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Posted by William F Green (Member # 3192) on 08-18-2011, 09:48 AM:
 
I'm sure this will seem a daft question to those that do it all the time but bear with me.. In about a week or so we will have our first DCP server/projector.
Server is a Doremi DCP2000 and my question is about ingest. The manual mentions SATA ingest but makes no mention of how to do this only describing USB ingest. It describes USB ingest as being in 'real time' with SATA being about two thirds real time.
Is there a faster way than USB? Can a drive be slotted into one of the 3 drive bays for ingest?
If so, which drive bay?
 
Posted by Chris Slycord (Member # 4239) on 08-18-2011, 10:20 AM:
 
A faster way than USB? Yeah. As the manual notes, SATA is faster. And forgive my ignorance on this particular server, but if it's got an external slot then you'd use that would provide an SATA connection for drives that can be separated from the USB portion.
 
Posted by William F Green (Member # 3192) on 08-18-2011, 10:28 AM:
 
Thanks Chris,
Sorry my question was badly worded - I know the SATA interface is going to be quicker than USB, I just meant how to I connect to a SATA interface on this server?
I don't have the server in front of me but the manual shows just three slots and these are all occupied with RAID drives so I'm a little puzzled.
I'm trying to get up to speed before the server actually comes.
 
Posted by Brad Miller (Member # 2) on 08-18-2011, 10:50 AM:
 
It's called a CRU drive bay. You have to pull apart the hard drives and dock it in. Much faster and eliminates jacking around with the cables.

Of course then again you will get a movie on these old antique drives that Deluxe likes to send out that are USB only. A popular theory for why these drives are constantly failing is that they are dropped down the stairs multiple times before returning to get them out of circulation.
 
Posted by William F Green (Member # 3192) on 08-18-2011, 10:53 AM:
 
Ok thanks Brad, CRU.
I can't imagine how I'm going to manage with USB when we have 4 to 6 different features on the same screen in a weekend. Is a CRU drive bay fitted as an extra or is it integrated with the server?
 
Posted by Chase Pickett (Member # 5975) on 08-18-2011, 12:21 PM:
 
I know I'm not Brad but I don't think there is. I'm pretty sure there is just a 2.0 USB. I hope I'm wrong though, with that many features needing to be ingested.
 
Posted by William F Green (Member # 3192) on 08-18-2011, 12:34 PM:
 
If it is just USB that's seriously depressing - could be up to 10+ hours of ingesting each weekend! Maybe I can get an external drive bay to hook-up with the Doremi. Or maybe when the server arrives I will have a pleasant surprise and find I'm worrying about nothing...
 
Posted by Pete Naples (Member # 761) on 08-18-2011, 01:37 PM:
 
William,

No external ports for hooking up a CRU bay or an external SATA drive on that server.

It's got 2 x USB 2.0 on the front, if you're lucky, they both might even work.

There are other USB ports on the back too.
 
Posted by Pietro Clarici (Member # 4937) on 08-18-2011, 02:45 PM:
 
The standard DCP-2000 only supports ingestion via USB: the DCP-2K4 adds a CRU slot and DVD drive, but as a result you lose the touchscreen, so for local control a VGA monitor, keyboard and mouse are needed.

Anyway, I think there is an optional eSATA board available for the DCP-2000, and a rack mounted unit with 1 CRU slot and a DVD drive that connects to it.
 
Posted by Carsten Kurz (Member # 5396) on 08-18-2011, 03:54 PM:
 
@William - the Doremi may hold 4-6 features on his RAID system, depending on the capacity of your unit. So you only need about 'one' realtime timeslot per feature to ingest in advance over USB. USB will give you about 15-30Mbyte/s, that is about realtime for DCP features. SATA can be four times faster - but currently is only available through the slot-in CRU on DCP2k4 units.

If I remember right, you have bought the second-hand DCN system. These will probably be touchscreen DCP2000 without the CRU Carrier, thus USB only. You will probably be okay for a while with USB, but should inquire at Doremi for SATA options.

http://www.doremilabs.com/products/cinema-products/

http://www.youtube.com/user/DoremiCinema

Sooner or later you will consider to buy your own CRU carrier so you just pop in any drive to ingest faster if needed. These carriers are relatively expensive now that they are the defacto digital cinema standard, but you only need one. Sometimes USB is dead on the drives, so you should have a backup solution anyway.

http://www.cru-dataport.com/products/Digital-Cinema.php

http://www.ebay.com/itm/CRU-data-express-dx115-carrier-only-SATA-6607-7100-0500-/20062 2085070?pt=PCC_Drives_Storage_Internal&hash=item2eb60213ce#ht_3552wt_907

- Carsten
 
Posted by Mark Gulbrandsen (Member # 72) on 08-18-2011, 09:14 PM:
 
Doremi must have an outboard rack mount CRU option for that server by now! CRU does make them. Probably not cheap though... Would have to be via eSATA to have any real ingest speed.

Mark
 
Posted by Ken Lackner (Member # 1002) on 08-18-2011, 09:23 PM:
 
But does the DCP2000 have an eSATA port? I can look at one next week, but my memory tells me it does not.
 
Posted by Monte L Fullmer (Member # 2797) on 08-18-2011, 09:34 PM:
 
Nope, they don't - USB only for local injests.

But, there is a get-around with this if fundage is available and that is to get a library server and a TMS (Theatre Management System) program on a booth computer, with all the individual servers are tied together via local network to the library server.

This way, one injest all of the many HD content into the library server (which will have at least 6Tb of disc space with 6, 1Tb drives in a RAID configuration, along with 4 CRU bays), make the playlists there, then the TMS "pushes" the playlist and assigned content out to the individual servers that are assigned to receive the completed content.

Really simplifies the builds..

-Monte
 
Posted by Carsten Kurz (Member # 5396) on 08-19-2011, 04:19 AM:
 
You don't need a TMS, any DCP-2000 or DCP-2k4 can connect to a networked computer or NAS through FTP. However, this will still not be as fast as SATA ingest, at least with affordable devices.

I would first try to live with USB, and inquire at Doremi for upgrade options. These boards definitly have internal SATA connectors. I just don't know if Doremis software can use them for ingest without changes, and if the SATA on these older units is compatible with modern drives.

- Carsten
 
Posted by Ken Lackner (Member # 1002) on 08-19-2011, 07:58 AM:
 
I agree with Carsten. Also, it sounds like we're talking about a single screen here. If that's the case, I'm not sure all that network infrastructure is worth the effort and money.
 
Posted by Mark Gulbrandsen (Member # 72) on 08-19-2011, 08:47 AM:
 
I know there is no eSATA port but thats pretty easy to add to any computer. The Doremi's architecture should alliw for that to happen pretty easily. Doremi is also normally pretty good at accomodating customers needs.

Mark
 
Posted by Brad Miller (Member # 2) on 08-19-2011, 11:34 AM:
 
This is a good example of where price was the deciding factor over needs. If Doremi was the server of choice, then the DCP2K4 should have been purchased due to the specific scheduling needs of this theater.
 
Posted by Dave Macaulay (Member # 813) on 08-19-2011, 12:32 PM:
 
The 2K4 is the choice for an operation like this if you're getting Doremi. If he's getting used, you get what they have. If it's new, I recommend changing the order to a 2K4. The cost is basically the same as far as I know, you lose the touchscreen and gain a CRU bay and DVD drive. Supplying a keyboard/monitor/mouse set is not a big dollar job. I've been using integrated keyboard/trackball units so you don't need a desktop for a mouse: mounting the monitor on the side of the rack or on a rack panel and reversing a rackmount shelf below it for the kb is easy.
In theory you can add an eSATA card to the DCP2000 server and use a separate CRU rackmount bay. Adding the card and getting it to work should be done by an experienced Doremi tech: it ain't simple and the process is not documented, and (at least on the TMS server) only some eSATA cards are compatible. If you're a Linux wizard it isn't hard but if you're not.... nope. Also this costs more than changing to a 2K4, and you still have that nasty little touchscreen: for the kind of operation described, they're going to get a monitor and keyboard pretty soon anyway.
 
Posted by William F Green (Member # 3192) on 08-19-2011, 05:46 PM:
 
Carsten, thanks for all the links to CRU drives etc - very useful.

Brad, I see exactly the point you are making but unfortunately I can't change the server (at least not at this moment)- it's coming as a package of used/refurbished equipment which is:

Doremi DCP 2000
(inc. all latest hardware upgrades including the very latest FIPS compliant media block)
Cine IPM
UPS
Router
NEC NC800C
pedestal/base

Yes, it's going in a single screen so any additional servers or TMS is would be over the top - the only real issue for us is that we do have several features each weekend.

But.. I do have a major advantage I suppose in that the projection/server equipment will not actually be installed for a while yet. It's going to be stored in my office until then and so I will have the chance to try out things such as add an ESATA card without the risk of losing shows if I screw things up!

As soon as the stuff is here (should be next week or week after I think) I'll know precisely what I've got in terms of ingest options.
 
Posted by Dave Macaulay (Member # 813) on 08-19-2011, 07:01 PM:
 
The ingest options are simple: USB 2.0: one jack on the front and two on the back. Also you can set up other servers for ingest, and probably use ftp from another system on your network; you may be able to ingest on a PC and transfer the package to the server... pretty quick on gigabit ethernet at least, about as fast as the CRU eSATA drive ingesting from another server (as long as neither is playing content, that really slows down a fast ingest but doesn't slow down the dog-slow USB ingest much).
 
Posted by Monte L Fullmer (Member # 2797) on 08-19-2011, 08:29 PM:
 
If you're gonna have lots of features, you oughta makes sure that the three drives in that 2000 are 1TB each, for the 2000 could come with three drives but your total storage space could be less than 1TB...and you don't want to load up past 90% full, or you could have some playback issues.

I have a 2000 that I try to keep below 70% at all times since my total space is only 850G for the three drives - just to be safe..
 
Posted by Dave Macaulay (Member # 813) on 08-19-2011, 10:03 PM:
 
True. They come with three 500gb or 1tb drives, you will want the 1tb drives. With three drives in a RAID array I think you get a bit over 2tb total storage. If you have several features a week I think you should have the bigger drives. It isn't a huge expense to upgrade if the unit comes with 500gb drives (disk drives are pretty cheap, even these "enterprise" ones), and it's best to do such an upgrade before your opening because installing the drives takes several hours to format them and builds the logical RAID array, plus any content on the old drives is gone. The Doremi saves content and playlists on the RAID, system software and playlist macros are on the flash drive. Pull out any content you will need - like test material - to a usb stick before doing a format and build on the RAID. You should learn enough Linux to be able to do that.
 
Posted by William F Green (Member # 3192) on 08-20-2011, 06:34 AM:
 
On the original equipment offer it stated either 3 x 500gb or 3 x 1TB drives. I've requested that we get a server with the 3 x 1TB drives for the reasons above. Will check before they send it that it will in fact be 1TB.
Just out of interest, why does the server need a certain amount of free space to playback properly? Does it create a temporary file during playback?
 
Posted by Carsten Kurz (Member # 5396) on 08-20-2011, 08:38 AM:
 
No, there is no restriction like that on the Doremi. Most people just do that to be on the safe side. The Doremi will complain early enough on the ingest module if it runs out of disc space.

It runs the OS of a flash drive, and has a separate RAID partition for system files that may need some separate space to keep the server running. This separate space is not used for any content.

I see no problem with filling up the entire content RAID partition on the Doremi.
You should, indeed try to get the 3*1TB version, or upgrade to it as soon as possible, which will only cost you roughly 70-100 GBP per drive, depending on drive and installation cost. Before ripping apart the Doremi with your own SATA experiments - I would first contact Doremi about 'official' options. The base of the Doremi is a plain-vanilla PC, but the Doremi software may restrict the use of certain ports. There is no need to hurry on the SATA thingy anyway - you will be okay with USB for a while, and even with SATA, you will definitly need a large RAID with your show schedule.

You should spend your learning time on show programming while the unit is sitting in your office, instead of ripping it apart ;-)

BTW - you should also check your audio options in advance. Doremi used to have a choice of analog vs. digital out options on the older units, whereas nowadays only the digital out option is common. This either needs the external AUD-D2A converter or a direct digital AES connection to a digital cinema processor. You should check which version you will receive. What does your current 35mm sound setup look like, which processor/sound systems do you operate?

Would you tell me what your DSN/AAM contact is for the purchase of your system?

I saw an article on these systems on Cinema Technology Magazine, but I don't remember an official contact for the programme.

- Carsten
 
Posted by Dave Macaulay (Member # 813) on 08-20-2011, 11:30 AM:
 
Good point on the sound source. There are a few choices for a D-A converter: the Doremi AUD-2A works well, USL makes a good one, there are others, and there are cinema processors with digital inputs.
If you use the AUD-2A the sound sync will be good "out of the box". I'm not sure about the USL, but if you go digital into a CP750 you have to change a setting in the server to get the sound in sync - the processing latency is different from the AUD-2A so the analog sound is either before or after the picture a bit: Doremi sets their server's sync setting for their D-A. This adjustment is pretty easy and Doremi support will tell you the terminal commands to do it.
The Doremi analog output card (a server option) works fine as well, I usually advise against it but we deal mostly with multiplexes. Having a separate D-A gives a bit more flexibility for swapping stuff around a multiplex if there's a failure of either a server or D-A, and our backup servers (that we can ship immediately if a client's unit fails) do not have the internal analog output card.
 
Posted by Steve Guttag (Member # 268) on 08-20-2011, 11:53 AM:
 
The CP750 lets one set the delay in the CP750 (specifically for each input). The USL DAX 602 and 802 also provide for setting the delay level. The DAX602 has a few other nifty features too. It is pretty impressive for such a small and inexpensive box.

-Steve
 
Posted by William F Green (Member # 3192) on 08-22-2011, 07:29 AM:
 
Sound - that was my next question. I can't find any online UK pricing for USL processors.
But for the sake of comparison - how do USL processors compare price-wise with a Dolby CP 750? What is the best option in terms of flexibility/facilities/quality/value etc?

I do have a UK price of a CP750 which is in the region of £2500.

We do own an old CP45 but it's not currently fitted and it would seem to be a waste to go to the expense of getting this analogue processor installed and EQ'ed to then have to add a DA converter as well when a new digital processor could do the entire job.

At the moment we are using an inherited non-processed 3 channel analogue system which is basic (crude if you like) but functional. Maybe a cheap-ish DA converter could act as a stop-gap until we have more finances available to add a new processor.
 
Posted by Carsten Kurz (Member # 5396) on 08-22-2011, 07:58 AM:
 
How many amplifier channels/speakers do you have on your screen currently?

- Carsten
 
Posted by William F Green (Member # 3192) on 08-22-2011, 08:08 AM:
 
Left - Right - Sub
No centre channel & no surround.
Yes, I know it's pretty limited!
 
Posted by Anders Nordentoft-Madsen (Member # 3334) on 08-22-2011, 08:10 AM:
 
Right now I have 10 movies ingestet on this server, with the 3 x 1 TB configuration and have 285 GB left. I have 2 Doremi's, and ingesting between them (direct ethernet GB link with no router in-between) is even faster, in my experience, than ingesting from the CRU slot (I have one DCP2000 and one DCP-2K4). This is of course with no playback on ether server. If you still need more space, maybe setting up a NAS or a PC with at FTP server and making a direct Ethernet connection between them would be a solution. You could probably even do Play'n'ingest...
 
Posted by Carsten Kurz (Member # 5396) on 08-22-2011, 02:31 PM:
 
William - I guess most here would suggest you take the step towards a dedicated processor instead of wiring the DA directly to your amps. The Dolby 750 is 'relatively' inexpensive compared to their other film-capable processors - though I have to admit even the 750 is overfeatured for you.
I don't know.
I do know people can enjoy movies even through suboptimal audio systems. Yet I would not encourage it as a base installation. I mean, you saved so much on the projection system - the Dolby 750 should be in your budget. With it, it is relatively easy to expand your system to center and even surround speakers. Or, try to find a second hand JSD80. It just seems so wrong to connect a state-of-the art multichannel linear PCM source to such a mediocre audio system.

What kind of movies will you play?

- Carsten
 
Posted by William F Green (Member # 3192) on 08-23-2011, 07:42 AM:
 
Carsten - Yes, I would be the first to admit that the current system is not ideal. It's not mediocre though, it's just not processed or multi-channel! Having said that it actually sounds considerably better than a colleagues Dolby digital (film) system.. which doesn't say much for his setup.

The screen is non-perf (not fitted by us) making a centre channel a little impractical for now. There's no surround at the moment but we could add this later - maybe (depends on permission from the local authority who own and run the building).

But yes, anyway I take your point about connecting digital kit to an inferior system - and I agree. We have to decode the digital output from the server one way or another and so a processor will probably be the most efficient way to do it rather than just a DA converter - even if it is overkill from the perspective of our current 2-3 channel analogue system.

Carsten, you asked about AAM contacts - they are all listed on their site for each region/country.

Thanks for all the suggestions so-far about the server and sound etc.
 
Posted by Chris Slycord (Member # 4239) on 08-23-2011, 09:56 AM:
 
So it's not mediocre because you know someone who has a system that sounds worse?

And to be frank, I'd say Carsten was being kind referring to it as mediocre here. It's one thing to not have surrounds. But you don't even have a CENTER. You can't properly play back dialog. You're missing what is arguably the most important speaker in the entire setup.

Just calling it the way I see it.
 
Posted by William F Green (Member # 3192) on 08-23-2011, 10:58 AM:
 
Chris that's not what I was saying at all. It's not mediocre full stop. The point I was making is that more channels do not always equal better sound.
How would you expect a centre speaker to sound behind a non-perf screen? To my mind it would be pretty dumb to try to penetrate a non-perf screen in that way - although I've seen chains do it in small screens - and it sounds terrible.

We are not missing the dialogue at all - all that info is contained within the left and right channels - which in our setup are not masked by the non-perf screen.
Incidentally, the earliest prototype Dolby systems used no separate centre channel - this was added to 'lock' the dialogue into the centre and counteract the lop-sided effect you get when listening off-centre.

So, for the avoidance of doubt: we are reproducing the dialogue and via the left and right channels.

And for us - the dialogue is paramount above all else - so please don't think that we would be operating without clear dialogue.

And again I would add that we have visited many screens (many of them preview theatres) which have far less distinct dialogue despite having digital 7.1 sound. For us on a limited (read zero) budget and serious practical constraints at the venue we figured that clear dialogue was infinitely more important than big bangs and lots of surround.. and clear dialogue is something we already have - without any processing, or separate centre channel.
 
Posted by Chris Slycord (Member # 4239) on 08-23-2011, 01:24 PM:
 
I never said you were missing dialog. I said you weren't playing it back properly. If a movie was mixed for the dialog to come from the center, sending it to the left-and-right isn't, imo, doing it properly.

But good luck with your venture.
 
Posted by William F Green (Member # 3192) on 08-23-2011, 01:57 PM:
 
Chris thanks - it's not technically correct but works anyway! Probably the major limitation of this approach is that the dialogue can't be eq'd separately from left and right.

Carsten you asked what type of movies we run - it's mostly art-house, quite a bit of non English language stuff - in original language with English subtitles. We are probably about 50-60% arthouse titles with mainstream titles mixed-in as well.

For example in July we ran:
THE GREAT WHITE SILENCE - BFI's restoration of Captain Scott's 1910 Antarctic Expedition (BluRay)
YOU WILL MEET A TALL DARK STRANGER (DVD)
LIFE IN A DAY (DVD)
PIRATES OF CARIBBEAN 4 (35mm)
BRIDESMAIDS (35mm)
UNKNOWN (BluRay)
CAVE OF FORGOTTEN DREAMS (DVD)

We usually have a much higher proportion of 35mm but in June/July we made efforts to run more stuff on DVD as an experiment.
 
Posted by Dave Macaulay (Member # 813) on 08-24-2011, 10:09 AM:
 
With digital sound, if you don't play the centre channel you have NO dialog in almost every movie. The channels are discrete and usually dialog is only on the centre. With optical you get the dialog on left and right. You will need some sort of mixer to add the centre channel signal to your left and right.
 
Posted by William F Green (Member # 3192) on 08-24-2011, 10:45 AM:
 
Yes of course I appreciate that and will have to do some down-mixing to add the centre channel to the left/right channels.

So, it will have to done somewhat differently to how we are doing it now - but we ARE still stuck with only left/right stage speakers for the time-being so we will have to be creative and find a way!

I have an 8 to 2 line mixer here which should do the job.
 
Posted by Frank Angel (Member # 248) on 08-26-2011, 03:08 AM:
 
What a shame now that we have discrete channels and very well- matched and routinely EQed sound systems than we had in the 60s, that directional dialog sound mixing hasn't returned to favor among directors and sound desingers.

When Dolby matrixed optical became the dominant 35mm sound system, there really was not much choice but to keep dialog in the center channel because the system just was not capable of keeping hard left of hard right audio out of the surround, especially dialog. Music bleeding into surrounds is tolerable; dialog certainly is not.

But that limintation is now gone. It would be nice to see at least some sound designs that would take advantage of the freedom to place dialogue closer to visual location.
 
Posted by William F Green (Member # 3192) on 08-26-2011, 05:42 AM:
 
I'm not that keen on 'directional' dialogue myself - it sounds odd and you really notice that dialogue has suddenly shifted to one channel from the centre - it's a bit of a distraction really.
I saw a preview movie yesterday (in yet another preview screen with muffled dialogue) where the dialogue DID shoot off to the left or right a couple of times.
 
Posted by Carsten Kurz (Member # 5396) on 08-26-2011, 07:32 AM:
 
Can you explain your sound system a bit more in detail? How is the optical track decoded, which kind of further processing do you have? An 8:2 mixer could get you working in the beginning. Though you could still get an active speaker system and place it under or over the screen center just for the dialog. Such an active speaker wouldn't cost you more than 250-450GBP. E.g. Mackie Thump TH-15A. You could probably feed and control it through an auxilliary output from your existing mixer.

- Carsten
 
Posted by Pete Naples (Member # 761) on 08-26-2011, 10:31 AM:
 
quote: Carsten Kurz
E.g. Mackie Thump TH-15A.
Please tell me you're not serious? [puke]
 
Posted by Carsten Kurz (Member # 5396) on 08-26-2011, 11:43 AM:
 
I'm completely serious. There is NO center speaker at all currently. ANY speaker there should to be taken serious.

- Carsten
 
Posted by Monte L Fullmer (Member # 2797) on 08-26-2011, 12:32 PM:
 
I knew of a twin (converted from a single) that had just that: L/R/S with no center, and Center was mixed in with the L/R.

They had old USL JS 95/195 processors.
 
Posted by Pete Naples (Member # 761) on 08-26-2011, 01:18 PM:
 
It's called 'phantom centre' Monte, it can work very well.

Without knowing or better still, hearing Williams room, none of us are qualified to state that a dedicated centre speaker is essential.

