This is topic Whats the best way to move a projector? in forum Film Handlers' Forum at Film-Tech Forum ARCHIVE.


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Posted by Todd Cornwall (Member # 2205) on 03-06-2018, 08:41 PM:
 
As the title says, we might need to move a bunch of old projectors since new digital projectors are in. Apparently the old projectors were basically moved aside and not actually put anyway. I would like to get them out of the way and in to a storage area, but was curious as to how to get them moved easily? Would they have to be taken apart? Is there some kind of dolly that would work for this? A few of them are on small platforms so they would need to be moved down 3-4 stairs as well.

Any ideas would be greatly appreciated
 
Posted by Alexandre Pereira (Member # 9295) on 03-06-2018, 11:13 PM:
 
An engine hoist works really well to lift projectors onto a push cart or pallet mover. Then the projector can be rolled away. Engine hoists are not very expensive and are easy to put away.
 
Posted by Frank Cox (Member # 6258) on 03-06-2018, 11:54 PM:
 
You won't be rolling it down any stairs like that.

Three men, a set of wrenches and a couple of cases of beer works well for that sort of a move, though.
 
Posted by Phillip Grace (Member # 2262) on 03-07-2018, 03:26 AM:
 
I'm with Frank on that one. It also helps if you can arrange to be somewhere else when the move is taking place. [Smile]

Seriously, how you go about moving a projector depends on the type of projector, and how it is configured - a console type or a pedestal type etc. Also how much storage space is available is a factor. They take up more space when dismantled, but on the other hand the parts can be shelved to save floor area. Dismantling the machine offers the advantage of reducing the individual weights to be moved, along with protection of the mechanism etc. Moving a conventional pedestal machine in one piece can be hazardous. Typically they are top-heavy and not very well balanced.
There are all kinds of materials handling devices available, and something suitable for the job at hand and the space available in the projection room will probably exist.
I prefer to lift from underneath, rather than suspend from above, but have done both successfully. A pallet truck, or even some 2 inch lengths of pipe for rollers is handy. A selection of timber blocks and boards can be built up for a change of level. (Remember they used to lift locomotives a bit at a time with just levers and stacks of old sleepers). If you have to man-handle it, try not to have the whole machine off the ground at any one time.
 
Posted by Barry Floyd (Member # 385) on 03-07-2018, 10:06 AM:
 
We just recently moved our old 35mm machines from my garage back to a storage building at the drive-in. (I don't know why I'm keeping them!!)

Ours were pedestal mounted and we basically broke them down in to 4 pieces when we moved them. Removed the projector from the sound head and wrapped it up in blankets so we wouldn't damage it. Lifted the sound head off of the pedestal base (4 bolts and lots of muscle). Slid the lamphouse off the pedestal table, and then finally moved the pedestal out of the way.

When we got them back to the the theatre, we re-assembled them so they wouldn't take up so much floor space in the storage building. Not that hard to do, they are just heavy. I'm sure there will be some point when I get tired of moving them around and just chunk them in the dumpster... I still have my platters too... but probably not for long.
 
Posted by Jack Ondracek (Member # 1466) on 03-07-2018, 10:52 AM:
 
You're not alone, Barry. My stuff is all out at the hangar. Gave myself 5 years to give sentiment time to override practicality. It hasn't, so this is probably the year I clean house.
 
Posted by Julian Antos (Member # 5497) on 03-07-2018, 05:24 PM:
 
This has been said in other threads I'm sure, but bears repeating.

If moving a projector for long term storage, it's a good idea to:
-Remove the flywheel from the soundhead so it's not putting a strain on bearings.
-Remove xenon lamps.
-Remove belts
-If kinoton SH put a piece of foam in between roller and sound drum so you don't wear a flat spot in the o ring. If simplex SH make sure arm is left open so you don't wear a flat spot in the rubber roller.
-Remove gate/trap and close gate mechanism.

If keeping everything disconnected but in one piece, I would at a minimum turn the mechanism over by hand (including rotating the flywheel) every so often to keep things from getting stiff.

Lastly, before scrapping anything, post here or on the art house convergence list to see if anyone wants it. There are many venues still running film several times a week for repertory and specialty screenings, and many technicians still keeping those machines running with a finite supply of spare parts.
 
