This is topic how does pre-show get to the screen with digital projection? in forum Digital Cinema Forum at Film-Tech Forum ARCHIVE.
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Posted by Gary Davidson (Member # 2198) on 02-12-2008, 04:43 PM:
dumb how-do-they-do-that question from outsider:
Let's say I have a new digital Christie projection system in my multiplex, 1) how is that content sent to the theatre (CD, sent as a media file over the Internet, messenger pigeon?) 2) what happens to it once it makes it to the theatre?
thx
Posted by Aaron Sisemore (Member # 145) on 02-12-2008, 05:30 PM:
Those of us with the Christie/AIX/Doremi setup that have the preshow on the Christie DLP projectors get the pre-show content via a DVD-ROM, which is ingested at the LMS.
Once ingested, the preshow (21 minute running time in our case) is simply tacked to the beginning of the playlist for each show.
-Aaron
Posted by David Zylstra (Member # 4230) on 02-12-2008, 05:41 PM:
If you have Screenvision they will just use their playback node with the Christie projector instead of a separate video projector. I beleive they send most of their content via satellite, then they control the playlists and start times remotely.
You can also have the automation sequence leave the Christie on between shows and plug in a looping ad show from a DVD player or PC based playback system.
Using the Christie (or any other digital projector) can be more expensive than paying the ongoing costs of separate video projectors for each screen.
Posted by Thomas Pitt (Member # 4322) on 02-12-2008, 05:54 PM:
Some cinemas have a separate LCD video projector mounted on one of the portholes. This can be connected to a laptop or desktop PC running a looping Powerpoint presentation for the preshow. Then, when the main show starts, the LCD projector is turned off and the main digital projector starts up.
I would have thought cinemas would produce their own preshow package with commercial advert slides that are sent to them - I don't know much about Screenvision or other packages though.
Some all-digital cinemas still use a 35mm slide carousel projector for their preshows! I guess it saves a fortune in bulbs
Posted by Gary Davidson (Member # 2198) on 02-12-2008, 07:37 PM:
Thanks, gents. So I take it it’s pretty uncommon for theares to play pre-show on those big expensive Christie machines, mostly because of expense (bulb wear and tear)?
Regal is turning to digital, are any of their pre-shows shown on big digital projectors? Sorry... two questions there.
Posted by Tristan Lane (Member # 1169) on 02-13-2008, 12:33 AM:
quote: Gary Davidson
So I take it it’s pretty uncommon for theares to play pre-show on those big expensive Christie machines, mostly because of expense (bulb wear and tear)?
Not uncommon at all. I know of two chains, one large and one small, that both utilize their digital projectors for both preshow ads and feature. Carmike seems to be eliminating all slides and going to
Wear and tear or bulb life is debatable (multiple strikes vs. running continuously during the day). The benefit of providing high resolution full-motion ads is an attractive aspect of potential advertisers.
Posted by James Westbrook (Member # 3690) on 02-13-2008, 01:50 AM:
National Cinemedia feeds their content (Firstlook) via satellite to a main server at the theatre which then feeds the appropriate content to the appropriate screens. Some ads can be changed day by day. Some theatres have plasma screens in their lobbies which also have a dedicated server, again fed via the same satellite dish.
Each of the dcn's (projectors) have their own computer which is where the content is stored.
Bulb life on the Christie LW-25 is relatively short, like 6 to 8 months.
The theatres playing all digital content (movies) play their Firstlook through their main projector, which means these theatres likely do go through more xenon bulbs...or rather, they need changing at more frequent intervals.
Posted by Stephen Furley (Member # 1277) on 02-13-2008, 02:09 AM:
By pre-show, are you talking about adverts and trailers?
If so, then they are always on film at the Clocktower, then we change over to either film or digital for the feature, whichever format that particular show happens to be. No adverts or trailers are on digital at the moment. I don't know if they are not available at present, or if a decision has been made to keep them on film for some reason. I have run the odd trailer on the digital projector a couple of times when I didn't have a film copy, but this was just a 1080p download running on Quicktime Pro on my laptop with DVI into the Cine IPM and optital digital audio into the Dolby DMA8 Plus. Not as good as proper digital cinema but it wasn't too far off; I was surprised at how good it actually looked.
Posted by James Westbrook (Member # 3690) on 02-13-2008, 02:29 AM:
In my situaltion, the adverts are digital, the movie trailers are 35mm, like the feature.
In all digital situations, the adverts, the trailers and the feature all run through the same projector.
Posted by Thomas Pitt (Member # 4322) on 02-13-2008, 03:09 PM:
If you have an auditorium that's equipped with both 35mm film and digital projection, you may well have a mixture of film and digital.
Often the advert/trailer package runs through the 35mm projector, then it changes over to the digital projector for the movie. Instead of wasting time and money getting digital prints of the adverts and trailers, they just use the existing film versions they have.
That was the way things were done at the Sheffield Cineworld when I went to see Beowulf 3D and Nightmare Before Christmas 3D - adverts and trailers on film, then switch over to digital for the movie.
Of course, if you're a digital-only cinema, you have no choice but to run the adverts and trailers digitally
I usually take 'pre-show' to mean the slides that are shown before the main projector starts up, usually on a slide projector or video projector, while non-sync sound plays during the intermission.
Posted by Mark Gulbrandsen (Member # 72) on 02-13-2008, 03:35 PM:
Everyone in this neck of the woods leaves the lamps on unleess it can be off for 1 hour or more... so yes the big machines are all being used for pre-show. Weather they look better would be another debate however....
Mark
Posted by Andy Muirhead (Member # 712) on 02-13-2008, 07:38 PM:
quote: Thomas Pitt
Instead of wasting time and money getting digital prints of the adverts and trailers, they just use the existing film versions they have.
As far as I'm aware, Carlton are unable to supply Ads digitally, and I haven't heard anything at all about Arts Alliance supporting 'ingesting' 3rd party trailers into the Christie. It's actually a lot more of a waste of time, and possibly money, making up, loading and running an ads/trailer pack to run before a digital show, when it would be so much easier to just ingest digitally.
I should point out, this is my personal knowledge, and I may be out of the loop on the current situation.
Posted by Tim Reed (Member # 137) on 02-14-2008, 11:17 AM:
quote: Tristan Lane
Carmike seems to be eliminating all slides and going to
Carmike's going to what? You ended mid-sentence.
Posted by David Graham Rose (Member # 1450) on 02-14-2008, 02:09 PM:
Greetings All
Carlton are able to supply rolling stock adverts digitally. They are mastered for 2K. Simple as that. Load. Add to playlist. Job done. Walk away.
David
Posted by Tristan Lane (Member # 1169) on 02-14-2008, 11:56 PM:
Sorry, I must have walked away for a minute.
Carmike is using the Doremi and CP2000 for mpeg playback of advertising. Screenvision is supplying the content.
Posted by Brad Miller (Member # 2) on 02-15-2008, 12:10 AM:
So what happens when you've got 20 minutes of pre-show-crap on your D-cinema projector and operations can't get everyone through the lobby (or whatever) in time and wants to delay the movie. Do you just pause it and have everyone look at nothing for a few minutes?
Posted by Stu Jamieson (Member # 4626) on 02-15-2008, 07:32 AM:
We'd endeavour to delay the start time of the programme but we've certainly stopped the head program before. And yes, the patrons sat in the auditorium listening to house music and staring at a blank screen for up to 15 minutes in one instance!
quote: Aaron Sisemore
Once ingested, the preshow (21 minute running time in our case) is simply tacked to the beginning of the playlist for each show.
So "ingested" is actually the formal term for that, huh? When I first saw that on our digital server I thought it was merely the pretentious invention of an over-imaginative software engineer. I think the more conventional term "Download" would have made more inherent sense.
Oh and our digital ad servers are just Windows PCs running proprietary presentation software.
Posted by John Walsh (Member # 168) on 02-15-2008, 08:19 AM:
I thought "ingested" was a dumb term, also.
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Posted by Thomas Pitt (Member # 4322) on 02-15-2008, 12:50 PM:
quote:
We'd endeavour to delay the start time of the programme but we've certainly stopped the head program before. And yes, the patrons sat in the auditorium listening to house music and staring at a blank screen for up to 15 minutes in one instance!
That's not altogether uncommon over here. Many cinemas I've been to just have a blank screen while the patrons are coming in, sometimes with non-sync sound playing. I think most are supposed to use a slide projector for pre-show adverts, but when they break down, are just left switched off. I've also seen a slide projector where the douser had failed and the carousel was 90% empty - just bright white light projected onto the screen!
quote: Stu Jamieson
Oh and our digital ad servers are just Windows PCs running proprietary presentation software.
Seems sensible, though I would have thought it would be something more common like Powerpoint. At Bradford IMAX, for example, they run preshow slides from a Powerpoint presentation running on a laptop, and put that through a standard LCD video projector. There's then a 6-minute reel of adverts run on a 35mm projector, before the actual IMAX show starts.
Posted by Stu Jamieson (Member # 4626) on 02-15-2008, 02:47 PM:
I guess the advantage of specialised presentation software is that it allows easier control of things like sound levels, sound formats, playlists, automation cues etc. We also still have 35mm ads which run after the digital ones and where the feature is digital we have digital ads followed by 35mm ads and trailers then back to digital feature. I guess that would be difficult to pull off with Powerpoint also.
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