And in any case, I'd rather have phantom centre between two decent boxes, than anything involving Mackie, 'Thump' or otherwise.
 
Posted by Chris Slycord (Member # 4239) on 08-26-2011, 03:46 PM:
 
I understand the whole "having little-to-no budget" thing but I think you should consider if adding the center will actually cost that much more than adding in mixers and such.
 
Posted by Eric Robinson (Member # 2966) on 08-26-2011, 09:37 PM:
 
I have noticed with 2 speaker systems that have the center mixed into both that the closer you sit to either speaker, the sound becomes very pronounced from that one speaker and you notice little sound from the other. So, all the dialog will appear to come from the left speaker if you are sitting close to the left speaker.
 
Posted by Monte L Fullmer (Member # 2797) on 08-27-2011, 03:24 AM:
 
..why, when you do the "phantom center" channel adjustments, that the L/R attenuations has to be perfectly balanced so it's not obvious if sitting close.

Ya gotta make that 'sweet spot' happen in the right spot ...
 
Posted by Pete Naples (Member # 761) on 08-27-2011, 04:08 AM:
 
Eric/Monte, that's spot on observation/information.

William has already stated he doesn't have a perforated screen, perhaps there is no where that a centre speaker could go, either above or below the TPL?
I have in the past when faced with a non perf or even solid (Gyproc) screen, phantom centred top to bottom, ie one box above and below the TPL, on the centre line. Both driven by the centre channel output and very carefully balanced.
He's already stated he has a suitable mixer available, so down mixing is a no-cost option to him.

I'm not saying this is an ideal thing, however he has what facilities he has, let him get on with it. As I said before, none of us keyboard experts here have seen or heard the room in question, so we are not qualified to make sweeping judgements about it [Smile]
 
Posted by William F Green (Member # 3192) on 08-27-2011, 07:27 AM:
 
Unfortunately a centre speaker under the screen (which has been considered and tried before) is not a viable solution. Sound-wise we have to cover the main part of the auditorium and a balcony as well.
After a lot of experimenting years ago we discovered that there was absolutely no way that a speaker placed below the screen could cover the balcony - it's just too low-down. So the compromise solution to get decent coverage of ground floor AND balcony was to feed all sound info to left and right only. These speakers are then positioned about 6-8ft above stage level. From this position the speaker horns have just enough dispersion (60 degrees) to cover all seats including balcony.
Whatever we tried, speakers under the screen at the level of the stage just would not deliver intelligible dialogue to the balcony due to reflections off the back wall - the auditorium is stepped in shape with the ground floor area being forward of the balcony rather than under it.
Above the screen can't be done either as it's a large roll-down type and rolls down from above and behind the (very tall) proscenium arch.

This is a 'difficult' venue both acoustically and logistically and the current speaker positioning is the best compromise we've found to-date. If we were setting up our own venue from scratch there is no way on earth we would do it like this - but we have to use what we have in the building and for now at least that means we are stuck with non-perf screen and no surrounds. In fact in an ideal world we wouldn't even use the speakers we are using but we had to select something that was capable of projecting dialogue clearly in a reverberant space (which they do very well) - albeit at the expense of some smoothness.

As somebody mentioned, one of the consequences of not having a discrete centre speaker is that the sound always appears to come more from the right or left depending on which side of the centre-line you sit. In all the years of running this way we have never had a single comment about this though.

Regarding the mis-match between installing digital projection and connecting it to a less-than-perfect audio system - there is really no choice on that, 35mm will become scarce and so having digital projection will be an essential rather than a choice.

I appreciate that it's not easy to imagine my auditorium and I do appreciate all the suggestions here - even the ones we can't apply..
 
Posted by Monte L Fullmer (Member # 2797) on 08-27-2011, 09:52 PM:
 
Okey, I'm going to throw a good one here and anybody can throw it out as a wacky idea. but give me a shot at this one...

Let's try the "BOSE" method: what he has is a non perfed screen. What we have then is a flat surface..

What about "reflecting sound" by mounting the speaker at a certain degree angle facing a flat and smooth section below the screen and let the sound reflect off of that surface out to the auditoria at the correct angle to create that line of path sound as if there were speakers behind the screen?

Then, one can easily drop a sub down below the screen since sound from a sub is muultidirectional anyway being a sub frequency and not full-range...

Okey, see how this one goes .... - Monte
 
Posted by Manny Knowles (Member # 1171) on 08-28-2011, 12:03 AM:
 
The reason we have the center channel is because with a Left-Only/Right-Only (LoRo) setup, the phantom center only "exists" in the sweet spot, resulting in an inconsistent experience from seat to seat.

As noted, for persons who are not seated in the sweet spot, the sound appears to come from whichever speaker is nearest and, for them, the illusion falls apart.

This is known as the precedence effect, or the law of the first-arriving wavefront. The illusion falls apart fairly easily up-close, but I have seen where it is possible to tell whether a matrixed LCRS was being decoded from as far away as 50 feet.

The only way to ensure that the center-channel information appears to emanate from the center of the screen is to actually have a loudspeaker there.
 
Posted by Pete Naples (Member # 761) on 08-28-2011, 04:46 AM:
 
Monte, I took over a site which uses that idea in two screens. Both of which are hard surface ie plasterboard.

I can tell you first hand it doesn't work. The sound disperses and intelligibility, as well as HF, dissapears.
I think what's happening is the sound is bouncing off the screen, then up towards the ceiling, then down to towards the audience. So they're hearing that reflected muddy sound plus whatever is bouncing direct off the screen, plus whatever is travelling direct. The installers tried touse this trick for left and right as well, it's impossible to distinguish much seperation, the stage channels are very inneficient and don't Eq well. It's about to be ripped out and re jigged with left and right situated, well left and right of the side masks, and the centre channel above the TPL. Not by the book but light years better than what's there presently.

Perhaps Bose have systems purpose designed to work this way, but with standard speakers, it's a stinker [Frown]
 
Posted by Kris Verhanneman (Member # 5562) on 08-28-2011, 05:34 AM:
 
I've had the pleasure to see and hear this in real.
http://www.showmaxcinema.com/
Sounds great and uses a non perf screen.
The speakers are behind the screen.
 
Posted by Richard Fowler (Member # 893) on 08-28-2011, 10:19 AM:
 
Sounds like the polyplaner type of speaker set up using the screen as part of the speaker.....an idea that has recycled a couple of times...
 
Posted by William F Green (Member # 3192) on 11-02-2011, 03:20 PM:
 
Just a little update on this ingesting into Doremi.. I've found a UK supplier of CRU cradles at a reasonable price and once I've got the total sorted and fitted all the bits I'll post here in case it's useful for somebody else.

Confirmed that via USB does indeed take around 2hrs to ingest a 2hr feature so not too good.

But, those little move-docks which come fitted to the rear of the drives (the bit with the power supply and USB) also have a SATA connector. So, for the time being we have an even cheaper solution for quick ingesting. We have run a SATA cable out of the back of the server and plugged into the SATA connector on the back of the drive and it works perfectly - around twice as quick as USB in fact. The SATA cable is just permanently plugged-in inside the server to a spare connector (SATA 4) on the motherboard - it worked straight away with no configuration needed.
It's just not quite so neat to have cables dangling all over the place so I will probably order a one-bay CRU unit for the long-term.
 
Posted by Carsten Kurz (Member # 5396) on 11-02-2011, 08:05 PM:
 
Put something in the contract that

a.) makes the renter aware of possible legal issues, e.g. let him confirm that he owns the rights to any material he wants to show

b.) rent out auditorium and projection equipment, but do not act as the enity actually performing the projection/presentation. The specific media/title etc. should not even occur in the booking. That way, the person/company renting the auditorium and gear will be responsible for any legal issues arising from the showing.

- Carsten
 




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