Now the questions,
1. What would cause that kind of wear on intermittent sprockets?
2. What can I do to fix this problem?
While I am at it, I had a different projector that had an intermittent pad that was bent and causing minor shedding on a print. I replaced the pad. To me this sounds like one of my guys abused the projector for that to get bent. Does anybody have thoughts on this as well?
As for the shedding...thank the film Gods (Brad) that we have Film-Guard. (Does that plug work for you Brad?) 
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Chris Duvall
General Manager
Regal Cinemas Colonnade14
Las Vegas, NV
Is there any undercutting at all of the sprocket teeth? As a side note, I wonder if there is any difference in sprocket wear from polyester as opposed to c. acetate film?
It also possible that the teeth got damaged because something leaned against them while the projector was running.
Here is where it helps to know what kind of projector you have. For example, the newer Simplexes have a easily removable gate assembly that swings on one pivot to open and close. This gate includes the intermittent pad shoes (half moon shaped pads that hold the film around the intermittent sprocket.) If someone removed the gate for cleaning, and dropped it, the shoe could get bent.
A Century gate (well, it's actually the trap) slides in or out for cleaning. I've seen people who weren't paying attention, missed the dovetail-shaped slot it fits into, and bangs one or two teeth on the intermittent sprocket. Now those teeth have a burr which chews the film.
So, if there is hooking on the sprocket teeth on the intermittent, it could have been caused by high tension in the gate? Damn, I knew that polyester film was tough but not that damn tough. These projectors are only 2 years old.
OK, what now? Should I or could I flip the intermittent sprocket around in the assembly, replace it or or have somebody who knows what they are doing file down the rough hooked edges on the teeth?
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Chris Duvall
General Manager
Regal Cinemas Colonnade14
Las Vegas, NV
Loose that gate tension. Use only the least amount of tension that will prevent jitters. Anyone who ever ran a DP-75 with plastic shoes and thin metal bands learned this tip real quick.
I have been using two models of simplex projectors at two diferent theaters I am working at right now. They are the 1050's with the sliding gates for removal and the model 1060 with the pivote gates. The 1050's are 11 years old and show no signs of hooking on sprockets and the 1060's are 6 years old and show no signs of hooking.
You should not have to run the tension on the straps past 3 to get a steady picture. If you are running past 3 it will require the intermittent to pull harder. The straps may need to be changed if no jitter free picture can be obtained.
Did you ever notice on a Millennium that when the film is centered in the aperture, it is not centered in the framing window? It's not off by a lot, but is more than any other projector I've seen.
I think we are building a theater in your town, Chris. Is it near your place?
I see this all the time. Just flip the sprocket, like everybody else says, order a new one (Part number G-2330 -- $107 list price) and when it arrives you can install it. If the old one isn't too badly damaged you can save it for an emergency backup. Or, if you can swing the $$ just order two of them now and save the extra.
Watch out for people who try to clean the projector with a toothbrush while the motor is running. The toothbrush has a tendancy to slip off and whack the intermittent pad shoes. When they get bent they'll grind off the edges of the sprocket teeth. You can (A) carefully bend the shoe back into shape, if it's not too badly damaged or you can (B) order a new one. I would recommend (C) Ordering a new one and bending the old one back until the order to arrives.
If you only need the center part of the intermittent pad the part number is PA-0194 -- $5 list price. You can take all the other parts from the old one and use them to make a new one. If they are torn up too badly to use again (or if you just don't want to spend the time) you can order the whole assembly. Part number C1-BB-28 -- $35 list price.
When you put the sprocket on the intermittent, take a metal machinist's ruler, (the thick, heavy kind) and use that to align the intermittent sprocket with the lower, holdback sprocket. It's not hard to do but you'll need to take your time to do it accurately. If you put the sprocket on and don't align it properly you'll probably just tear it up again in a short time, not to mention the film won't run correctly throught the gate, etc.
I'm sorry to say it but this kind of damage is common when you have inexprienced, uncaring people running the booth. (Not to say that's whay YOU have... just a general statement. )
Take a good look at the sprocket. If the intermittant shoe is loose it will have cut your sprocket teeth down the middle. I have had to change three at my theatre and two others at other theatres.
If this is your problem, flipping them over will not help. They will need to be changed. When you do change them, make sure that the intermittant shoe is tight, and does not rub the sprocket teeth. I would suggest running the motor with the shoe closed. There should be very little noise from it.
Now as for the bent pad...I may be reaming somebody here shortly. I think someone has been cleaning with a toothbrush with the motor running...AAAGGGHHHH!!!
This has a way of bringing out the worst in me.
John Walsh wrote:
"I think we are building a theater in your town, Chris. Is it near your place?"
John, are you with the Brennan (spelling?) chain? I know they have one going up near the Rio casino. That would put them more than 10 miles away headind NE. I do know they have a target date set for December as well.
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Chris Duvall
General Manager
Regal Cinemas Colonnade14
Las Vegas, NV

By the way, if you run 5 shows a day, in two years, you probably have run over 35 million feet of film though that projector! It deserves new sprockets.
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John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Eastman Kodak Company
Research Labs, Building 69, Room 7419
Rochester, New York, 14650-1922 USA
Tel: 716-477-5325 Cell: 716-781-4036 Fax: 716-722-7243
E-Mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion
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John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Eastman Kodak Company
Research Labs, Building 69, Room 7419
Rochester, New York, 14650-1922 USA
Tel: 716-477-5325 Cell: 716-781-4036 Fax: 716-722-7243
E-Mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion