Congratulations!
My hat's off to you
Josh

(By the way, make sure to get a photo holding your Oscar so I can use it here on the forum beside your posts!)
So where's Brad's Oscar for Filmguard?
)Congratulations John.
Mark Lensenmayer
.Congratulations, John, richly deserved!
Pat
Christos.
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The early bird may get the worm, but the second mouse gets the cheese!
, it has been a long time coming. Well, I congratulate him too, as I have here at Kodak since he received the first letter of acknowledgement from the Academy. I have worked for John for 7 years, as of this April, and have expressed to upper management that this is the way I want it to stay. He is a fantastic Mentor...I have learned so much from him. We make a great team together but now with an Academy Award mounted in the office, it may go to his head and he might become UNBEARABLE to work with
! (I really don't believe it will be all that bad.)

I'm sure you'll all be hearing from him soon but in the meantime, as his current technician, I will pass on his "thanks" to all.
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Mark DeLettera
Eastman Kodak Co.
Worldwide Technical Svs.
Rochester, NY
mark.delettera@kodak.com
716-588-4189
Sean
Congratuations, John!
FILM DONE RIGHT!
Thanks for all of your help. It really helps to have you here. No one could really give us an "inside scoop" like you do.
LONG LIVE FILM!!
--Chris
As a lab rat, I've used LAD for many years and I can attest to the great contribution it has been to the film lab industry.
Way to go!
Peter Eaves
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Peter Eaves
Director of Film Restoration
FotoKem Film and Video
2801 West Alameda Avenue
Burbank, CA 91505
Tel : 818-846-3102
Fax : 818-557-0385
E-mail : peaves@fotokem.com
Didn't they have extra from last year.
Congratulations John.
Paul.
Aaron Sisemore
Chief Technician
Cinema West Theatres
http://www.cinema-west.com
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Dave Bird
John, it was nice to see you at ITEA. For those Film Techers reading this, John gave me quite a guilt trip for being "away from Film Tech" for the past few months. So I'm back. Big deal.
John, although I'm sure a pat on the back from the Academy is always welcome, if I know you, having all the film handlers around the country yelling "BRAVO JOHN P" is all the thanks a dedicated man like you could ask for. Mucho congrats from me and all the folks at TAP and THX.
You deserve this recognition, and have for some time now.
You the man!
Ted Costas
Manager, THX Theatre Alignment Program
Or do we need to call you Mr. Oscar now
.
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The man with the magic hands.
Ok Brad...time to bring out a new title...Oscar winning film handler!!!
Steve
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"Old projectionists never die, they just changeover!"
Good Job!
Congrats Mr. Oscar!!!

Too bad they don't give out statues. It could be with him holding it. Do they at least give plaques or something?
Congrats, Mr. P.!
Well Done.....
Check out the Kodak site : http://www.kodak.com/country/US/en/motion/support/h61/index.shtml
much applause to you, John. Well done!!!
Brisbane, Australia
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John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Eastman Kodak Company
Research Labs, Building 69, Room 7419
Rochester, New York, 14650-1922 USA
Tel: 716-477-5325 Cell: 716-781-4036 Fax: 716-722-7243
E-Mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion

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John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Eastman Kodak Company
Research Labs, Building 69, Room 7419
Rochester, New York, 14650-1922 USA
Tel: 716-477-5325 Cell: 716-781-4036 Fax: 716-722-7243
E-Mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion

Will the Academy get pissed off if we design a photo with your Technical Award on it, similar to the way we did with the Oscar pic that was quickly removed? The purpose of the picture, of course, would be to bestow fear and respect into anyone who wanders onto the site, and hopefully intimidate a few people! J/K
Frankly, I'm happy with my Film-Tech photo the way it is, as last year's Film-Tech get-together at ShoWest where the photo was taken is an enjoyable memory.
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John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Eastman Kodak Company
Research Labs, Building 69, Room 7419
Rochester, New York, 14650-1922 USA
Tel: 716-477-5325 Cell: 716-781-4036 Fax: 716-722-7243
E-Mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion
I heard about this fabulous poem that was read as your acceptance speech... any chance of sharing that with us?
Congrats again!
Yours,
Ted Costas
Manager, THX Theatre Alignment Program

