One has to understand that when you are running a theatre and you are playing the picture, you ARE licensed to exhibit all the copyrighted material -- 1 sheets, standees, trailers on film, trailers on video on mulitple monitors all over the building, soundtracks for preshow music in the theatre, maybe in the lobby, commercials on the radio, etc. This can all be used in conjunction with your exhibition.
And let's also not forget, trailers are ADVERTISMENTS....advertisements for the product of the owner of the copyright. What possible objection could that copyright owner have for you doing what is necessary to run his own advertisement, which, if you have the print of the trailer, you have the soundtrack and by that very fact, you are licensed to play it. Besides, as Markus said, he's not hacking any security code (which, STRICTLY speaking, MIGHT violate the letter of the law -- now breaking any security system that's in place to protect copyrighted material, that in and of itself is a violation, or at least that's the one ruling that was handed down against 321 Studios about the legality of their CopyX software.
If Markus's program is just moving data so it can be played, how would that be any different than the analog red scanner "decoding" the optical track, converting it to electrical impulses and moving it from point a (sound processor) to point b (speakers)?
To put it another way -- if some horse's ass at a studio gets bent out of shape because a THEATRE is copying one of their ADS so that it will play BETTER in front of an audience, and he starts screaming copyright this or copyright that, then you know what? screw the bastard -- DON'T PLAY THEIR FREAKIN TRAILER AT ALL! In fact, send it back to his office in a used airlines barf bag.
Posted by Scott Norwood (Member # 30) on 02-22-2006, 06:15 AM:
Don't forget that the DMCA is also in conflict with the Constitution.
(Personally, I don't like running trailers in digital sound, though...)
Posted by Bobby Henderson (Member # 840) on 02-22-2006, 11:28 AM:
Why not? Many of the analog tracks on movie trailers are horrible. They're usually too loud and badly overdriven.
Usually when I hear a trailer in digital sound at a movie theater it is typically at a volume level more consistent with the main feature, not several db above it.
Posted by Dustin Mitchell (Member # 372) on 02-22-2006, 08:29 PM:
The only reason I asked about the 'cracking' is because featrue discs are now encoded as to make it impossible to burn copies of them (as I understand it). So either the trailer discs don't have this same protection, or they were somehow cracked to get around it. From what you say, it must be the first.
Posted by Markus Lemm (Member # 3456) on 02-22-2006, 10:44 PM:
I haven't seen any encoding that would make it impossible to burn copies. If a standard CD player can read the DTS disc in a computer than it can always be copied. The last DTS discs I checked were 'King Kong' and 'Munich' and they read in a computer no problems.
When are these new discs coming out? and How do they prevent burning?
Posted by Paul Van Dusen (Member # 3640) on 02-23-2006, 10:38 AM:
If they're anything like what they used on standard music cd's a few years ago then there will be an encoded band on the edge of the cd that allows it to be played but not copied or ripped. It's kind of stupid though, i know people who have gotten around it by simply filling in the area with the encoding with a black sharpie.
Posted by Mark J. Marshall (Member # 1409) on 02-23-2006, 10:22 PM:
The sound files on the feature disks are encoded (encrypted) differently. Apparently this started around the time of Madagascar, Revenge of the Sith, etc. But you should still be able to burn working copies of the disks if you need to.
Posted by System Notices (Member # 2357) on 11-02-2007, 12:26 PM:
It has been 616 days since the last post.