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Posted by Mike Spaeth (Member # 524) on 12-11-2000, 11:45 PM:
 
According to www.upcomingmovies.com Disney is releasing Atlantis this summer in BOTH 35mm and 70mm. Hopefully, this is the beginning of a trend.


 


Posted by Brad Miller (Member # 2) on 12-12-2000, 04:09 AM:
 
Hmmmm, but will they release it in 70mm? The info on the web site only says "produce".
 
Posted by Mike Spaeth (Member # 524) on 12-12-2000, 12:43 PM:
 
What would be the point of producing 70mm, if not releasing it? But, of course, stranger things have happened...
 
Posted by John Pytlak (Member # 331) on 12-12-2000, 01:12 PM:
 
Any chance it will be 70mm IMAX prints, and not normal 5-perf 70mm? Recall the success of "Fantasia 2000" in IMAX theatres.

------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Eastman Kodak Company
Research Labs, Building 69, Room 7419
Rochester, New York, 14650-1922 USA
Tel: 716-477-5325 Fax: 716-722-7243
E-Mail: john.pytlak@kodak.com
 


Posted by Mark DeLettera (Member # 125) on 12-12-2000, 01:59 PM:
 
Nothing about this to date on the IMAX web site, either under "coming soon" or the "in the works" sections.

------------------
Mark DeLettera
Eastman Kodak Co.
Worldwide Technical Svs.
Rochester, NY
mark.delettera@kodak.com
716-588-4189
 


Posted by Edwin Graf Diemer (Member # 545) on 12-12-2000, 06:47 PM:
 
Sounds great! They had the 70mm version of "Black Cauldron" at the Sameric (Boyd) Theatre in Phildelphia, and it looked incredible. Nothing like 70mm in a movie palace!
 
Posted by Paul Mayer (Member # 355) on 12-12-2000, 07:54 PM:
 
Since they're talking 70mm, wouldn't it be great if they'd release Sleeping Beauty in 70mm again? That would look fantastic on the El Capitan's screen!



 


Posted by Pete Lawrence (Member # 130) on 12-12-2000, 08:33 PM:
 
I posted something about this several months ago. At that time the 70mm release was only rumor among Disney fans. Seems they are once again on target. But that brings up another question. Does anyone have a guess as to how many U.S. theaters are still equipped with working 70mm machines?
 
Posted by Adam Martin (Member # 641) on 12-12-2000, 10:37 PM:
 
I wasn't told the details, but some Imax theatres that prepare bookings months in advance were told by Disney "don't make plans for" (fill in mystery dates) because they have plans that they won't disclose yet.

The plot thickens . . .

 


Posted by Steve Guttag (Member # 268) on 12-12-2000, 10:45 PM:
 
>>"Does anyone have a guess as to how many U.S. theaters are still equipped with working 70mm machines?"<<

Many many times more than they could possibibly strike prints for!

------------------
"Old projectionists never die, they just changeover!"
 


Posted by Mark DeLettera (Member # 125) on 12-13-2000, 06:34 AM:
 
>>"Does anyone have a guess as to how many U.S. theaters are still equipped with working 70mm machines?"<<

For a goood list of 70MM theatres, try Scott Norwood's site: http://www.redballoon.net/
I do know that 3 of the 5 listed Rochester, NY 70MM theatres have closed this past year.

------------------
Mark DeLettera
Eastman Kodak Co.
Worldwide Technical Svs.
Rochester, NY
mark.delettera@kodak.com
716-588-4189
 


Posted by Scott Norwood (Member # 30) on 12-13-2000, 06:51 AM:
 
Thanks, Mark.

Here are the direct links:

US theatres

non-us theatres

Please send additions/updates/corrections my way and I will add them to the lists. (which, btw, are totally unofficial and probably have many errors...many theatres have probably closed since I started these lists in 1997, too)
 


Posted by Evans A Criswell (Member # 381) on 12-13-2000, 08:04 AM:
 
THe Fountain Square 14 in Nashville is on the list and it has been closed for at least a couple of years.

It's a shame that there are no 70mm-capable theatres in AL or TN (except IMAX).

Evans



 


Posted by Mark Ogden (Member # 43) on 12-13-2000, 08:28 AM:
 
Scott-
What a great list, a true labor of love, I'm sure.

Anyway, the corrections for NYC would show the following theaters closed: The National Twin, the Guild 50th, The Bay, The Rivoli, The 34th Street East, the Criterion Center and (and this one really hurts) the Regency, which at one time was one of the greatest, if not the greatest revival houses in the country. They tore it down and built (are you ready now?) a Victoria's Secret in it's place. Also, the 57th Street Playhouse is now run by the DGA for their exclusive use and is simply called the DGA Theater. And, the Paris is now indepentently owned.
 


Posted by Scott Norwood (Member # 30) on 12-13-2000, 09:50 AM:
 
I've made the updates. Please keep the corrections/additions/etc. coming. I want to make this list as accurate and current as time allows.

Also, apologies for the typos. The list started as a simple web form thing that people could fill out as they pleased. This worked fine when there were only a few dozen theatres on it, but it became unmanageable and needed to be organized by state and city. For now, I'm doing the updates manually, though I'll eventually add a form interface for additions.
 


Posted by John Walsh (Member # 168) on 12-13-2000, 10:51 AM:
 
Hey, there, Scott;

In Connecticut, two Crown theaters no longer have 70mm.... The Ridgeway (in Stamford) has closed, and the Crown Gotham in NYC will be closing shortly (neither were our choise; the landloards would not renew the leases.)
 


