This document is a good example of the technical information contained in SMPTE standards, recommended practices and engineering guidelines, available from SMPTE:
http://smpte.org/smpte_store/standards/
http://smpte.org/smpte_store/standards/cd_standards.cfm
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John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Research Labs, Building 69, Room 7525A
Rochester, New York, 14650-1922 USA
Tel: +1 585 477 5325 Cell: +1 585 781 4036 Fax: +1 585 722 7243
e-mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion
SMPTE Standards, Recommended Practices, and Engineering Guidelines can be purchased from the SMPTE:
http://smpte.org/smpte_store/standards/
The CD-ROM containing ALL of the current motion-picture standards is a very good deal, at only $250 for a copy (license) that can be shared by up to five users:
http://smpte.org/smpte_store/standards/cd_standards.cfm
These SMPTE documents are COPYRIGHTED, and the sales help finance the work of SMPTE in developing and maintaining standards.
Eventually, SMPTE may provide on-line access for a fee. (They already provide an on-line library service for an annual fee.)
One way to get free copies of standards is to participate on an SMPTE engineering committee. Members have access to copies of standards that are up for review within their committee, which is done on a five-year cycle. But your participation and travel to meetings is at your expense. Proposed new standards are also published on-line and in the SMPTE Journal for review, and provide a way of getting an "unofficial" copy for SMPTE members.
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John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Research Labs, Building 69, Room 7525A
Rochester, New York, 14650-1922 USA
Tel: +1 585 477 5325 Cell: +1 585 781 4036 Fax: +1 585 722 7243
e-mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion
But, for the most part, havnig the old copy is fine plus, if you participate, you know what changes, if any are being made. It is also a good way to broaden one's knowlege of the various aspects.
P-3 is the projection technology committee
A-12 is sound committee
Both pertain to cinemas
There is also the new DC-28 (Digital Cinema) so you can get in on the ground floor of this emerging technology.
Steve
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"Old projectionists never die, they just changeover!"
Here is a list of all the committees:
http://www.smpte.org/engineering_committees/technology_committees/
And here is the "Statement of Participation" that outlines your responsibilities as a member of a SMPTE Engineering Committee:
http://eng.smpte.org/cgi-bin/sop/sop.pl
Film-Tech regulars who are members of the Projection Technology Committee (P3) include Steve Guttag, Pat Moore, Frank Angel, Gordon McLeod, Larry Shaw and myself.
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John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Research Labs, Building 69, Room 7525A
Rochester, New York, 14650-1922 USA
Tel: +1 585 477 5325 Cell: +1 585 781 4036 Fax: +1 585 722 7243
e-mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion