This is topic Dolby CP500 Password in forum Film Handlers' Forum at Film-Tech Forum ARCHIVE.


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Posted by Tom Ostertag (Member # 8318) on 12-02-2014, 12:07 AM:
 
Hello all.

I know that historically the password retrieval/reset procedure for the CP500 has been kept a secret amongst techs, but considering what I assume to be an increasing scarcity of such processors in professional use, I'm hoping someone can help me out.

I'm not a commercial theater, but a hobbyist/audio/video engineer wishing to put a recently acquired CP500 to use in my home 35mm system.

If opposed to posting the information publicly (which I understand), a PM would be greatly appreciated.

Thanks!
 
Posted by Edgar Prass (Member # 7558) on 12-02-2014, 04:15 AM:
 
Copy of a mail I got from Dolby technical support some time ago:
This is an unsupported product now.

<removed - do not post passwords or back doors on a public forum>

[ 12-02-2014, 09:53 AM: Message edited by: Brad Miller ]
 
Posted by Fredrik Sandstrom (Member # 8171) on 12-02-2014, 07:20 AM:
 
Heh, the first time I encountered a CP500 I simply guessed the password, and got it right on the first try (1234).
 
Posted by Marcel Birgelen (Member # 6801) on 12-02-2014, 08:49 AM:
 
I'm not sure everybody appreciates the somewhat hidden password recovery procedure being out here [Wink] .
 
Posted by Randy Stankey (Member # 64) on 12-02-2014, 08:56 AM:
 
Maybe but I interpret the phrase, "This is an unsupported product," to mean, "Okay but if you fuck up your equipment don't come crying to us."
 
Posted by Sam D. Chavez (Member # 1841) on 12-02-2014, 10:19 AM:
 
Dolby quit supporting CP500 a long time ago and BACP took it up best we can. Password is is often not set so is 0000 or 1000 from the factory.

If the answer is still needed PM me and I'll have an answer in a day or 2 when I can get to my 500 test stand.
 
Posted by Mark Gulbrandsen (Member # 72) on 12-02-2014, 12:17 PM:
 
There is also a way to reset the password to default by pressing the right combination of front panel buttons for the correct duration. I think you need seven fingers on three hands to do it though. Then you can re-enter your own password.

Mark
 
Posted by Tom Ostertag (Member # 8318) on 12-03-2014, 11:23 PM:
 
Fortunately I saw Edgar's instructions before they were removed. That did the trick, and now I can dig into my CP500.

I understand the need to hide such a trick from the general film-handling public, so I respect Brad's decision to remove it. Coming from an IT background, I know what kind of trouble well-intentioned users can cause if they're given too much access.

Thanks for the help Edgar, and to Sam for offering to look into this for me. This saved me lots of time for sure!
 
Posted by Serge Bosschaerts (Member # 298) on 06-25-2015, 02:31 PM:
 
Hello everybody,
I've just bought a spare CP500 on Ebay and ... yep, it has a password installed.
Could somebody send me a PM or email how to get this password out ?
Thanks,
Serge
 
Posted by Marcel Birgelen (Member # 6801) on 06-25-2015, 04:16 PM:
 
Well... it's out there [Wink]

You could always try the default password (check the manual), but I guess you already tried it.

While I agree with Brad that it's not done posting "backdoors" on public forums for current equipment, the CP-500 manual is also archived in the warehouse. Maybe the listing of those kind of procedures could be somewhat relaxed for this kind of equipment that has long since been abandoned by the manufacturer?
 
Posted by Sam D. Chavez (Member # 1841) on 06-25-2015, 08:59 PM:
 
I think I'm the last one supporting the 500 in a limited fashion mostly for Regal.
 
Posted by Scott Norwood (Member # 30) on 06-25-2015, 09:03 PM:
 
Are these things getting that rare? It may not be Dolby's finest achievement, but there are still a fair number of CP500s (and CP65s) in use in this area.
 
Posted by Brad Miller (Member # 2) on 06-25-2015, 09:45 PM:
 
The code to decrypt the password is actually very similar to unlocking the built-in games on a CP500.
 
Posted by Serge Bosschaerts (Member # 298) on 06-26-2015, 01:41 AM:
 
I've found the answer ... thanks.
Secondary question : this unit has 2500 hours on it according to the event log and has the 1.61EX soft version on it.
It will not be used with an SA10, and not using SRD, so I was wondering upgrade to 1.65 or not ?
 
Posted by Steve Guttag (Member # 268) on 06-26-2015, 06:22 AM:
 
Move to 1.65 NOW!!!! 1.61 is bad...it will go corrupt and dump your settings sooner or later. If no EX, then use standard 1.65. The only difference on the 1.65EX is that it bypasses the surround EQ since the EX box handles that. I think it also starts you at the right level to feed the SA-TEN.
 
Posted by Ken Lackner (Member # 1002) on 06-27-2015, 09:10 AM:
 
Slightly off topic, and speaking of updating, I very vaguely recall reading a long time ago that there was the potential for software updates to be carried on the SRD track and applied automatically when a print was run. (I have absolutely no clue where I read this; maybe a sales brochure, maybe an online discussion. Who knows?) Did this ever actually come about? I imagine lots of folks would be pretty upset if their equipment was updated without their knowledge or consent. However, if there was a menu option that enabled or disabled this feature and I could choose whether to apply an update if I knew it was carried on a print I was running, that would be pretty cool. I can't recall ever seeing such an option, so I'm guessing this never happened.

Not that any of it matters now. Just curious.
 
Posted by Marco Giustini (Member # 4544) on 06-27-2015, 10:00 AM:
 
The main software was not updated, the Dolby Digital decoding section has been updated a few times.

The feature that enabled the buffer so DD wouldn't drop anymore at reel change was indeed enabled by dynamic update! Crazy, for some black spots on a print...
 
Posted by Sam D. Chavez (Member # 1841) on 06-27-2015, 10:03 AM:
 
There was this feature and it did happen once with less than wonderful results so the idea was shelved. I don't recall the excat details.

There were also upgrade loops.
 
Posted by Brad Miller (Member # 2) on 06-27-2015, 11:45 AM:
 
I would be curious to know if when implemented if it would look to verify it was UPgrading instead of DOWNgrading.

It would be interesting news if a buggy "upgrade" (not that such a thing has ever happened!!! [Razz] ) was on a particular print that saw lots of repertory use and kept downgrading back to the buggy firmware.

Case in point on a Dolby server once you hit 4.5.4.2 or higher a clean install looks at the hardware raid card and does a good upgrade from Dec 2013 that was issued by the manufacturer. However if you ever "downgrade" the Dolby software to below that, it also downgrades that raid card.

Their installer SHOULD have been designed in such a fashion that if newer software was detected on the raid card, that the install would pause for 15 seconds and give the option "newer software detected on raid card: keep and proceed press ENTER or install will downgrade to previous software in 15 seconds".

Sad that these software engineers can't seem to grasp the concept that just because a new version is newer that does NOT guarantee it is an actual "upgrade".
 
Posted by Marco Giustini (Member # 4544) on 06-27-2015, 12:21 PM:
 
well, if you are downgrading the software, it is assumed that you don't want the new one.

If the software engineer followed your point, the installer would ask if you want to downgrade every piece of software/hardware on the machine. It seems reasonable that if you are downgrading... you're downgrading!

I see your point that you would like the ability to use bigger HDD's on your DSS200 on 4.3.5-9, but then I may want to use the cat 862's FW only and so on.
 
Posted by Brad Miller (Member # 2) on 06-27-2015, 12:45 PM:
 
I'm not suggesting permitting people to mismatch items that won't work together, such as the server software vs. media block. However the raid card upgrade simply permitted larger drives and had no influence on the rest of the server. Anytime there is such an "upgrade", there should be some sort of option, even if as I wrote the default is hard-coded into the installer so no action will put it the way they assume everyone would want.
 
Posted by Marco Giustini (Member # 4544) on 06-27-2015, 02:16 PM:
 
quote: Brad Miller
mismatch items that won't work together
That's the point. How do they know if the new FW would work well with the older software? You never know, maybe the newer 862's FW would work great with an older version. The 862 is a video decoder, what the ShowShore is doing is merely passing it data.
 
Posted by Brad Miller (Member # 2) on 06-27-2015, 03:00 PM:
 
Really???

Are you not actually reading what I wrote or am I composing my posts so poorly that you cannot follow them?
 
Posted by Marcel Birgelen (Member # 6801) on 06-27-2015, 04:52 PM:
 
quote: Sam D. Chavez
There was this feature and it did happen once with less than wonderful results so the idea was shelved. I don't recall the excat details.
Do you recall they put this upgrade code? Was it on a separate reel? Since the bitrate of SRD really is quite limited (320 kbit/s or 40 kbyte/s), you'll need quite a few feet of film to provide any reasonable update, even if it's just a few hundred kilobyte.

A lot of other issues come to mind... what if there is a non-recoverable read error? Rewind and restart? At least during sound playback, you could still fall back to analog or live with a minor glitch every now and then, but a software update cannot. The transfer needs to be flawless. You could compensate with more error checking, but that would hurt your limited bandwidth even more.

On the bright side, you could accompany such a "software upgrade reel" with a great on-screen progress animation. [Wink]
 
Posted by Lyle Romer (Member # 1266) on 06-27-2015, 05:18 PM:
 
quote: Marcel Birgelen
Do you recall they put this upgrade code? Was it on a separate reel? Since the bitrate of SRD really is quite limited (320 kbit/s or 40 kbyte/s), you'll need quite a few feet of film to provide any reasonable update, even if it's just a few hundred kilobyte.
There was leftover bandwidth on the film. Not enough to increase tot he next level of AC-3, but more than need for 320 kbps including FEC. I don't remember the exact bandwidth but it was something in the range of a dial up modem speed. If I recall correctly, it was this data path that was used to send the redundant data blocks for the reel change.

The splice caching update was definitely sent via release prints. I remember our Dolby Digital would drop at the reel changes a many times no matter how carefully they were done with clear tape. After the release went out, it stopped dropping out and our tech never did an update via laptop.
 
Posted by Marco Giustini (Member # 4544) on 06-27-2015, 05:50 PM:
 
Lyle,

Same with my old 500, I thought they had improved the way the prints were printed. Amazing what they could do with so little data!
It would be interesting to know if every print was carrying the latest firmware on it? I mean, what happens if I run a recent print with a 500 which has been on a shelf for 15 years?
I have the feeling the upgrade is part of the printing process and every print has the latest code on it. Even more amazing.

Brad,
No, we simply disagree. It happens.
 
Posted by Brad Miller (Member # 2) on 06-27-2015, 06:14 PM:
 
quote: Brad Miller
I'm not suggesting permitting people to mismatch items that won't work together, such as the server software vs. media block.
quote: Marco Giustini
You never know, maybe the newer 862's FW would work great with an older version. The 862 is a video decoder, what the ShowShore is doing is merely passing it data.
No, I'm pretty sure you just aren't reading. That happens too.
 
Posted by Marco Giustini (Member # 4544) on 06-27-2015, 06:33 PM:
 
I read your post and you misunderstood mine - or I wasn't very clear.

What I am saying is that if we followed your point every piece of update on a new release should be allowed to be kept in case someone decided to downgrade. You are assuming that the 862 newer FW wouldn't work with a lower version of ShowStore/Manager.

Now, it happens that Dolby set a flag and the ShowManager would say "software mismatch" if you tried to run different versions. But what if they allowed people to run newer versions of mediablock FW with older software? I may want the latest improvements on the mediablock but not the latest bugs on the software. Why not?
Then can we ask the developers to add a line of code to allow us to downgrade just what we want? I don't think so.

If you want the RAID controller to the latest version, you can still upgrade it manually. The file is somewhere in the file system. I feel this is the only viable way to do so; if I were a developer I would do exactly as Dolby are doing.

I call this a disagreement [Smile]
 
Posted by Lyle Romer (Member # 1266) on 06-27-2015, 07:50 PM:
 
quote:
Amazing what they could do with so little data!
Plus they also had leftover bandwidth that they decided to use to draw a Dolby logo instead of something useful. I guess even with that space, they couldn't get to the next tier of AC-3.
 
Posted by Randy Stankey (Member # 64) on 06-27-2015, 09:48 PM:
 
I was under the impression that the double-d was there so that the machine track and decode the dot patterns.
 
Posted by Sam D. Chavez (Member # 1841) on 06-27-2015, 10:30 PM:
 
Nope. It was the least useful part of the perf due to fine scratches so the logo was a place holder for future low data ideas.

One of the first experimental sound negatives was lost at the lab and then sent to CDS by mistake. The image on the film was that of one of the project engineers. If only he'd had his middle finger up. After some time the negative was returned.

There were corner markers and the camera just had to find 3 and from that the location and size of the image could be determined.
 
Posted by Steve Guttag (Member # 268) on 06-28-2015, 10:58 AM:
 
Let me see if I can recall the Dolby Digital update thing a bit.

As I recall, it was a low-bit rate item that was in the data portion of the track. Throughout the movie the DA10/DA20/CP500 would receive the update code and cache it. Once it had a complete code, the next reboot would complete the update. Since the update would have to be verified complete in the cache, one would not get a bad update due to a poor read from the print.

The DA10 could withstand one such update...the next time an update came through, it would crash.

I want to say after one or perhaps "the" update, error numbers immediately were lower. I'm guessing the update improved the decoders ability to determine the bits better despite difficulties in the reader.

This is enough in the way-back department that I can't be certain but that is how I remember the feature.
 
Posted by Marco Giustini (Member # 4544) on 06-28-2015, 11:10 AM:
 
so the DA10 would only do one upgrade? And what would happen next?
 
Posted by Steve Guttag (Member # 268) on 06-28-2015, 12:18 PM:
 
As I recall, it would crash the DA10. Sam may recall better but I think that may have been one of the primary reasons for recalling the DA10s and replacing them with DA20s to ensure that the DA10 would not receive the second update.
 
Posted by Marco Giustini (Member # 4544) on 06-28-2015, 01:11 PM:
 
Oh, I did not know the DA10 were recalled. Are you saying that any DA10 out on the field was replaced by a DA20 for free?
 
Posted by Steve Guttag (Member # 268) on 06-28-2015, 03:20 PM:
 
Yes. That is what I'm saying. There shouldn't be any DA10s out there but I'm sure some never got the message.
 
Posted by Marco Giustini (Member # 4544) on 06-28-2015, 03:30 PM:
 
Interesting. The reason I was asking is that years ago I went to service a friend's system and he had an old DA10 in it. That was a second hand system, I guess the previous service guy didn't know about the swap.
 
Posted by Pete Naples (Member # 761) on 06-28-2015, 03:36 PM:
 
All this takes me back!

If I recall correctly, did it not sometimes take several passes of a print to fully acquire the dynamic updates? That could mean that rep houses might never actually update.
 
Posted by Marcel Birgelen (Member # 6801) on 06-28-2015, 03:47 PM:
 
Well, interesting stuff. I've only heard about it as something of a legend but didn't know it actually happened. [Wink]

Does anybody know what prints carried those "side-loaded" updates? And did it give you any kind of visual cue it received an update? And did it have different updates for the DA10/20 and CP500?
 
Posted by Lyle Romer (Member # 1266) on 06-28-2015, 04:10 PM:
 
quote: Marcel Birgelen
Does anybody know what prints carried those "side-loaded" updates? And did it give you any kind of visual cue it received an update? And did it have different updates for the DA10/20 and CP500?
I can't remember what release first carried the splice cache update. There was no visual indication that an update occurred (or was being downloaded).

I can only assume that the update was the same for the DA20 and CP500 since the Dolby Digital decoder in the CP500 was a DA20 but with a bit rate converter taking the place of the DA20 DAC card and without the cinema processor interface card. They both used the same Cat. 673 system services card that contained the software.
 
Posted by Marco Giustini (Member # 4544) on 06-28-2015, 05:21 PM:
 
I have the feeling that the code is embedded in the machine printing the track in the lab; once the latest code was uploaded the code would be printed on every print. It's just a guess but it would make sense.
The processor would then ignore the code if not newer.

If it was only done on specific prints, then some houses may never get that update.
 
Posted by Sam D. Chavez (Member # 1841) on 06-28-2015, 05:56 PM:
 
Lonny Jennings knew the story of recalling the DA10's but it was in the interest of making SR.D work better.

The upgrades were stored in the DA20 section or 673 card and not in the CP500 684 card. So, even if the upgrade did not work you still had analog audio.
 
Posted by Steve Kraus (Member # 476) on 06-28-2015, 09:10 PM:
 
Someone...I want to say Brad Hohle but I could be misremembering...said they did do some updates that way. My question was what if you had a 500 as NOS...would it play back a modern track. I think he said yes. What about the updates the 500 never got over the years? Well, according to him they are are still in all the prints. Run one movie and you're up to date.

Or maybe I just had a dream where someone told me this.
 
Posted by Lonny Jennings (Member # 365) on 06-28-2015, 11:37 PM:
 
You all pretty much got it right. I guess multiple foggy memories equals a crystal clear picture.

Dynamic loader was used several times to upgrade the Dolby Digital playback units; DA10, DA20, CP500, CP650. It could but, never was, used to update the firmware of the CP500 itself. After much discussion I finally decided that it was too risky to do that. Besides the aforementioned quandary of upgrading a processor's operating system without the tech's knowledge or consent there was the hopefully unlikely but, possible, scenario that the upgrade package would be flawed and cause all of the CP500's to fail. You would still have bypass operation and playback from the analog track but, it would be probably a couple of weeks before a patched version would restore all of them back to working order. This was simply unacceptable and so it was never done or even considered. One little detail to consider about the dynamic loader system: there was no on/off switch. If there was a new firmware package on the film soundtrack there was no way to prevent it from being loaded into the unit for good or bad!

