is making "A" tracks anymore, so a forced fallback to SR wouldn't matter if you have the cards. The jumper is desirable in most cases, but as you pointed out is not necessary in a booth like yours that is fully equipped.
Knowing the model number of the processor will help greatly.
Regardless, since it never happened before and hasn't happened since, this will be very hard to track down. Heck, it could just be that the platter's brain wasn't threaded quite on track that one show and was bouncing the film. I've seen this sort of misthread happen once on a Strong platter where the film was bouncing significantly, and a Potts is basically the same thing.
Sorry for the delayed response, but I just read your posting.
If DTS drops out, it should always revert to an optical format. If this is not happening, be sure the logic board to the CP is connected. Then check the DTS unit by removing the movie discs and loading in a Setup disc (hopefully you have one of these). Once loaded, the disc should play by itself and automatically switch the CP into the format that DTS is using (format depends on the CP). Then, eject the disc and the DTS should pluse the CP into an optical sound format.
If this is not happening, then call your service tech and ask for a full check on DTS and the CP (maybe the CP automation has a problem?).
Karen at DTS
Another thing that is probably related, but may or may not help diagnose the problem. Today it wasn't kicking into DTS AT ALL! I have no clue how this (or any) automation is wired, but I've been doing all my lights, douser, and sound selecting manually because I'm in the process of figuring out how this cueing system is set up. They haven't been cueing the movies when they build them, because until I came, it was basically high school kids running the place (no offense to you young whipper-snappers out there). So I'm wondering if the DTS isn't kicking on when the automation "thinks" that we're still in intermission. But from my limited experience with this sort of thing, I'd think that it wouldn't matter. If the reader finds timecode, it sends it to the drives... if the drives find the same timecode, they tell the processor to change over to DTS... right? This should be totally independent of the automation, right?
I just can't think of anything ELSE that it would be. The light on the reader is uninterrupted, so it's gotta be the drives.
Karen- can I order some setup disks... or even better, can you (or someone else there) send me some free ones to show off your incredible customer service?! If you do, I'll be sure to post a topic here entitled, "Golly, DTS sure does rock!"
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Scott A. Magie
scoooot@hotmail.com
"Anybody wanna peanut?"
You may want to check that the CP automation is working OK. Use a peice of wire from ground to each sound format connection. See if the CP will switch properly.
Please give me a call at (800) 959-4109 Monday thru Friday from 9am until 6pm pacific time. We'll discuss the details.
Thanks !! Karen at DTS
we had recently got some new drives in for our dts and on a couple of instances for some strange reason, it would play the wrong soundtrack for the trailer on screen.
For example we were once showing a kids movie with a kids trailer but,... it was playing the soundtrack for some evil movie. this scared the kids of course. kinda funny. could not figure it out. oh well just something funny i thought i should share.
THX
EH
Today I was able to observe the DTS "dropout" for a long time because no one was in the auditorium (Battlefield Earth... SURPRISE!) Anyway, what happens is this. The DTS kicked in for the attached preview and was perfect until maybe 15-25 minutes into the show. Then, out of nowhere (not at a reel-change or anything) it went silent. So I now know for sure that it is failing to switch to SR when this problem occurs. Here's the weird thing... it's not completely silent. There are pulses of sound that occur slightly more than once a second (but not quite twice a second). I counted 75 pulses per minute. At first, they were long enough to sometimes catch a syllable or sound effect from the actual soundtrack, but eventually, the pulses were shortened to just a regular cadence of clicking. This was my observation in the auditorium. Then I went up to the booth to see what I could see. The light on the DTS timecode reader remained perfectly steady, so apparently the timecode was being read properly. But on the DTS unit itself, there were some interesting things going on. The indicator lights on the two drives in use were blinking to the same cadence as the sound pulses (which could also be heard thru the monitor). Also blinking to that same cadence was the indicator light marked "digital". With the movie still playing, I ejected the disks (the CP55 still didn't switch to SR) and re-loaded them. The same clicking resumed once the unit found the timecode on the disks.
This is not the first film to have problems in this auditorium, but we HAVE had a few flawless shows here and there, so it doesn't seem to be consistent.
Once again, I ask for your dumbed-down assistance. I'd like to get this figured out so I'll know what parts to order before the tech-guy comes... otherwise I'll have to install them... and I'd rather let someone who has half of a clue be responsible for the expensive stuff.
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Scott A. Magie
scoooot@hotmail.com
"Anybody wanna peanut?"
The problem is that DTS allows the audio files to run to the end of the reel, including leaders, tail pop, vocal identity. They should be edited to cut off immediately at the end of active audio.
Why?
The newer DTS units can be set up for direct control of changeover but the traditional way (and the only way on the older units AFAIK) is that the audio changeover is controlled by the timecode. When the box sees timecode from the new reel it switches over to the new audio file for the new reel. It's automatic.
The problem is that if the timecode reader on the incoming machine is defective or, in my case one evening, out of adjustment vis a vis the lateral position of the timecode on THAT (the incoming) reel, there won't be any timecode from the new machine. That would be no problem if the audio file of the outgoing reel ended dead with the end of the reel. In that case with the file at an end and no new timecode the box would simply switch the CP back to analog (which would be on the new projector since the analog track has changed-over). But because the audio files tend to run out the reel under such conditions the DTS won't drop out for many seconds leaving the audience with (variously) silence, a beep, audio gobbledygook, etc.
DTS standards should therefore include ending the audio file at the end of active audio as this would force a timely dropout in the event of a timecode failure across the reel change. Not something that comes up too often for too many people but entirely unnecessary.