Posted by Mark Ogden (Member # 43) on 12-13-2000, 11:27 AM:
 
To add to my list of this morning re: NYC:

Both of the Guild Embassy theaters in Time Square are closed, thus depriving hundreds of rats their first run entertainment. Hard to belive, but Times Square, once a hub of NYC cinema-going, is down to just the Sony/Loews State 4 underneath the Virgin Records store. And even they are borderline sub-run, having clearence problems with the Loews and AMC humongaplexes on 42nd St.


 


Posted by William Hooper (Member # 71) on 12-15-2000, 01:18 AM:
 
quote:
It's a shame that there are no 70mm-capable theatres in AL or TN (except IMAX0

I thought the Alabama in Birmingham had Norelco's. I've also heard that there's been monkeying around in the booth recently, so that may have changed.

You might want to do some more investigation. It turns out more independents installed 70mm in AL & MS, mostly on what's been described as a sort of personal fascination.

There's a theater in someplace like Thomasville or Dothan that still has its 70mm installation from the 60s. Weldon Limroth coordinated that installation; he mentioned that as about as far south as he thinks 70mm got in Alabama. I haven't been able to find a secondary motivation to road trip to those places to check it out (there's supposedly a Boller Bros. theater in Gadsden I've wanted to seek out also).

I've seen squillions of booths in Mississippi, Alabama, & Florida (& elsewhere, but those states are sort of absent from Scott's list) with a 35/70 projector here & there, a 35/70 platter here & there, never adjacent & associated with anything from Altec mono to whatever, but I certainly would never call them 70mm theaters.

Probably there's no lens, since the equipment seems to be mostly transplants.

They're like little cinematic orphans in foster homes. "Please sir, I want some film." Someone should make it into a heart-touching musical, an all-to-real human drama that's uplifting & fun for the whole family! Hey, THAT sounds like a Disney movie!


 


Posted by Dick Vaughan (Member # 540) on 04-10-2001, 03:03 PM:
 
To get back to the start of this thread I just had an e-mail from the mouse himself confirming that Disney are NOT releasing Atlantis in 5 perf 70mm.
 
Posted by Bob Maar (Member # 763) on 04-10-2001, 03:39 PM:
 
Loews Has 70mm at the Astor Plaza on 44th and Broadway, At the,at the Orpheum on 86th & 3rd. Loews 84th & Broadway. I believe City Cinemas has 70mm at the Cinema 1 & Village East Theatre 1 and possibly the Sutton downstairs house. Clearview Cinemas at the Chelsea & the Ziegfield.


 


Posted by Mark Gulbrandsen (Member # 72) on 04-10-2001, 04:14 PM:
 
Scott,
Great job on the 70mm equipped site. Here are a few additions and corrections for you.
Illinois......
Hinsdale Theatre Closed but Mothballed
Unfortunately the building is owned by a super greedy attorney and although the city of Hinsdale has taken out a 5 year lease on it in an attempt to spare it, nothing has been decided on in the last two years.
The theater also contains one of the finest Pipe Organs in the country. 38 plus ranks carefully and aurally selected from various organs that used to be around the country. This includes two 30' Bomarde sections! It has taken Jim Glass over 30 years to construct this organ. I was lucky enough to do a CD recording there just before it closed.

Virginia Theater, Champaign Now sports twin Norelco DP-70's. Roger Ebert holds his annual film fest at this theater(Ebertfest). The 70mm print of 2001 was run there by yours truely several years ago. The new print is scheduled to run next month. This is as close to Hal's home of Urbana that 2001 will ever get. Building has been restored and is owned by the City Of Champaign. PHEW!

UTAH
An important Utah location that few seem to know about except the locals here........
The Villa Theater, DP-70, CP-200, DA-20, DTS, AW-3. All 3-Strip Cinerama booths and ports remain, 93 foot wide Cinerama Screen.
Eat Your Hearts out you suckers in Seattle!
We get to watch it on the real screen here all the time......
Mark @ GTS


 


Posted by Greg Pauley (Member # 503) on 04-10-2001, 05:56 PM:
 
Going to be installing two Century JJ's 35/70's tomorrow morning at the Park Place Stadium Cinemas in Charleston,West Virginia(auditoriums 4&7). Installing the heads on a Ballantyne VIP base and will have to do some modification. I had some spacer blocks made up at the local machine shop and will have to do some trim work on the skin of the base.
 
Posted by Jonathan Haglund (Member # 807) on 04-10-2001, 06:44 PM:
 
Odd, my theatre is Park Place too...hmmm

Anyway, I just submitted a correction and an addition to some theatres in Newport Beach, CA. Total of 10 screens, and neither theatre is closing unless the circuit goes belly up, which isnt going to happen because we just got a lot of money from the guy who is also helping out UA and Regal. He likes digital cinema, bah.

Some people within the tech ranks are trying to get the 70 capability removed from the circuit due to the lack of 70mm films we show. Though with our local film festival there *may* be more 70's, in which case they'll be glad to have the equipment already in place.

------------------
Jonathan Haglund
Edwards Theatre Circuit, Inc
Park Place 10
 


Posted by Tal Marks (Member # 175) on 04-10-2001, 07:32 PM:
 
Hi.

Back in February, I was part of a big two-day Disney event at my theater (which included Atlantis and several other films scheduled for release through 2006; to name them would probably mean my job). But through some lengthy conversations with one of the editors of Atlantis, I found out they're definately not going to release it in widescreen format (just like stated above).

TJM
 


Posted by Aaron Haney (Member # 747) on 04-10-2001, 08:12 PM:
 
quote:
I found out they're definately not going to release it in widescreen format (just like stated above).

I hate to be pedantic, but "widescreen" and 70mm are not the same thing. If a Disney rep just said "it's not going to be widescreen", then really all that can be gathered from that is that Atlantis will be a 1.85:1 aspect ratio film (as with most Disney animated features these days), but that doesn't mean Disney couldn't still do some 70mm blow-ups. There have been plenty of 1.85:1 movies that were released as 70mm blow-ups (with the images "windowboxed" -- black mattes on the sides of the picture, so that the 1.85:1 aspect ratio was preserved). Heck, Disney even went so far as to windowbox the 1.37:1 "academy" ratio inside the 70mm frame area for their 1990 re-release of the original Fantasia.

I also think there is some confusion going on in the rumor mill. A few months ago, several people kept talking about rumors of 70mm making a comeback. But I'll bet you anything that today's studio execs think 70mm=IMAX, and use those two terms interchangably (they've probably never even heard of 5-perf 70mm). Disney's plans for some upcoming IMAX features (which were recently announced) are likely the source of those rumors. Some exec or other higher-up said "70mm" when they really meant "IMAX", and the rumor mill took off from there.

In any case, based on what Dick Vaughan said...

quote:
To get back to the start of this thread I just had an e-mail from the mouse himself confirming that Disney are NOT releasing Atlantis in 5 perf 70mm.

...it sounds like the definitive answer is no, there will be no 70mm release of Atlantis. Although, if they have a large outdoor premier, they might strike a single 70mm print for one-time use, like they did for Lion King, since that's the only way to fully light a really big screen.

By the way, Dick, what did you mean "the mouse himself"? Are you in with Eisner?


 


Posted by Joe Redifer (Member # 3) on 04-10-2001, 08:57 PM:
 
Scott -

Screen 3 at the Mann Cherry Creek 8 in Colorado is not equipped for 70mm. It is entirely a 35mm only comlex. That is interesting that THX's site says 70mm.

Also, Greenwood Plaza 12 (also in Colorado) has 3 70mm screens, not just two. They are screen #'s 4, 6, and 9.


 


Posted by Tal Marks (Member # 175) on 04-10-2001, 11:02 PM:
 

my quote:
<I found out they're definately not going to release it in widescreen format (just like stated above).>

What I meant to type was Large Format, not widescreen. Don't mind me, I think I had some bad fruit.

TJM
 


Posted by Dave Cutler (Member # 515) on 04-11-2001, 10:34 AM:
 
Joe might know better than me, but I seem to remember that the UA Continental (Aurora, CO) still had 70mm in the big house. That is, the original 70mm projector was still in the booth alongside the new 35mm, but I don't recall if it was operational.

As far as Kansas City goes. I believe that the AMC Metro North Plaza 6 (MO), the AMC Oak Park Plaza 6 (MO), and the AMC Parkway 14 (KS) can still run 70mm. They haven't for years, but they never uninstalled the equipment.


 


Posted by Gordon McLeod (Member # 33) on 04-11-2001, 12:54 PM:
 
Disney usually strikes 70mm prints for there premier engagement for the one off screening and then thats it
They usually have no sound and are interlocked to a dubber with ither SR mag or a optical SRD 35mm track on it
Disney has had a policy of not releasing these prints afterwards
 
Posted by Bobby Henderson (Member # 840) on 04-11-2001, 08:56 PM:
 
It is really a shame Disney is not going to release 70mm prints of their upcoming "Atlantis" film. But even if they did, I really don't know of any truly appropriate theaters in my region (North Texas/Oklahoma) where it could be played. There are numerous 70mm screens left in the Dallas area. Oklahoma City has one left at Penn Square Mall, but had two until AMC tore down their Memorial Cinemas site for a new 35mm only stadium seated complex nearby in Quail Springs Mall.

The real shame is 70mm being excluded from many stadium seated theaters with oversized screens. Cinemas like the UA Galaxy 9 in Dallas brag on the size of their screens. But I certainly can't brag on the arguably dim and blurry quality of the pictures being thrown on those giant screens. I'm pessimistic about 70mm making a comeback. With all the hype going on about DLP, it seems that the "progress" for projecting better images is going the other direction.
 


Posted by Michael Barry (Member # 237) on 04-12-2001, 11:33 AM:
 
It's such a shame, precisely because the technology for putting superior 70MM quality on those massive screens is all readily available and has been for years. Despite technological advances, motion picture exhibition is less than what it could be...

Does anyone think that Michael Bay/Jerry Bruckheimer might strike 70MM prints of 'Pearl Harbor' in the same way that James Cameron did for 'Titanic'?


 


Posted by Bobby Henderson (Member # 840) on 04-12-2001, 05:24 PM:
 
The announcements I have seen thus far for "Pearl Harbor" show it to be a 2.35:1 release with 35mm Quad Format prints only. I'm not holding my breath for any 70mm prints of the film, even though Michael Bay and Jerry Bruckheimer have the clout to get such a thing done. Overall, I think most filmmakers believe the 70mm thing doesn't really matter. It seems like James Cameron is really the only guy left with any interest in mainstream 70mm 5-perf theatrical presentation. He had to dig into his own pockets for the 10 70mm DTS prints made for "Titanic". Paramount and Fox wouldn't pay for the prints.

The even more difficult thing now is the vanishing sites that served 70mm well. Even though the metro Dallas and Oklahoma City areas near me have some 70mm-equipped houses, they are on the order of smaller auditoriums where 70mm blowups from 35mm are not going to offer much of a visual improvement. Those theaters were built before 35mm digital became common, when the only way to have great quality multi-channel sound was by way of expensive mag-coated 70mm Dolby A and SR prints.

One of the things I still mourn is the loss of the GCC Northpark Mall 1-2 theater in Dallas. The #1 THX screen was just awesome. Sound and projection quality was always superb. Films like "Crimson Tide," "Apollo 13," "Jurassic Park," "Vertigo" and "Titanic" (the last two of those being 70mm DTS shows) had a great impact by way of that cavernous 1100 seat theater. Films just don't hit you the same way when shown in some 30-plex where many of the theaters have fewer than 100 seats. I had no problem at all driving 200 miles to see a movie at Northpark. Now I drive to Dallas only to do other things (visit relatives, see a ball game, hit Six Flags, etc.) and rarely ever watch any movies there anymore.

It seems like the smaller-and-more-of-em trend is just getting worse. Here in Lawton, Dickinson Theaters is opening up a new 12-screen stadium seated site inside Central Mall. The Mall Authority will actually own the theater with Dickinson just being paid to manage the place. 1600 total seats divided up by 12 equals maybe a couple larger screens and a bunch of really small ones. Movie theaters like this are everywhere. It would really be a novel thing if an exhibition circuit could build a new theater in a downtown with 1 or 2 giant screens with 1000+ seating capacity in the same auditorium. Couple that with 70mm projection and the latest sound system gear and you would have the makings of some really great presentation quality.
 


Posted by Scott Norwood (Member # 30) on 04-12-2001, 07:03 PM:
 
Thanks to all for the 70mm-capable theatre updates. I've added all the stuff that was posted here and sent to me privately over the last few days.

I've posted this many times before, but those who may have just started reading this thread might be interested in the URLs:

US 70mm-equipped theatre listing
non-US 70mm theatre listing
 
Posted by Gordon McLeod (Member # 33) on 04-12-2001, 08:37 PM:
 
Actually since 70mm prints are being struck for the premire in Pearl Harbour on a aircraft carrier it is mainly a problem to get them released afterwards not locked up in a vault
The only problem is they are usually double system
 
Posted by Jonathan Haglund (Member # 807) on 04-13-2001, 04:01 AM:
 
If I recall, Mr Cameron had to pay a large amount for the movie itself (forgo his box office profit I think), so forking over more for 70mm would have been expected. I went to a Loews theatre in New York City, a 25 plex, and saw Traffic. You would think they would care about an academy movie in a 25 plex in New York. <slap> That's what you get for thinking! It was the dirtiest print I have ever seen of anything. And the orange toned scenes in Traffic really dont let you forget dirt. Ruined the movie. What also didnt help was that this state of the art SDDS stadium auditorium seated 94. The seats were smaller than my chains old style 500+ people auditorium seats. The SDDS was shot too, but that's a different issue.

Reading this thread really makes me want to see 70mm. I've only seen IMAX a couple of times and I cant remember mag audio. I'll be seeing Spy Kids in digital tomorrow maybe, gonna sneak upstairs and check out the DLP too. Yum.
 


Posted by Tal Marks (Member # 175) on 04-13-2001, 02:02 PM:
 
Jonathan:

If you are sure you saw "Traffic" in a 25-plex theatre in New York City, then it was probably AMC's Empire 25, and not the Loews fine establishment directly across the street. I would have to agree with you about the presentations (at AMC), though lately, they have been getting better.

TJM
 


Posted by Jonathan Haglund (Member # 807) on 04-13-2001, 03:12 PM:
 
Seeing a movie at times square just wasnt working out for me. I went to a Loews around 34th and something or other. Crazy New York streets. I was told it was brand new, but I couldnt tell. The concession stand had the same minimum items as our art houses, except with us, we carry my favorite drink: root beer.
I would have paid attention enough to notice if I was at AMC. I own stock in them, though I hear from these forums that they scratch prints a lot, I never noticed :/

------------------
Jonathan Haglund
Edwards Theatre Circuit, Inc
Park Place 10
 


Posted by Tal Marks (Member # 175) on 04-13-2001, 09:44 PM:
 
Jonathan:

You probably went to the Loews Kips Bay, on the east side around 32-34th st. They were having the darndest time getting their presentations together in the beginning, but as with all new theatres, they eventually worked out the kinks.

TJM
 


Posted by System Notices (Member # 2357) on 07-01-2011, 11:16 PM:
 

It has been 3731 days since the last post.


 
Posted by Gregory Marshall (Member # 6346) on 07-01-2011, 11:16 PM:
 
Evans... I didn't know AMC equipped FS14 with two 70 houses. I don't recall them ever running anything in 70, and houses 7 and 8 were their larger THX houses. 7 is where they had 'Dick Tracy'... the first film with Dolby Digital sound that played here in Nashville.
 
Posted by Paul Linfesty (Member # 214) on 07-01-2011, 11:23 PM:
 
Actually, Dick Tracy played in Cinema Digital Sound, which at the time was ONLY available on 70mm prints.
 
Posted by Gregory Marshall (Member # 6346) on 07-02-2011, 12:44 AM:
 
This was 35 here, and was Dolby, I think. AMC didn't run Dick Tracy in 70. Nashville only had two 70 houses from 1984 forward, the Belle Meade Theater and Bell Forge, and sounds like Fountain Square was capable, but nothing ran there in 70.
 
Posted by Chris Slycord (Member # 4239) on 07-02-2011, 07:19 AM:
 
quote: Gregory Marshall
This was 35 here, and was Dolby, I think.
Yes but that was plain Dolby. Batman Returns was the first Dolby Digital movie although it was called Dolby Stereo Digital at that time.
 
Posted by Gregory Marshall (Member # 6346) on 07-02-2011, 09:15 AM:
 
Hmmm, AMC advertised it as being digital stereo... I had to go hear it, and it was awesome! Maybe it was a 70 CDS run, but they only advertised the digital stereo in their ads and didn't reference 70mm. I drew the newspaper ads for the chain I worked for, so was definitley in tune to what the competition was up to. DTS arrived here a couple of years after that, and Carmike had the first DTS houses here for Jurassic Park.
 
Posted by Chris Slycord (Member # 4239) on 07-02-2011, 09:45 AM:
 
All I'm saying is that it's impossible for them to have advertised for a format that didn't exist yet. But it wouldn't be that surprising if they advertised both digital and Dolby if they had more than one print (one in 70mm CDS an another in 35mm with a Dolby format).

edit: Though "digital stereo" would probably just refer to CDS.
 
Posted by Gregory Marshall (Member # 6346) on 07-02-2011, 11:21 AM:
 
I'm sure you're right, Chris. Thanks.... I hope my long term memory isn't being affected like my short term is, at times. LOL
 
Posted by Michael Coate (Member # 757) on 07-02-2011, 12:15 PM:
 
quote: Paul Linfesty
Actually, Dick Tracy played in Cinema Digital Sound, which at the time was ONLY available on 70mm prints.
...and those digital presentations were only in California and New York. There were, however, about two-hundred 70mm prints with magnetic/analog audio (six-track Dolby Stereo) of Dick Tracy that ran in just about every market in the country that had 70mm-equipped screens.

quote: Gregory Marshall
AMC didn't run Dick Tracy in 70.
I bet they did. [Smile]

quote: Gregory Marshall
Nashville only had two 70 houses from 1984 forward, the Belle Meade Theater and Bell Forge
...and Rivergate and one of the Carmike houses.

quote: Gregory Marshall
sounds like Fountain Square was capable, but nothing ran there in 70.
A 70mm print of Indiana Jones and the Last Crusade played there in 1989.
 
Posted by Gregory Marshall (Member # 6346) on 07-02-2011, 01:52 PM:
 
Now I'm curious, will try to find those ads in the newspaper here. AMC's Fountain Sq did advertise they were showing it in digital stereo, will have to check on the 70mm format. While they were equipped for 70, I don't recall them running 70 prints.

I believe Last Crusade played in 70 at the Belle Meade, but I don't recall AMC FSQ also running it in 70. I played day and date at Courtyard, 35 Dolby, interlocked two screens the first two weekend, the days before multiple prints were being booked, at least in Nashville. Some of my grosses out performed AMC's in Nashville.

Rivergate 8 is also a Carmike, as well as Bell Forge and Belle Meade. Carmike ran 70 quite a bit at the Belle Meade. I don't recall them putting 70 prints at Rivergate and didn't know they were capable.

Michael, is there a website that confirms 70mm runs?
 
Posted by Michael Coate (Member # 757) on 07-02-2011, 02:45 PM:
 
I'm not aware of any websites that have everything accounted for. However, a handful of historians and enthusiasts, including myself, have put together pages and lists specific to certain films, theaters and special processes. For example, see the article Remembering "Indiana Jones And The Temple Of Doom": A 25th Anniversary Tribute for a reference to a 70mm presentation at Rivergate. The 70mm list is toward the end of the article though the relevant passage is quoted below.

quote:
TENNESSEE
Goodlettsville – Martin RIVERGATE 6
Knoxville – Simpson CAPRI
Nashville – Martin BELL FORGE 6
Nashville – Martin BELLE MEADE

See the article Remembering "Indiana Jones And The Last Crusade": A 20th Anniversary Tribute for a reference to a 70mm presentation at Fountain Square.

quote:
TENNESSEE
Memphis – Malco WINCHESTER COURT 8
Nashville – AMC FOUNTAIN SQUARE 14
Nashville – Carmike BELLE MEADE

Generally, this sort of data was compiled from referencing documented and/or published data (original newspaper ads, TAP evaluations, installation records, etc.) rather than relying on the memories of the people who saw or worked the screenings.
 
Posted by Joseph Palladino (Member # 4200) on 07-02-2011, 03:46 PM:
 
Scott, that list for theaters is not up to date. Especially for New Jersey. Ridgefield Park theater just took out there 70mm and put in Digital. Paramus theaters have been closed for couple of years, also Sayerville and Secaucus theaters.Not sure about Bridgewater and Wayne but I think there all digital by now.
I cannot see anyone coming out with 70mm prints when there is very few places to run.Joe P.
 
Posted by Chris Slycord (Member # 4239) on 07-02-2011, 08:28 PM:
 
quote: Gregory Marshall
AMC's Fountain Sq did advertise they were showing it in digital stereo, will have to check on the 70mm format.
1) You're getting hung up on their use of the term "stereo." You can't assume that the person making the advert was smart enough to know that CDS was a surround-sound format. And even if they meant "stereo" perhaps they were simply cheap and getting on the digital bandwagon without putting in the extra expense of more speakers...

2) If the advert legitimately referred to digital sound (as in the advert referred to something they were actually using) and you are actually remembering the Dick Tracy movie, then it was advertising for 70mm and CDS.

3) Lots of theaters had problems with CDS. So it wouldn't be that surprising to advertise digital sound for the 70mm print then get a replacement that's 35mm just so they can have something useful.

Really, if this movie ran at that theater in digital sound in 35mm then it was the only one and as far as I have seen, it'd also be the only print of the title like that to ever exist.
 
Posted by Mark J. Marshall (Member # 1409) on 07-02-2011, 09:16 PM:
 
quote: Gregory Marshall
AMC didn't run Dick Tracy in 70.
Ours did (AMC Granite Run 8 in the Philly market). I ran it myself.
 
Posted by Gregory Marshall (Member # 6346) on 07-03-2011, 08:33 AM:
 
Thanks, Guys! Will research those ads. Mark..sorry, didn't mean the circuit didn't run it in 70, I meant their location here in Nashville.
 
Posted by Bobby Henderson (Member # 840) on 07-03-2011, 10:16 AM:
 
Another AMC location that ran Dick Tracy in 70mm Dolby magnetic: AMC Memorial Square 8 in Oklahoma City. I posted a small newspaper ad of it on Page 6 of the 70mm ad thread. That theater closed back in the late 1990s when AMC opened a 24-plex nearby in Quail Springs Mall with no 70mm projectors unfortunately. The place is now home to one of those Lie-MAX digital installations.

quote: Chris Slycord
You're getting hung up on their use of the term "stereo." You can't assume that the person making the advert was smart enough to know that CDS was a surround-sound format.
Various newspaper theater directory ads used the term "digital stereo" when denoting 35mm digital sound shows back in the early 1990s. When Dolby Digital was first introduced it was called "Dolby Stereo Digital." During the time they were goofing up the Dolby brand, especially with that tri-format logo, they did some market research and confirmed the word "stereo" was confusing people making them think it was only 2 channel audio. So they dropped the word from the Dolby logo in 1995.
 
Posted by Jonathan Goeldner (Member # 4854) on 07-03-2011, 10:24 AM:
 
'Tron' (in 70mm) last Friday night (at the AFI Silver) looked great - and wow! the sound! major thumbs up
 
Posted by Steve Guttag (Member # 268) on 07-03-2011, 11:05 AM:
 
Which show did you attend? There were two on Friday. Note, the last showing is on Monday.
 
Posted by Chris Slycord (Member # 4239) on 07-03-2011, 11:07 AM:
 
quote: Bobby Henderson
Various newspaper theater directory ads used the term "digital stereo" when denoting 35mm digital sound shows back in the early 1990s. When Dolby Digital was first introduced it was called "Dolby Stereo Digital."
Yes but we're discussing Dick Tracy, which had no digital sound prints in 35mm. He was claiming it played in Dolby Digital (which didn't exist at the time; first movie in it came out a couple years later).
 
Posted by Gregory Marshall (Member # 6346) on 07-03-2011, 11:29 AM:
 
Sorry, I should't assume. For Nashville at that time, digital sound was certainly something new. I do remember their directory ads denoting it being digital sound. I've been wanting to spend some time at our newspaper's archives, so will definitley look to see how they were handling it back then.
 
Posted by Bobby Henderson (Member # 840) on 07-03-2011, 12:20 PM:
 
I'm inclined to think the Nashville ad for Dick Tracy having digital sound was a mistake.

CDS installations were very rare in 1990. I'm pretty sure only the New York and Los Angeles markets had CDS-equipped theaters for the Dick Tracy release. In New York the Loews 84th Street Six was the only one that actually had CDS running for Dick Tracy. Lots of other theaters in the area had it running in 70mm Dolby magnetic. The Guild Embassy Theater in Rockefeller Center first advertised Dick Tracy as being in CDS but ended up running it in 70mm Dolby magnetic. The Ziegfeld put in CDS for Edward Scissorhands. The UA Gemini Twin installed CDS on both screens for The Doors; the theater was the only one in NYC to show Hudson Hawk in CDS and if I remember right played Terminator 2 in both 70mm CDS and 35mm CDS. Terminator 2 ushered in the most CDS installations, with many being the more problematic 35mm system.

Dolby Digital was also a pretty rare thing when it was first introduced. The first Dolby Digital systems cost just about as much as CDS -in the $20,000 price range. It was originally priced as a replacement for 70mm projectors and their expensive mag striped 70mm prints.

This is essentially what set up the big opportunity for DTS with Jurassic Park. More than 800 theaters installed DTS-6 and DTS-S systems costing only $3500 and $2500 respectively. It only cost $1000 to upgrade a DTS-S system to the DTS-6 configuration. The regular DTS-6 price was $5900, still a lot less than a Dolby DA-10 package. DTS was really the first format that spread digital sound to a lot of theaters outside of the high profile houses in America's biggest cities.
 
Posted by Jonathan Goeldner (Member # 4854) on 07-03-2011, 12:47 PM:
 
quote: Steve Guttag


Which show did you attend? There were two on Friday. Note, the last showing is on Monday.

the 11:45pm screening. I was very impressed - the finale where 'Master Command' was derezzing was a sonic explosion - whoah! (can wait to check out 'Lifeforce' (70mm) in August) I saw 'Tron' (in 1982) at the former Circle West End 1-4 theater here in DC, it was a great big screen (with raked seats) but unfortunantly only 35mm. Steve, it was great that Disney had a print and allowed you present it, I wonder what other 70mm prints they have in the vaults for theatrical exhibition (??)

