This is topic Black and White episodes of Dragnet in forum The Afterlife at Film-Tech Forum ARCHIVE.
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Posted by James Westbrook (Member # 3690) on 04-07-2011, 02:59 AM:
Yes, they are available on DVD. However, if any of you have watched them, you will note the prints they mastered the DVDs from are 16mm and are sometimes worse for the wear.
I recently purchased the book "My Name's Friday" about Jack Webb and in the introduction it mentions the black and white episodes from 1951 to 1955 were taken out of circulation in the mid 1960s and that the nitrate negatives have since been placed in storage and nearly all the prints have been discarded.
This raised some questions in my wee little mind, namely that the later black and white episodes - 1956 through 1959 - have also disappeared as well, that not all the prints have been destroyed AND...was it the norm for television shows to be shot on nitrate film stock in the 50s?
I would like to see more of the black and white episodes.
Interestingly, a bonus feature on the Dragnet 1969 DVD was a black and white episode from the 50s. Universal, or Shout Factory, had to borrow that print from a collector.
Assuming Universal has the collection of negatives in their vaults, are they simply not printing them or releasing them because the copyright has expired and they may be "public domain" or did the "nitrate" stock deteriorate to the point of having to be discarded?
Posted by Bruce McGee (Member # 131) on 08-26-2011, 10:19 AM:
I doubt that the negatives for Dragnet are nitrate.
I've seen some of the B/W Dragnet shows. They were just as good as any other episode of the series. DUM-De-DUM-DUM!
Posted by Martin McCaffery (Member # 37) on 08-26-2011, 11:25 AM:
Was there ever 16mm nitrate? I was under the impression it was always safety film.
Posted by James Westbrook (Member # 3690) on 08-26-2011, 12:53 PM:
I don't believe there was 16mm Nitrate.
One of the reasons 16mm copies of it exist is that Webb allowed additional copies of certain episodes struck as numerous schools and organizations would request a copy of a certain episode.
Other 16mm copies were grabbed at the local tv station level, as some of the prints had the syndication title Badge 714.
Posted by Louis Bornwasser (Member # 3063) on 09-04-2011, 10:30 AM:
I was told by the late John Pytlak that nitrate was over by 1948. It would therefore be illogical for TV to use old film. Louis
Posted by Monte L Fullmer (Member # 2797) on 09-04-2011, 04:39 PM:
True, 16mm never used nitrate since no projector had any form of fire preventive (like enclosed magazines, firetrap rollers, shutters..et.al.) measures, along with no training on handling flammable material and safety procedures.
Posted by James Westbrook (Member # 3690) on 09-05-2011, 01:53 PM:
This would not be the first time an author of a so-called "definitive" book got bad or wrong information and ran with it.
I'm thinking the negatives to the black and white Dragnets must have been lost or destroyed.
Universal did pull an interesting stunt with the dvd series of Emergency:
The first season had 35mm prints struck for the dvd.
The second season had 35mm intertwined with 16mm syndicated TV dupes. Seasons 4 and 5 were all 16mm.
Season 6 was all newly struck 35mm prints. This was their last season.
Stands to reason. Universal/NBC/Comcast is quite huge. They are not going to know what they have in their film vaults.
Posted by Jeff Taylor (Member # 443) on 02-14-2012, 12:54 PM:
Regarding the concept of 16mm nitrate, the entire reason that the gauge was established as 16mm rather than 17.5mm was to prevent some wiseguy from taking 35mm nitrate stock and splitting it in two to produce two strips of single-perf 17.5mm nitrate stock for "amateur" use. By establishing it as 16mm there was more assurance that film for this gauge would be safety acetate stock. Monte's right, no 16mm projectors were ever produce with fireproof magazines and fire rollers, because there was virtually no chance that nitrate stock would ever be used.
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