Posted by Dave Macaulay (Member # 813) on 03-07-2018, 06:35 PM:
 
I've seen electric stair climber dollies used, I think these can be rented? Pretty much a large 2-wheel "hand truck" with a little track between the wheels that motors up or down stairs. Complete Strong consoles with projector and rectifier moved up many stairs with no problem. They had extra batteries though - and needed them.
 
Posted by Todd Cornwall (Member # 2205) on 03-07-2018, 07:12 PM:
 
I was thinking that Id have to take them apart in order to move them. I dont know what their plans are, but there a lot of them that need moving. 3 of them are on a platform, so loading them on to a dolly and taking them down the narrow 3-4 stairs might not even be an option. They are just in the way and I wanted to to simply put them somewhere safe and out of sight.
 
Posted by Chris Markiewicz (Member # 1415) on 03-07-2018, 07:48 PM:
 
It really depends on whether the projector is on a pedestal or attached to a console. If a pedestal, do as Barry says and break it down into at least four pieces. I would break the pedestal down too; the floor base is really heavy. If a console, break the projector head and soundhead off the console, get an electric stair-climber and four people to balance that sucker. so it doesn't kill someone. Some old rectifiers can also benefit from the stair-climber. Have good work gloves; you're going to get torn up.
Good luck!
 
Posted by Phillip Grace (Member # 2262) on 03-07-2018, 11:13 PM:
 
Old projectors are going to be pretty oily once you start taking them to bits. When dismantling a machine I find it helps to put the various bits first into a large sized plastic garbage bag, then pad them with blankets etc. It helps contain the leakage.

Also. When moving large heavy objects, approach with caution, and do the move slowly. Momentum is a very powerful unseen force, and can bring you to grief real quick. [Smile]
 
Posted by Dave Macaulay (Member # 813) on 03-08-2018, 09:47 AM:
 
What kind of projectors are they, and on consoles or pedestals?
Simplex XL type projectors have oil in the bottom and pump it around for lube... if they've sat for years then draining the sump will get rid of almost all the oil.
Century projectors have oil in the intermittent, around 1/4 cup. It will dribble out if not upright.
Older Simplex and various other fairly rare ones may have oil in a sump or just in the intermittent, or even have a manual pump oiler.
Only very old gearbox type soundheads have oil inside... if yours look ancient and have the motor sticking straight out the front they probably have oil in a gearbox - that will leak out if inverted or tipped on the side. Newer soundheads don't have oil but may have a dashpot with a tablespoon or two of viscous silicon fluid that will spill out.
Pedestals can be brutal, the really old solid cast iron ones weigh hundreds of pounds. Put on ear protection and break them into manageable pieces with a sledge hammer. Newer "lightweight" ones with cast bits and sheet metal columns are not so heavy, can be moved by a couple of strong young guys.
Consoles are sheet metal and can be disassembled with wrenches or sawzall.
You will not make much money at the scrapyard, regardless. Scrap value will definitely not cover the cost of having them removed and transported to the yard.
If you want to keep the units together as museum pieces or to sell (note: they are worth nothing, and nobody is buying even at that price) then bring in professional movers. They have skill, experience... and insurance. If one of your employees gets injured or killed doing this work - you're screwed.
 
Posted by Mark Gulbrandsen (Member # 72) on 03-08-2018, 09:52 AM:
 
quote: Julian Antos
This has been said in other threads I'm sure, but bears repeating.

If moving a projector for long term storage, it's a good idea to:
-Remove the flywheel from the soundhead so it's not putting a strain on bearings.
-Remove xenon lamps.
-Remove belts
-If kinoton SH put a piece of foam in between roller and sound drum so you don't wear a flat spot in the o ring. If simplex SH make sure arm is left open so you don't wear a flat spot in the rubber roller.
-Remove gate/trap and close gate mechanism.

Oh heck, just shove them down the stairs! They are worth the same scrap value whole or in pieces. After all thats where they'll end up in the very near future.

The Scrap Man
 
Posted by Phillip Grace (Member # 2262) on 03-08-2018, 05:26 PM:
 
Mark, you are such a sentimentalist! [Wink]
 
Posted by Mike Blakesley (Member # 26) on 03-08-2018, 06:45 PM:
 
I know how he feels.....we did a ton of work to move our projector and platter into an area behind the screen to save it in case we ever needed it, or somebody would want it for valuable parts, etc. Needless to say it's still gathering the same dust it was when we moved it in there.
 
Posted by Will Kutler (Member # 770) on 03-08-2018, 07:17 PM:
 
Todd and Barry

I am interested in knowing what kind of equipment you have and are wanting to dispose of. Depending on what it is, I may be interested.
 
Posted by Todd Cornwall (Member # 2205) on 03-08-2018, 09:14 PM:
 
There are a mix of Christie and Simplex. I cant speak for what will happen to them since I dont own them.
 
Posted by Tim Androes (Member # 9010) on 03-09-2018, 12:46 PM:
 
Jack o could you drop me an email? i am interested in some of your equipment if you are getting rid of it.
 
Posted by Mark Gulbrandsen (Member # 72) on 03-09-2018, 02:29 PM:
 
quote: Will Kutler
I am interested in knowing what kind of equipment you have and are wanting to dispose of. Depending on what it is, I may be interested.
Will,

You forgot to mention that the seller will of course have to pack it all for free.
Some day you will learn that no one packs this sort of stuff for free. Its why you didn't get any of my stuff. Instead, I gave it all to a kid from California that is very interested in film and he drove here with his dad and hauled it all away.

Mark
 
Posted by Will Kutler (Member # 770) on 03-09-2018, 09:29 PM:
 
Mark

Please get your facts straight before you start accusing and attacking people. If you have a problem, then please p.m. or e-mail me. I do not remember ever requesting your services without compensation. However, I definately know of one individual on this site who has requested services without compensation. Maybe you have us confused? Actually, all heavy equipment I have purchased has included my making and paying for my own shipping arrangements.
 
Posted by Will Kutler (Member # 770) on 03-10-2018, 09:32 AM:
 
I have attempted to edit my previous post with this latest update, which the system will not allow. So this is the update.

Mark

Please get your facts straight before you start accusing and attacking people. If you have a problem, then please P.M., e-mail, text or telephone me.

I have reviewed our entire business communications (both F.T. and private e-mail) going back thru 2014. The only item that was seriously discussed was a factory new and unused E-7 that was gathering rust and destined for scrap. You quoted $200.00 for crating and shipping. I asked you to hold off, as I wanted to make my own shipping arrangements. I asked you for follow-up info so that I could make those arrangements, to which you never responded. You did leave your telephone number, which you never did seem to answer or respond to.

However, there is definitely one F.T. participant who is known for soliciting services w/o compensation. I suspect that you have us confused?
 
Posted by James Wyrembelski (Member # 9037) on 03-10-2018, 10:39 PM:
 
We had thought of moving ours down to the lobby. After thinking it over (and the lazy side won the argument), I figure it should rest where it died. So, it's in the corner of the projection room and will probably be there until who knows when.
 
Posted by Leo Enticknap (Member # 534) on 03-15-2018, 09:32 PM:
 
quote: Julian Antos
Lastly, before scrapping anything, post here or on the art house convergence list to see if anyone wants it. There are many venues still running film several times a week for repertory and specialty screenings, and many technicians still keeping those machines running with a finite supply of spare parts.
Agreed that there is still a demand for film projectors (both complete, and parted out), but as others have pointed out, there are two major obstacles to getting them into the hands of those who could use them.

- The cost of packing and shipping these large, bulky, heavy and in many respects fragile items.

- The labor cost of refurbishing, parting out, and reinstalling.

We are also on the lookout for film-related gear, but the hard reality is that we have to consider what it would cost us to buy used film equipment, get it to our shop, refurbish it (or part it out), store it, ship it to a customer's location, and, if asked to, install it. That cost is often more than customers are able to pay (most of these venues are arthouse type places operating on very tight budgets). As a result, we have had offers of used 35mm equipment that we've had to pass on, because the math simply doesn't add up: it would cost a lot more to get it into a usable condition and into a theater that wants to use it, than we could make by doing that. For that reason I fear that Mark is right and that a lot of 35mm projectors, some of them still in pretty good shape, will end up being recycled into soda cans.
 




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