When I first presented the Laboratory Aim Density Control (LAD) System at the SMPTE Technical Conference in Toronto on November 11, 1974, I opened the presentation with a poem:
________________________________________
Have your highlights lost their sparkle?
And the midtones lost their scale?
Are your shadows going smoky?
And the colors turning stale?
Have you lost a little business,
to labs whose pictures shine?
Because to do it right,
takes alot of time?
Well, here's a brand new system,
as simple as can be.
It's name is LAD, an acronymn,
for Laboratory Aim Density.
__________________________________________
In my acceptance speech at the Academy Scientific and Technical Awards March 3, I thought it fitting to use that silly little poem to open my speech. 
The Kodak website has a brief article on LAD and how it is used by film and digital laboratories to set up electronic color analyzers and to better control color duplicating:
http://www.kodak.com/country/US/en/motion/support/h61/index.shtml
------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Eastman Kodak Company
Research Labs, Building 69, Room 7419
Rochester, New York, 14650-1922 USA
Tel: 716-477-5325 Cell: 716-781-4036 Fax: 716-722-7243
E-Mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion
____________________________________________
All the world's a gray, they say,
for any film, shot night or day.
LAD took the scale, from white to black,
and reduced it to a single fact.
By printing LAD at the center aims,
laboratories had much to gain.
But grays and numbers are rather dry,
and labs make pictures for the eye.
A film to measure, but also view,
was needed -- that we knew.
Take a LAD, reduce its size,
Add a picture to please the eyes.
Combining the two was the key,
to the concept you're about to see.
____________________________________________
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John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Eastman Kodak Company
Research Labs, Building 69, Room 7419
Rochester, New York, 14650-1922 USA
Tel: 716-477-5325 Cell: 716-781-4036 Fax: 716-722-7243
E-Mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion

Since this is your first posting on Film-Tech, I'd like to introduce you to the other participants. Jamie is the new Editor of Kodak's Cinema Notes, working in her role as the Marketing and Public Relations Manager of Kodak's Cinema Operations Team, based in Culver City, California. Her photo can be found on the inside of the front cover (page 2) of the Spring 2001 issue of Kodak Cinema Notes:
CLICK HERE
You can contact her with any ideas for Cinema Notes at: jamie.powell@kodak.com .
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John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Eastman Kodak Company
Research Labs, Building 69, Room 7419
Rochester, New York, 14650-1922 USA
Tel: 716-477-5325 Cell: 716-781-4036 Fax: 716-722-7243
E-Mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion
BTW, who's the girl in the test frame? I remember seeing an article some time ago, about 'the girl who's in every movie, but you never see her'.
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Better Projection Pays!
).Tim Reed: I was on the set when the "LAD Girl" scene was photographed in 1982, and lost track of the pretty model in the picture. But with all the recent interest in LAD, I'm tracking down who she was, and where she is now. In my acceptance speech, I noted that she has probably been in more movies than any other actress in history, even if it is only in the film leader used to control the color at the lab for each picture.
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John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Eastman Kodak Company
Research Labs, Building 69, Room 7419
Rochester, New York, 14650-1922 USA
Tel: 716-477-5325 Cell: 716-781-4036 Fax: 716-722-7243
E-Mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion

Those pictures were definitely cool! Great stuff to have on Film-Tech. Now send me a videotape so I can make a Quicktime download of the entire ceremony! Or at least you winning your award and everybody making the acceptance speech. 
The Academy did send a 160 minute tape of the entire ceremony to each of the winners. I'll make a copy of my acceptance speech (including the original "LAD Poem") and mail it to you. Please e-mail me your address.------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Eastman Kodak Company
Research Labs, Building 69, Room 7419
Rochester, New York, 14650-1922 USA
Tel: 716-477-5325 Cell: 716-781-4036 Fax: 716-722-7243
E-Mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion
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Jay L. Metcalf
General Manager
Carmike 10
Colorado Spgs, CO
[URL=http://www.carmike.com]
Wonderful news. You are the first Oscar winner I have had the pleasure to talk to personally over the phone!
Kudos, and keep the reels rolling.
And I was even able to help you solve your projector shedding problem over the phone!------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Eastman Kodak Company
Research Labs, Building 69, Room 7419
Rochester, New York, 14650-1922 USA
Tel: 716-477-5325 Cell: 716-781-4036 Fax: 716-722-7243
E-Mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion
Not only would that take until the end of time, your head would probably explode trying to cram all that knowledge into your cranium!
Another common grammatical mistake is to say "between you and I" even though "between" is a preposition and the correct phrasing is "between you and me."
I suppose the reason people overcompensate for grammatical errors to the point that they introduce new errors is that they've become used to correcting people when they start a sentence with object pronouns: "Me and my family went out to the park." That's wrong -- it should be "my family and I" -- but we've corrected phrases involving "me and someone else" so often that we're changing them even when they're right.
To get back on topic -- I'd like to add my congratulations to John. I've been lurking on this forum for two months, and posting for three weeks or so, and must've seen at least a hundred instances of John clearing up inquiries with his authoritative knowledge. A great help to Film-Tech!
Another on-topic matter: I haven't seen the test film with the LAD girl that you mention. Can anybody scan it in and post it?
--
Tao Yue
MIT '04: Course VI-2, Electrical Engineering and Computer Science
Projectionist, MIT Lecture Series Committee
I think you've earned the titled 'Film God'
cheers Peter