This has not been independently verified although I did find corroboration that such a story is going around but not the facts therein.
The letter was printed on new letterhead with the divisions noted as "THX Theatre", "THX Studio", "THX Home", "THX Mobile", and "THX Games".
Address is:
THX Ltd.
Post Office Box 10327
San Rafael, California 94912
Telephone: 415/492-3900
Facsimile: 415/492-3930
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John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Research Labs, Building 69, Room 7525A
Rochester, New York, 14650-1922 USA
Tel: +1 585 477 5325 Cell: +1 585 781 4036 Fax: +1 585 722 7243
e-mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion
Did THX *ever* mean very much?.
I know of a chain that builds to THX specs, but doesn't have their screens certified anymore because they found that the public has been so confused by the over branding of all things electronic that the THX logo has ceased to be a drawing factor when choosing a theatre. Its unfortunant too, because simply having Digital Sound in no way ensures great acoustics. THX has lost its value as a measurement of a theatres commitment to presentation and there seems to be no replacement, other than spending your own money to decide which theatre to frequent.
It did to me. I think that there are two types of movie-goers: those that simply want to see a movie, and those that will go out of their way to see a great presentation. Your theater is in a fixed location, so your attendence of "simply want to see a movie" types is related to the movies that are currently showing. (not much you can do about it) If you want to grab the "go out of their way" types, you've got to wow them. Advertising and being certified THX used to be a good way of doing that. IMHO.
We'll just have to wait and see if this sale makes THX better or worse. Remember that things like Pixar and Avid are really Lucasfilm spin-offs and they seem to have done quite well on their own.
The general consensus seems to be that THX, over the last few years, hasn't been as great a thing as it once was. Perhaps with George Lucas' renewed interest in being a movie writer/director, he lost interest in THX. (Remember that THX started just as the previous Star Wars Trilogy was wrapping up.) Perhaps that was a factor in what you've perceived as a drop in the value of the brand name THX. And perhaps that means that giving up control of THX was exactly the best thing to do.
Anyway I think most exhibitors nowadays are super cheap and will pinch every penny they can. That means no THX installations and that could be why THX is being sold. Why spend any money on the projection booth and auditoriums anyway? That's stupid. Money is much better spent on a fancy lobby and nice concession stand menu boards! That's what the customers really want.
Out of curiosity, Gordon, which complex do you refer to? My understanding was that the highest grossing 'plex in North America was the Loews Lincoln Square in New York City, followed by the AMC Century City 14 In Los Angeles. Both only have a few THX screens (in fact the Loews has only one).
From the NATO newsletter i receive, the highest grossing theatre in North America is the Loews Metreon in San Francisco. All 15 auditoriums are THX certified. The ironic thing is i can hear projectors and AC units in all auditoriums.
Glenn
Simply being THX certified doesn't ensure a great performance any more than not being THX certifies ensures a poor performance. If you've got a built-to-spec auditorium, not being THX certified won't change that. It seems to me that dropping certification, in your example, is reflective in an overall drop in attention to quality, attention to detail, etc. on behalf of the management.
Joe: i would agree that most exhibitors seem to get off on cutting corners. From what I've heard, THX certification costs upwards of $1000 per screen per year. That could be better spent on added absorption panels, solid-core sound proof doors, and HVAC dampers etc. Doesn't Kodak have a TAP certification? perhaps its time to better exploit and market it as the THX replacement.(if it does, i'm not sure)... All we would need is a cool trailer and the public would DEMAND digital sound in a TAP certified auditorium! 
(edit) in the other THX thread in yak somoeone mentioned a $10,000 price per screen per year for THX cert. YIKES! (edit)
THX was just about the only organization which, at one point, was able to help improve exhibition (sound) quality through standardization and certification and was able to sell the general public on the idea that not all theatres sound alike and that audiences are better served by choosing a THX-certified house over a non-THX house (not always true in practice, of course, but there are very few THX houses which sound genuinely bad).
I'm a beliver in the concepts behind THX certification, if not the current implementation, but the THX brand has been over-used lately (THX-approved VHS tapes and computer speakers!?!?) and emphasis seems to have drifted away from the theatrical end of things.
What is really unfortunate is that no one seems to be prepared to replace THX in this capacity. Kodak tried to do something similar with Screencheck (a good idea which didn't catch on), but that didn't really address all of the acoustical issues that THX does...it was more of a complement to THX rather than a replacement for it.
The Kodak ScreenCheck Evaluation checks for obvious problems in sound, but does not do a full alignment. But it is more comprehensive than THX in looking at operational aspects of presentation, such as booth cleanliness and film handling procedures, and evidence of a good training and maintenance program. A full "report card" is shared with the theatre after each inspection, which is done every few months for theatres contracting for the service. I helped develop the ScreenCheck specifications, which are based on SMPTE standards and recommended practices.
------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Research Labs, Building 69, Room 7525A
Rochester, New York, 14650-1922 USA
Tel: +1 585 477 5325 Cell: +1 585 781 4036 Fax: +1 585 722 7243
e-mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion
Does this mean that people like Mark G are now Soundblaster Certified? 
------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Research Labs, Building 69, Room 7525A
Rochester, New York, 14650-1922 USA
Tel: +1 585 477 5325 Cell: +1 585 781 4036 Fax: +1 585 722 7243
e-mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion
quote:
Unfortunately, theatres find it hard to pay someone to tell them what is wrong with their operation.
I am not surprised at all. It is really sad. It's not like Kodak is just going in and saying "You suck! Fail!" and then running away with gobs of cash. They want to help improve what is wrong. But unfortunately most theaters think they are doing nothing wrong, and resent any suggestions on how anything could be improved. Why is that? Where do attitudes like that come from? Are the basic standards of the average human being too low? I hope I don't sound elitist but I am genuinely curious how mediocrity is allowed to shine.
PS - This is getting off topic, I am going to start a new thread about this. Please don't reply about my comments above in this thread. Instead reply in the thread titled "Mediocrity is King".
-Larry
I totally agree with Joe that THX was so inconsistent that it was really more of a laugh than aything else. Those high grossing theatres would gross just as high without the name as they would with the name, no doubt the locations are far more important in the grosses than THX is.
Good heavens! Send my beloved R-2 to a creatve labs technician for calibration!!$%*^*#&? I don't think so.....
Joe, I could have alot of fun adding the Creative THX certification after my name
. Certified by THX Blaster, Creative THX Recertification, etc. Actually, all of these have some real meaning anyway.
Mark @ GTS
And when can we expect confirmation of this THX sale news other than what's being "confirmed" on Internet forums like this one?

We have a couple of nice sounding theaters in the Denver area and a few theaters with potentially awesome sound but currently with poorly set crossovers and bad EQ. You don't even wanna know how the "tech" sets these crossovers!
When I was down to Lucas for the R2 training seminar we had to go to a local theater for training. On the second day they had us EQ auditoriums on our own. I ended up in one of the complexes large theaters with EX and the then prototype of the new crossover/monitor. When I got to the surrounds I found 1 speaker not terminated at the speaker and the other arrays not terminated properly in respect to back wall/side wall. This cause quite a bit of embaressment on the parts of the THX techs when I had to fix it. I even found myself on the top of a ladder terminating the speaker.
What really bugs me is the fact that a THX certified theater is supposed to be recertified on an annual basis. I know for a fact that these recertifications are not being done on the vast majority of theaters up here yet the theaters still claim "THX Certified" and are marketing this in the papers, on marquee's and in the theater. Why didn't THX put a stop to this.
I added my two cents on the film yak thread but I'll reiterate here briefly............first I'll say hello KRIS BRUNTON!!!!!! how have you been? Say hello to Al Dal and Terry for me up there in Napanee....you might remember me as the technician whom came up to your quebec sites and we had dinner with you and your girlfriend and took pictures (which I should send copies to you)all throughout Quebec and found that rock which was worn down by years of French sentry guards on that bridge/post.
yes you probably remember me now
I'm glad I wasn't there for that seminar you attended. Jees what a mess you think they would have scoped the place prior to the seminar. That was typical and not surprising at all. Attention to detail is non-existant what so ever!!
Anyways, I left THX almost two years ago (up to bigger and better things now) having certified over 300 theaters and studios all over the place; I never enjoyed the internal politics (3 ring circus) but in terms of THX selling 60% of their share well I say "What share?" They probably have more to gain now with this pseudo-merger than before for all the afore mentioned reasons. Simply put....business/marketing skills are not their strong point. They sold an image which in concept was Fantastic!!!.....up to date, "fully operational" picture and sound. Their way of implementation of their concept is where they falied. They completely disillusioned the customer. Instead of tightening their grip on Certs and recerts they dropped the ball. I failed many theaters which barely didn't make the cut Ex. NC31 or 2ms off on RT-60@125hz. Instead of helping techs enforce the "rules" they would let things slide if you will. I don't know how many times I had to conduct damage control with the client. Down talk on THX was just depressing and I took the brunt of it as I often had to repair the image. Recerts? HA!! Although I performed recertifications of many sites, there were just too many locations to properly and timely do. Just not enough of me to go around. I did my best though.....from checking speaker aiming....wiring....phase..localization...gain structure...to proper EQ techniques (LESS is best).....etc etc...my concience is clear....hell, how many techs actually took high Freq drivers off to verify and or adjust aiming(i must have found enough plasticine in those new horns that were left in during install to sell back to EV and JBL) ? hmmmm Well myself for one and I ran RP-40 and checked screen illumination too. During recerts I embarrasingly found discrepancies which adversly would have altered picture or sound quality during initial certification. I know that none of what I am pointing out is new nor shocking to all of you film-techers but only to bring out the great irony from and "inside perspective" I always found it curious that no one else but the technicians really new what a certification was all about and what it took to get done. Everyone just talked a big game. "Circus Carnies" have no business in true science.
Rory
------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Research Labs, Building 69, Room 7525A
Rochester, New York, 14650-1922 USA
Tel: +1 585 477 5325 Cell: +1 585 781 4036 Fax: +1 585 722 7243
e-mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion
To me, and yes my last day with THX was May 17th, being part of Lucasfilm was special. Although I experienced the frustrations of a corporation making the final decisions most of the time, it was a great experience for me. And now, I'm at Dolby...
I'm not going to bash THX. They are a company full of potential. They lost me, but they still have a stockpile of talented individuals. Tim Schafbuch, Jose Alvarado, Dave Schnuelle, Martin Dew... The future of THX truly rests in their hands, and with the right leadership, the sky is the limit.
You know I wish the best for them, all of them. After all, they won't be going to the Lucasfilm 4th of July Picnic either...
Yours, Ted
Ted Costas
Director
Dolby Distributor Services