This is topic Ocean's Eleven in forum Feature Info, Trailer Attachments & REAL Credit Offsets at Film-Tech Forum ARCHIVE.
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Posted by Scott Norwood (Member # 30) on 12-02-2001, 11:07 PM:
Warner Bros./ETS Depot
6 reels/scope
SRD/SDDS-8/DTS (the screening print didn't have disks)Attached: Collateral Damage
Enclosed: Majestic
The print was grainy (it looked like super-35 and not 'real' scope), but that seemed like more of a stylistic choice rather than the result of poor quality lab work.
Posted by Christopher Seo (Member # 7) on 12-08-2001, 01:03 PM:
Yes... golfball-sized grain but also on Vision Premiere stock. Go figure.
Posted by John Pytlak (Member # 331) on 12-10-2001, 10:31 AM:
Grain is primarily a function of the camera exposure, not the print film. Smaller negative film area, higher speed camera stocks, and underexposure tend to produce more graininess. Larger formats, slower films and "rich" exposure reduce graininess.------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Research Labs, Building 69, Room 7525A
Rochester, New York, 14650-1922 USA
Tel: 716-477-5325 Cell: 716-781-4036 Fax: 716-722-7243
E-Mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion
Posted by Christopher Seo (Member # 7) on 12-14-2001, 02:20 AM:
Oh... I just meant, it's odd to strive for quality on the one hand by using Vision Premiere, and on the other hand go for the "street" look by shooting such a grainy image.
Posted by Michael Brown (Member # 890) on 05-22-2002, 02:12 PM:
My print (Uk print supplied wound or cors in cans) was shipped with an extra DTS can, EMPTY!