The DA10 was capable of being updated multiple times and was. It did, however, have one episode of a flawed firmware update via dynamic loader. I've long since forgotten the title of the film but, after several DA10's in the LA area ran the film and got upgraded (on Friday afternoon, of course) they started exhibiting load pops and snaps during the Friday evening shows. It was determined that there was a glitch in the new firmware and the Dolby guys in the LA office went out to deal with it.

In both the DA10 and the DA20 (that includes the CP500, of course) there was always a “backup” copy of the Dolby Digital firmware called the baseline copy. This was an image of whatever the current version of firmware was at the time the unit was built. It was separate from the “running” version and could not be updated by dynamic loader. It was designed into the system for exactly this failure scenario. It would get the unit up and running again, albeit with an older version of firmware, but you could get by until a patched version was created and put on later titles for patch/upgrade. On either the Cat. No. 609B card in the DA10 or the Cat. No. 673 card in the DA20/CP500 you turned the small rotary switch to the bottom position and that would load the baseline copy. It did not, however, stop it from receiving any more dynamic loader updates. Whenever the patched version was released and put on a soundtrack the DA would be updated when that title was played. Dolby would keep track of who had the flawed version and after we were sure that it had been correctly upgraded the switch would be returned to the “0” position and the now patched version of the firmware would load and run. Dynamic loader was a good system that did work several times over the years without problem apart from that one episode and even then, the baseline backup saved the day.

That one episode however, was NOT because it was specifically DA10 code. It could just as easily have occurred in the DA20 package. Due to the considerably greater numbers of DA20's even then it was fortunate that it was only the DA10 package that was flawed but, it wasn't an inherent flaw with the DA10 itself or the dynamic loader concept.

However, shortly after that it was decided to stop supporting the DA10 and we proactively replaced all of them with DA20's at no cost to the customers This was done, not because of any limitation in the DA10 but, because it was decided that it was cheaper to get rid of all the DA10's than to continue having engineering write two versions of code, one for each design. Besides the obvious differences in the number and type of DSP boards between the units it also required two, totally different firmware packages to be written and then extensively tested. It just came down to practical economics to replace the DA10's and just write one version of the updates for the DA20/CP500 only.
 
Posted by Marco Giustini (Member # 4544) on 06-29-2015, 03:50 AM:
 
That's very interesting, it's sad we've lost all of that when Digital came in.

I hope you don't mind if I ask a couple of more questions!

Was the new code on a single reel or on the whole movie?
I do have an old 500 salvaged from the skip. I have a document that explains how to check all the versions inside the decoders. I understand there is a way to manually upload those versions too, is that correct? When was the last code released and do you have a history of releases?

Thanks
 
Posted by Steve Guttag (Member # 268) on 06-29-2015, 05:30 AM:
 
Well there you have it...from the master himself!
 
Posted by Marcel Birgelen (Member # 6801) on 06-30-2015, 02:59 AM:
 
Well, thanks for the in depth info here.

Still, this makes me wonder, are those updates still included on the recent 35mm Dolby Digital releases?
 
Posted by Steve Kraus (Member # 476) on 07-05-2015, 12:23 PM:
 
Quoting a public discussion on Facebook:

Me: "I'm curious what happens if you get a NIB old CP500 or DA20. Do films still have the software updates built into them? I thought they gave that back channel over to slowly caching data ahead of the reel break."

Brad Hohle (Dolby): "All reels of DD films carry the complete load of playback software plus cache data. Neat huh?"
 
Posted by Marco Giustini (Member # 4544) on 07-06-2015, 03:25 AM:
 
interesting. So to make sure my 500 is running the latest software I just need to acquire a recent reel of whatever!
Thanks
 
Posted by Scott Norwood (Member # 30) on 07-06-2015, 07:48 AM:
 
So, what happens if a theatre plays a new film for a week and then plays an old film the next week? Does the SRD software get downgraded?
 
Posted by Marco Giustini (Member # 4544) on 07-06-2015, 08:53 AM:
 
I'm not an expert on the matter but I believe it would be easy for the system to just check the version before applying the upgrade!
 
Posted by Louis Bornwasser (Member # 3063) on 07-07-2015, 09:42 PM:
 
All Dolby digital upgrades are backwards compatible.
 
Posted by System Notices (Member # 2357) on 08-18-2016, 05:30 PM:
 

It has been 407 days since the last post.


 
Posted by Steve Roberts (Member # 9544) on 08-18-2016, 05:30 PM:
 
I have been given a CP500 and it has a password which is not 0000, 1000, 1234 or 4321.
Can anyone help me out with the password reset?

thanks.
Steve
 
Posted by Brad Miller (Member # 2) on 08-18-2016, 05:40 PM:
 
click here
 




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