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Chris Duvall
General Manager
Regal Cinemas Colonnade14
Las Vegas, NV
If it's not a brand new print that's been running for a while when it starts having this problem then I would agree you have a problem in your film path. Aslo, even if it's a brand new print but the problem doesn't go away by itself by the end of the first day you also have a problem.
Sometimes there can be residual "hairs" left over on the print and it will seem to keep shedding even after you have verified that the problem (if there actually was one) has been solved. Just run it through your print cleaner a couple of times. (Preferably with Film Guard)
Is there any relationship between the source of the prints (e.g. "it seems to happen more with one distributor or lab").
Is it evident enough to be seen after the first run? If so perhaps a clue to the source of the problem can be seen. In your examination of the projector/sound-head, for example, is there a point above which, no blue fibre is found?
I am wondering, if this is a multiple theatre, is the problem occuring on more than one machine. If so, perhaps logical deductive trouble-shooting would be in order. Perhaps gates and /or traps could be switched to see if the problem travels.
Is one projectionist only experiencing the problem? Maybe a casual "drop-in" call might permit you to inconspcuously examine the threading.
Randy Stankey said: "On rare occasions when the film is cut into strips it will have rough edges. When it goes through your projector the edges will be "shaved" off by the projector and these little hairs will fly all over the place. It will usually go away after the first run or two."
A "rough edge" from slitting would usually cause a severe "white dirt" problem in the film lab, so it's unlikely that it is the cause of hairs in the projector, unless there is a corresponding high level of printed-in "white dirt" on the print.
I agree with Paul that if every print through this projector seems to generate "angel hair" emulsion skivings, something is "pinching" the film and scuffing the edge.
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John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Eastman Kodak Company
Research Labs, Building 69, Room 7419
Rochester, New York, 14650-1922 USA
Tel: 716-477-5325 Cell: 716-781-4036 Fax: 716-722-7243
E-Mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion