This is topic DTS trailer files - can they be copied to another DTS disk? in forum Film Handlers' Forum at Film-Tech Forum ARCHIVE.
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Posted by Mike Blakesley (Member # 26) on 04-03-2001, 08:45 PM:
I have the 2-drawer DTS unit, so I can't use the DTS trailer disks.Is it possible to copy the sound files for trailers (either from a regular DTS disk, or from a trailer disk) onto a copy of another DTS disk?
In other words. Let's say I'm playing 3000 Miles to Graceland, which includes the trailer for Driven. Next week I'm playing Traffic, which does not include the Driven trailer. Can I make a copy of the Traffic disks, but include the sound for the Driven trailer from my Graceland disks? (or could I do the same thing but get the Driven soundtrack from a DTS trailer disk?) Assuming the directory structure and everything else on the copied disk is the same, of course.
I know DTS doesn't want a person to copy the disks, but ...would it WORK? I thought this might be a good solution for playing the trailers for some of the big summer movies with films that don't include the proper soundtracks on their own disks.
Posted by Antonio Marcheselli (Member # 373) on 04-04-2001, 07:45 PM:
I really don't know. Perhaps you could have problem with "reel" identification of trailers.
However, try it, and let us know!Bye
Antonio
Posted by Mike Blakesley (Member # 26) on 04-04-2001, 10:16 PM:
I checked the files on one of the disks. There's a file for each reel, and one extra which obviously is for the THX, Sonic Landscape, etc. trailers. I just wonder if the sound for the included "movie" trailers is part of the file for reel 1, or if that sound is in the file with the other miscellaneous stuff. Apparently nobody else has tried this, maybe I'll do some experimenting when I get some spare time (whatever that is).
Posted by Adam Martin (Member # 641) on 04-04-2001, 10:59 PM:
On the trailer disc, there is a text file that lists what is in the file. I don't remember if the feature discs have a text file or not. Something to look for, though.I would think that the trailer is in the R17 file (or whatever reel number they give the trailers). That way they don't have to make a new soundtrack negative for the trailer with a different timecode on it. Unless, of course, the trailer is a different version than previously released.
Posted by Leo Enticknap (Member # 534) on 04-05-2001, 06:48 PM:
Why would DTS necessarily have a problem with people burning their own custom trailer discs? It's not like there's any piracy issue - after all, who would want to listen to a soundtrack without any picture? And DTS will continue to produce the feature film discs and presumably be paid by the studios for producing a disc to go with each print, so I can't see there being any loss of revenue.In fact, rather than put a selection of trailer soundtracks on each feature disc, why not move to a system of making trailer soundtracks downloadable from a website, and providing 'burn-your-own' software to take care of the whole process. You simply launch the program, tell it all the trailers you're going to be playing for the next few weeks, then it automatically downloads the data and burns you a disc with all the soundtracks on.
The only problem I can see with this is the download time involved.
Posted by Joe Redifer (Member # 3) on 04-05-2001, 07:31 PM:
Go ahead and try it. You are legally able to make your own copies for the theatre. It's not like you are denying DTS any profit, but you are actually helping them out by allowing more of their digital sound to be heard. I know DTS movie discs and home CDs can all be copied fine. But I've never tried to mix and match tracks before. Good luck!
Posted by Scott Norwood (Member # 30) on 04-05-2001, 08:09 PM:
Mike -- do let us know if this works. I'd be interested.
The only reason that I might imagine that this wouldn't work (assuming that you copy over all the necessary files to get the system to boot) is that it's possible that the sound files are somehow version-specific to the DTS.EXE program on the disk. The encoding itself is done in hardware, so that shouldn't make a difference, but there might be some subtle differences that (either by intention or accident) somehow make the files non-interchangeable between disks.
I still say that the best solution to this is to add a hard disk to each DTS player, although it probably couldn't easily be made to work as a retrofit for the older models.
Does anyone have a dead DTS unit that I could buy really cheaply? (Slim chance, I know...) I'd love to take one of these things apart and see what's inside it. DTS probably wouldn't appreciate this, however.
Posted by Paul G. Thompson (Member # 655) on 04-06-2001, 12:51 AM:
Scott, I have heard the older ones are nothing more than a modified 486.
Posted by Joe Redifer (Member # 3) on 04-06-2001, 01:02 AM:
Consider this:DTS was created long before CD Burners were even remotely popular. There really was no reason (at the time) to include any way to prevent copying the discs or files. This could have been modified with new firmware, however. But seeing as how there is no possible way for this to become rampant and destroy DTS or their profits, I highly doubt anything much has been done.
Try to use an 80 minute CD if possible... that way you can cram even more trailers on!
Posted by Aaron Sisemore (Member # 145) on 04-06-2001, 01:03 AM:
>>I'd love to take one of these things apart and see what's inside it.<<The 2-drawer units are 386-based, and the 6D's are 486SX based (I believe the last one I had seen was 25MHz). Also theres 1 or 2 SIMM modules for ram and the SCSI card and two DTS playback hardware cards.
Aaron
Posted by Adam Martin (Member # 641) on 04-06-2001, 01:11 AM:
The 6D's I had were all 486 boards/processors. There are internal details in the DTS-6D manual (click below) on pages 19-22 (adobe pages 26-29).
Posted by Joe Redifer (Member # 3) on 04-06-2001, 03:57 PM:
Click below? I don't think your link showed up.I'm clicking anyway but nothing is happening.
Ah nevermind. You want me to click on MANUALS and then find the DTS manual. Too much work. I am much too lazy.
Posted by Mike Blakesley (Member # 26) on 04-06-2001, 04:47 PM:
I compared the file names from two different DTS disk sets.The file names on the disks are identical. Each disk includes a file for each reel named "r_t5.aud" where you fill in the blank with the reel number.
Then there's another file called "r14t5.aud" which is the sound for the various THX and DTS trailers, circuit policy trailers and the movie trailers.
Each disk contains a text file that tells the contents of that "r14t5.aud" file.
Too bad the trailers aren't in a separate file by themselves or this idea of mine could work. The way it is, if I copied the trailers file from an older movie to a disk set for a newer movie, I would lose the newer trailers because the file names are the same.
I suppose there could be a way of "splicing" the two trailer files together somehow but I'm not that technical. Anyone?
Posted by Randy Stankey (Member # 64) on 04-06-2001, 05:30 PM:
I am probably wrong here but I thought that the text file was the one that told the computer where to look for the filenames of all the sound files on the disk. Therefore if you renamed some of the files and then made a new text file that has the correct filenames in it, you MIGHT get it to work.I dunno'... I'm guessing.
Posted by Brad Miller (Member # 2) on 04-06-2001, 07:07 PM:
Assuming on the given feature discs that the attached trailers are on disc A, could you possibly burn the desired trailers on disc B?
Posted by Mike Blakesley (Member # 26) on 04-06-2001, 09:42 PM:
Thing is, that text file doesn't tell the system where to look for FILES, but rather the address within the one file that holds all the trailers, snipes, etc....so if we put the needed file on disk B, how we tell the system where to look within that file?<scratching head>
I wonder if it would be possible to get the trailer sound files off of a DTS "trailers" disk. I don't have one of those here.
Come to think of it, why don't they just cram as many trailers as they possibly can onto each set of disks? Since trailers from competing companies are being shipped in the cans these days, it seems like a logical step.
Posted by Adam Martin (Member # 641) on 04-06-2001, 09:45 PM:
If I remember correctly, the text file also lists the start position and length of data for each trailer in relation to the .aud file. Hypothetically, I suppose you could create a new .txt file (if this does, indeed, control the file structure) and rebuild the .aud data block with the segments you want. Of course, by that time, the movie is gone. 
Is it possible to just add a third drive to the SCSI daisy chain and run the ribbon cable to a drive outside the chassis? Or is there a proprietary BIOS-type thing with one of the DTS cards set to use just two drives?
Posted by Scott Norwood (Member # 30) on 04-06-2001, 10:02 PM:
The newer DTS units do use three drives (the third is for the trailer disks), although I don't know if there's any reason why a third drive couldn't be added on the old 2-disk units.
Do both units use the same type of SCSI card?
Posted by Darryl Spicer (Member # 711) on 04-07-2001, 12:15 AM:
Yes you can add a drive to the two disk units. In the picture wharehouse there is a picture of a two disk unit that has an extra drive added. You will have to search for it because I do not remember where it was located.The units do provide an extra power cable but I am not sure about the scsi daisy chain cable you may have to purchas this cable.
Important the third drive must be the same type of drive that the other two are. Big problem is that the older units use the toshiba drives. Dts no longer uses these drives they now use teac. So if you were going to do this I would order the three drive upgrade kit that also upgrades the firmware chip and scsi card was also updated I do believe along with another card that was added.
But how important is this. I have found with our automations that when a cue is placed on a trailer that is playing in dts it will kick the sound format back to stereo thus taking the system out of digital until it either stops reading a related timecode and then starts again or you manually push the digital button on format card.
For me the only way around this is to be sure that there is a non digital trailer between the last active trailer and the active policy trailer. Placing the cue on the non active trailer. That way it automaticaly goes to digital when active policy starts going thru.
Posted by Randy Stankey (Member # 64) on 04-07-2001, 03:15 AM:
Darryl,CFS automation, right? There's a fix for that, but it involves cutting a wire. What I do is cut said wire and then install a crimp-on wire connector. That way you can reconnect the wire if needed.
It's the wire that goes to the CENTER terminal of the MONO/STEREO switch. It's white with an orange stripe if I remember. What it does is send the pulse to the stereo processor when the cue goes through. You don't really need that wire anymore since we always play trailers in stereo now.
I think I have a pic of the wire in question. Let me know if you want to do this and I'll give you some better info.
Posted by Darryl Spicer (Member # 711) on 04-07-2001, 03:38 AM:
Yes Randy we have cfs automations. Are you refering to the wires on the back of the ultra-stereo processor. Right now both mono and stereo pulse wires are connected to stereo terminal. If I remove the wire from said terminal that would pulse stereo at cue this will eliminate problem. Leaving start up pulse wire connected (that which used to send pulse to mono) and Dts pulse wire for back-up. I will take a look at it tonight and try some things. Been meaning to talk to Bob about this but never think of it when I see him.Do you know of any fixes, other than adding an extra inboard cue at the end of the movie, to keep the nsync from switching back to stereo. When the 4 second delay times out on the dts it will kick it out and back to stereo. Only selution has been to add the extra cue.
Posted by Aaron Sisemore (Member # 145) on 04-07-2001, 11:47 AM:
Unless you modify the auto to repulse the non-sync cue without needing to add the extra cue, you are pretty much stuck with that setup.(you COULD change the timing of the cue pulses with the dual-function board(s) but you run the risk of burning up dowser coils if you do) As far as cueing to keep the auto from switching out of DTS at the cue (which is a common occurrence with USL processors with ANY automation, not just CFS) the best way is to do as it appears you have been doing: run all the analog trailers first, cue at the end of the LAST analog trailer and let the DTS take it from there. Back to the end of show: I have never had any trouble adding the extra cue at the tail of the print to keep it in non-sync.Suggestion for Karen: Why not make a tiny change to DTS feature programming to either discontinue timecode at the tail of the print (Must the 'Visit Universal Studios' or the rating tag have timecode if it is silent[with rare exceptions] anyways?) or just truncate the file on the discs so that once there is no longer a sound recording to be played the DTS player just stops, keeping the USL processors from reverting back to stereo/SR after being cued into non-sync?
Aaron
Posted by Adam Martin (Member # 641) on 04-07-2001, 12:16 PM:
I thought that (at least with the 6D's I had) there was now an "end of feature" at the end of timecode, which pulsed nonsync instead of stereo. I specifically remember being in the auditorium when the NS came on, but the (crappy) failsafe didn't pick up the dowser/NS cue and the tail showed on screen. Or was that just a CP55 thing?
Posted by Mark Gulbrandsen (Member # 72) on 04-07-2001, 12:36 PM:
I have burned copies of the DTS test disk for my own use. I always carry one of the copies with me in the field and keep the original by my desk in the office.
Mark @ GTS
Posted by Randy Stankey (Member # 64) on 04-07-2001, 01:27 PM:
No, cut the wire inside the console that feeds the switch that lets you select whether the OB cue pulses the STEREO or MONO line.
Sorry about the picture quality. It's really hard to take a pic like this in such cramped corners and under booth lighting conditions. Still, I think you get the picture.
For the DTS going back into digital after the IB cue... The reason that happens is because there is more time DTS time code after the blue band and when the machine sees that, it thinks it needs to play something again. It just ends up playing silence until the film tails out. Then it's left in digital.
There are four solutions that I tell people:
- Put another IBQ on at the tail of the film.
- Take a black SharpieŽ marker and blot out all the time code after the end of the blue band.
- Cut off the tail of the film after the blue band and splice on a piece of black leader, etc.
- Check the revision number of your DTS firmware. The newer versions don't seem to do this. Maybe you can get the upgrade and cure this once and for all, without having to screw around with the film
(You'll probably need to get that upgrade sooner or later when your disk drives crap-out on you so my vote is for #4... IF you can get "Da Boss" to spring for it
)
PS: Mark, can you just make a straight disk-for-disk copy of that test disk? I have been meaning to do that but I haven't quite figured it out. I should probably do this soon because I use that disk a lot and I don't want to "wear it out".
Posted by Adam Martin (Member # 641) on 04-07-2001, 02:21 PM:
I "borrowed" the empirical disc from my tech and made a straight copy of it for my use ("reserve" tech) when I got called out of my theater for emergencies and installs. Worked fine. Don't forget to photocopy the track listing, too, or it'll drive you nuts trying to find what you're looking for.
Also make sure you get the current one ... there was a SPL change a while back.
Posted by Karen Hultgren (Member # 395) on 04-11-2001, 12:41 PM:
No Mike, the trailers are complied into one file (Reel 14) and you cannot extract just one.Karen at DTS
Posted by Karen Hultgren (Member # 395) on 04-11-2001, 12:44 PM:
The trailer disc is a subscribed disc that the studios sign up for and the disc is always changing.Movie discs are a different story. A studio will let us a film but only wants trailers from THEIR upcoming films on it. They don't want other studios' films on their discs.
The feature discs belong to the studios, not DTS. However, the trailer discws belong to us.
Karen at DTS
Posted by Mike Blakesley (Member # 26) on 04-12-2001, 01:11 AM:
Karen, Thanks for the answers. That's what I thought about reel 14.Surprising though that the studios are OK with putting other studios' trailers in with their films in the cans, but don't want them on the disks!
Posted by Adam Wilbert (Member # 1184) on 06-30-2002, 09:12 PM:
bumping this up for myself. It doesn't really answer the question i just posted (Custom DTS trailer discs). But its in the ball park.
Posted by Manny Knowles (Member # 1171) on 06-30-2002, 09:18 PM:
John Hawkinson wrote a unix program to extract trailers and recompile them onto a new disc with a new reel-14he does it for his school screenings
It almost worked on my computer...he was rewriting it for use on a mac with os x
Posted by John Hawkinson (Member # 1135) on 07-01-2002, 12:06 AM:
Ow, yeah, I knew there was something I forgot; for whatever reason, my software didn't work perfectly for Manny, and ended up producing something that played garbage. I really need to test it under MacOS X, which I haven't done. It was developed under Unix and runs fine under Solaris, NetBSD, and Linux (and probably lots of others)...--jhawk