quote: Scott NorwoodThat sucks. We have the CP650 and are still using the same batch of logo trailers we started out with. I'd really like some different ones. I've submitted their request form twice and haven't gotten as much as a "go to hell" from them. I guess once they have your money they don't need you anymore.
I have not had the same luck with Dolby trailers, unfortunately.
quote: Joe RediferAbout 2 months ago, Dolby London sent me 12 City Redux trailers. 6 flat and 6 scope.
Nobody has gotten any Dolby Digital promotional material for a loooooong time

quote: Daniel SchulzHi Daniel, thanks, they add a little pizzaz to the presentation.
Hi Louis,
We are out of stock on the Sparks logo trailers at the moment, and I do not have a date for when we'll have a new set run. Please stay tuned, and I will advise as soon as we have an availability date for new 35mm logo trailers.
quote: Adam LautenbachThen that's wierd. Why would they even bother making a pillarboxed version?
Regarding the scope 'City Redux' trailers, ours are full-frame (not 'pillarboxed')
quote: Scott NorwoodAccording to the current link:
I just sent email to them with the serial number of my unit and asked nicely. They sent me some posters and one each flat and scope trailers, at no charge. This was before the recent "Datasat Digital" reorganization, so there may now be some confusion about who handles the promotional items.
I have not had the same luck with Dolby trailers, unfortunately.
quote:They'll send you promotional items, but only if you are a theater. Bummer. I was hoping to shoot over the serial of my DTS6 unit and get some posters and trailers shipped to my home screening room
To Request Cinema Trailers & Promotional Materials, Contact: cinemainfo@datasatdigital.com.
Please note that we will only ship to a cinema and not to a private address.

quote: Charles GreenleeAFAIK, Dolby never made a version of the Train trailer for analog formats. That one was strictly for Dolby Digital. At least 3 different versions of the Train trailer were made in the early 1990s. The original had the "Dolby Stereo Digital" logo on it, and also had the most aggressive sound mix. A second "Dolby Stereo Digital" Train trailer was made with some sort of pan flute musical intro. Then a 3rd version was made with the 1995 redo of the Dolby Digital logo.
Dolby, I liked the Train for analog, and Egypt for the digital best.
quote: Bobby HendersonIf I recall correctly, the Dolby Train trailer was first used with The Fugitive (1993).
AFAIK, Dolby never made a version of the Train trailer for analog formats. That one was strictly for Dolby Digital. At least 3 different versions of the Train trailer were made in the early 1990s. The original had the "Dolby Stereo Digital" logo on it, and also had the most aggressive sound mix.
quote: Daniel Schulz
I really like Sonic Landscape (the piano logo), but I suppose my vote doesn't count.
quote: Daniel SchulzJust a suggestion, I strongly recommend keeping some sort of brand identity attachment to the original DTS logos:
We will be rebranding under our new name, Datasat Digital Entertainment, and will be rolling out new materials under that name, with a new logo. Stay tuned.

It has been 458 days since the last post.
quote: Scott JentschSame direction the entire industry is heading I'm afraid... as I noted in THIS THREAD, SEE PAGE 2.
Whatever the reason, moving away from the DTS trademark was a bad idea. DTS is enjoying a huge amount of brand awareness as a result of Blu-ray, which bolsters the 17 years of presence in the commercial theater and home theater market, and just as digital sound on film is waning in importance, they change the brand for the theatrical market.
Combine that with a seeming lack of ability to create interesting sound trailers, the lack of interest among theaters in playing them, the inability of theaters that are interested to get them, and the trend towards lossless multi-channel sound on digital cinema, and you gotta wonder where they're headed with this effort?
quote: Me, from that other threadEven sadder to me since I have ALWAYS had great support from DTS and generally endorse their products highly.
Sadly, with the dreck coming out of Hollywood, the anti-piracy campaign that made the PAYING CUSTOMERS out to be the criminals and the downgrading of image quality on both film prints and DLP, the industry continues its self-destruction with no signs of it stopping.
Honestly I have never seen a business model so bent on killing off its customer base.