I know that where was an attempt to get the recent 70mm print of Cleopatra for the Elizabeth Taylor retrospect - [Frown]
 
Posted by Paul Linfesty (Member # 214) on 07-03-2011, 01:38 PM:
 
quote: Jonathan Goeldner
it was great that Disney had a print and allowed you present it
Yeah it WAS nice since it was also booked at the American Cinematech's Egyptian Theatre Friday to play along with TERMINATOR 2. Unfortunately, the Washington Theatre got to show the 70mm print while the Egyptian showed it off the Blu-Ray at the last minute (they still showed T-2 in 70mm, though).
 
Posted by Steve Guttag (Member # 268) on 07-03-2011, 02:26 PM:
 
Honestly, I didn't think it was a great example of 70mm. The low-tech graphics took away from the 70mm ness of it all. Plus, I was not too impressed with the print quality in terms of overall steadiness and R1 was a bit soft for my 70mm liking. Most reels were fine but the end credits had some sort of extra motion going on. It is an SR magnetic print. The sound certainly was crisp and the mix was decent and made good use of directional cues.

The print condition was actually rather decent...I think I saw one jump cut with little or no dialog missing. The reel ends were clearly the most "enjoyed" and the print had been plattered and cued for the blind.

-Steve
 
Posted by William Short (Member # 5170) on 07-03-2011, 02:30 PM:
 
quote: Chris Slycord
Lots of theaters had problems with CDS.
I've heard this comment many times, and I am curious to learn more. My involvement with CDS was peripheral, as described in this thread.

I never ran a CDS booth. I did see (and hear) CDS running in the ORC labs, in the Eastman Kodak Hollywood screening room, and in various theaters running various features. In each case, the system worked. The sound was excellent with no audible glitches. Ever. Even on a test loop running at ORC which I intentionally damaged to get it to glitch. The system had heroic levels of error detection, correction, and concealment.

So why the bad rep? I’ve heard lots of anecdotes, but I’m curious to hear from people who actually ran CDS, people with first-hand experience. Did you lose shows? Were there problem prints? Unreliable hardware?

Thanks.
William Short
 
Posted by Manny Knowles (Member # 1171) on 07-03-2011, 04:59 PM:
 
Yet another update for Scott's list: the Entertainment Technology Center theatre location (Los Angeles, CA) was closed down shortly after the DCI spec was released. The Kinoton was removed at that time.
 
Posted by Michael Coate (Member # 757) on 07-04-2011, 05:00 PM:
 
Getting back to the Nashville/digital sound thing...

In all the articles and documentation I’ve seen, Nashville has never been mentioned as having any Cinema Digital Sound installations circa 1990-92. Ditto for Dolby Digital during 1992 and early 1993. Therefore, I think all this discussion of digital sound presentations in Nashville is nothing more than a simple case of faulty memory. Nashville’s first taste of digital sound was probably with DTS and Jurassic Park beginning in June 1993.

And since we're discussing early digital sound at the movies, I guess now would be an ideal time to cite the theaters that did run CDS. So…what follows is a list of the known Cinema Digital Sound presentations in the United States. This was prepared for an article I had intended to publish last year for the 20th anniversary of digital sound in movie theaters. Note that the data represents the starting point of each engagement. In some cases, the CDS prints at a point in their run were withdrawn and replaced with Dolby prints.

quote: Mike's Research
DICK TRACY (1990, Buena Vista, 70mm)
Los Angeles, CA – AMC CENTURY 14
Los Angeles, CA – GCC BEVERLY CONNECTION 6
Los Angeles, CA – Pacific CREST
New York, NY – Guild EMBASSY 1
New York, NY – Loews 84TH STREET SIX
Newport Beach, CA – Edwards NEWPORT CINEMAS
Santa Ana, CA – AMC MAINPLACE 6

DAYS OF THUNDER (1990, Paramount, 70mm)
Corte Madera, CA – Pacific CINEMA
Lakewood, CA – Pacific LAKEWOOD CENTER
Los Angeles, CA – Mann CHINESE
Los Angeles, CA – Mann NATIONAL

FLATLINERS (1990, Columbia, 35mm)
No known CDS presentations in the United States.

EDWARD SCISSORHANDS (1990, Twentieth Century Fox, 70mm & 35mm)
Dallas, TX – UA PLAZA (70mm)
Los Angeles, CA – GCC AVCO CENTER (35mm)
New York, NY – Cineplex Odeon ZIEGFELD (70mm)
San Francisco, CA – UA CORONET (70mm)

THE DOORS (1991, TriStar, 35mm)
Dallas, TX – UA PLAZA
Emeryville, CA – UA EMERY BAY
La Mesa, CA – Pacific CINEMA GROSSMONT
Lakewood, CA – Pacific REGENCY 8
Los Angeles, CA – UA CORONET
New York, NY – Loews 84TH STREET SIX
New York, NY – UA GEMINI TWIN
Newport Beach, CA – Edwards NEWPORT CINEMAS
Pasadena, CA – Pacific HASTNGS
San Francisco, CA – UA GALAXY
San Rafael, CA – Pacific REGENCY 6

HUDSON HAWK (1991, TriStar, 35mm)
Los Angeles, CA – AMC CENTURY 14
Los Angeles, CA – UA CORONET
New York, NY – UA GEMINI TWIN

TERMINATOR 2: JUDGMENT DAY (1991, TriStar, 70mm & 35mm)
Atlanta, GA – Cineplex Odeon LENOX SQUARE (35mm)
Bethesda, MD – UA BETHESDA (35mm)
Dallas, TX – UA PLAZA (35mm)
Denver, CO – UA CONTINENTAL (70mm)
Emeryville, CA – UA EMERY BAY (35mm)
Fort Worth, TX – UA HULEN (35mm)
La Mesa, CA – Pacific GROSSMONT TROLLEY 8 (35mm)
Lakewood, CA – Pacific REGENCY 8 (35mm)
Los Angeles, CA – AMC CENTURY 14 (70mm)
Los Angeles, CA – Pacific CINERAMA DOME (70mm)
Los Angeles, CA – UA CORONET (70mm)
Marina del Rey, CA – UA CINEMA (35mm)
Miami, FL – UA MOVIES AT THE FALLS (35mm)
New York, NY – Loews 84TH STREET SIX (70mm)
New York, NY – UA GEMINI TWIN (70mm)
New York, NY – UA MOVIES AT SHEEPSHEAD BAY (35mm)
Pasadena, CA – Pacific HASTINGS (35mm)
Princeton, NJ – UA MOVIES AT MARKET FAIR (35mm)
San Diego, CA – UA HORTON PLAZA (35mm)
San Francisco, CA – UA GALAXY (35mm)
San Rafael, CA – Pacific REGENCY 6 (35mm)
Scottsdale, AZ – UA SCOTTSDALE PAVILIONS (35mm)

FOR THE BOYS (1991, Twentieth Century Fox, 35mm)
No known CDS presentations in the United States.

FINAL APPROACH (1991, Trimark, 35mm)
Los Angeles, CA – Pacific CINERAMA DOME
Los Angeles, CA – UA CORONET
New York, NY – UA GEMINI TWIN

UNIVERSAL SOLDIER (1992, TriStar, 35mm)
No known CDS presentations in the United States.

Brad/moderators: If you feel the list is off-topic (given that just about every post here at this point is off-topic) or would be more appropriate elsewhere, please let me know and I'll move it to one of the older threads where CDS was discussed or will start a new one.
 
Posted by Manny Knowles (Member # 1171) on 07-04-2011, 06:09 PM:
 
quote:
FLATLINERS (1990, Columbia, 35mm)
No known CDS presentations in the United States.

The sound cut out a few times when I saw it. Sure, there could've been another reason...but is it possible that was CDS rearing its ugly head? [Eek!]

AMC Omni 10
1600 Biscayne Blvd
Miami, Florida
 
Posted by Chris Slycord (Member # 4239) on 07-04-2011, 06:35 PM:
 
quote: William Short
So why the bad rep? I’ve heard lots of anecdotes, but I’m curious to hear from people who actually ran CDS, people with first-hand experience. Did you lose shows? Were there problem prints? Unreliable hardware?
I am too young to have actually used it but in this thread the issue of hardware failure is brought up a few times although it's a long read to find where the specific incidents are mentioned.
 
Posted by Michael Coate (Member # 757) on 07-04-2011, 09:12 PM:
 
Manny... It's unlikely you attended a CDS presentation of Flatliners in Miami for several reasons, the chief one being that the earliest CDS showings of Flatliners weren't until autumn 1990 in Europe, by which time the American release had come and gone. Plus, when Flatliners was initially released in the U.S., in August 1990, CDS at that time was strictly a 70mm format and I don't believe the Omni was even capable of screening 70mm prints. As well, when the UA Movies at the Falls installed CDS in summer 1991, for Terminator 2, it was promoted as the arrival of digital sound in Miami. Convinced?
 
Posted by Manny Knowles (Member # 1171) on 07-04-2011, 10:58 PM:
 
Yes, I'm convinced.

Thanks, Michael.

That was a lurking question for a long time.
 
Posted by Brad Miller (Member # 2) on 07-06-2011, 12:40 PM:
 
quote: Michael Coate
Brad/moderators: If you feel the list is off-topic (given that just about every post here at this point is off-topic) or would be more appropriate elsewhere, please let me know and I'll move it to one of the older threads where CDS was discussed or will start a new one.
Given that research you did, I would recommend it be duplicated in a second thread dedicated to CDS installations so it can easily be found in searches.
 
Posted by Michael Coate (Member # 757) on 07-06-2011, 01:59 PM:
 
OK, the list has been re-posted in the CDS-Equipped Theatres thread.
 
Posted by Claude S. Ayakawa (Member # 1401) on 07-06-2011, 07:26 PM:
 
Michael,

As you might know, no Hawaii theatres were equipped with CDS digital sound because it was a new process and it's future uncertain.. As you know, it was a wise decision because the process was discontinued and replaced with three other digital sond processes, DTS, SRD and SDDS.

Despite the lack of CDS sound playback, a 70mm print of TERMINATOR 2 played at the Waikiki #3 and I saw it with my friend on opening nigh for free because she was a executive (Vice President-Theatre Operations) at Pacific's Consolidated Theatres. Although the print was not Dolby, it sounded awsome at the Waikiki.

-Claude
 
Posted by System Notices (Member # 2357) on 04-10-2016, 04:52 PM:
 

It has been 1739 days since the last post.


 




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