Now I know it will be tough to refrain from posting here how horrid this movie was and what a waste of film stock this movie was and how Freddy Got Fingered was more entertaining than this piece of muck and if there is one movie that deserves to go flying off of the platter this year that this is the one and so forth and so on, but hey that's what the Movie Review section is for! 
Likewise, Deluxe Laboratories now has sites in Hollywood, Toronto, London, and Rome. There are also smaller labs worldwide (e.g., Atlab, Eclair, FotoKem, DuArt, Imagica, etc.) that make release prints.
The shipping case labels, reel bands/endtapes, or leaders may give some hint as to the lab. The magenta-colored edgeprint tells if the print film is Fuji or Kodak.
There is a comprehensive directory of worldwide labs on the Kodak website:
http://www.kodak.com/US/en/motion/industry/dyn_labs.shtml
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John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Research Labs, Building 69, Room 7525A
Rochester, New York, 14650-1922 USA
Tel: +1 585 477 5325 Cell: +1 585 781 4036 Fax: +1 585 722 7243
e-mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion

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John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Research Labs, Building 69, Room 7525A
Rochester, New York, 14650-1922 USA
Tel: +1 585 477 5325 Cell: +1 585 781 4036 Fax: +1 585 722 7243
e-mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion
Brad, I recall that some past postings had photos of the Kodak edgeprint. Perhaps you could insert one in this thread.
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John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Research Labs, Building 69, Room 7525A
Rochester, New York, 14650-1922 USA
Tel: +1 585 477 5325 Cell: +1 585 781 4036 Fax: +1 585 722 7243
e-mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion
Our print is:
Fujicolor
From a Technicolor Quebec lab.
I tend to think of the "Fuji" look as being lower in contrast and color saturation than the "Kodak" look. Maybe someone else can articulate this better than I can. For most purposes I tend to prefer the "Kodak" look, although I think that this is more of a matter of conditioning (since most films are printed on Kodak stock, we as viewers tend to associate those characteristics with how those types of films ought to look) than the actual superiority of the film's characterisics.
Does Fuji have more than one type of color print stock, or is all of theirs the same thing?
(BTW, does anyone know what type of B&W stock the reissue prints of "The Third Man" wre printed on a few years ago? They looked amazing. Rumor says it was Ilford, but I haven't confirmed this.)
Although Ilford makes B&W camera films, I am not aware of an Ilford B&W print stock.
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John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Research Labs, Building 69, Room 7525A
Rochester, New York, 14650-1922 USA
Tel: +1 585 477 5325 Cell: +1 585 781 4036 Fax: +1 585 722 7243
e-mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion

------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Research Labs, Building 69, Room 7525A
Rochester, New York, 14650-1922 USA
Tel: +1 585 477 5325 Cell: +1 585 781 4036 Fax: +1 585 722 7243
e-mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion