This is topic Sweet Home Alabama in forum Feature Info, Trailer Attachments & REAL Credit Offsets at Film-Tech Forum ARCHIVE.


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Posted by Brad Miller (Member # 2) on 08-15-2002, 08:39 PM:
 
***TRADE SCREENING***
***UNFINISHED WORK PRINT***

6 reels
2.39 scope
Buena Vista
TES depot
SRD (although final prints should be SRD/DTS/SDDS)

Nothing attached. Loose: Tuck Everlasting and Shanghai Knights

WARNING!!! Reel 4 is printed about 1/4 of a perforation out of frame! Framing on these trade screening prints will be necessary for this one reel.


 


Posted by John Pytlak (Member # 331) on 08-15-2002, 08:46 PM:
 
Is it PRINTED out of frame (framelines change position), or COMPOSED out of frame? Was it shot with anamorphic lenses or Super-35?

------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Research Labs, Building 69, Room 7525A
Rochester, New York, 14650-1922 USA
Tel: +1 585 477 5325 Cell: +1 585 781 4036 Fax: +1 585 722 7243
e-mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion
 


Posted by Brad Miller (Member # 2) on 08-15-2002, 11:18 PM:
 
Awwwww, come on John. Who you talkin' to? It was PRINTED out of frame.

I'll post an example pic tomorrow.
 


Posted by John Pytlak (Member # 331) on 08-16-2002, 07:58 AM:
 
I noted that you said workprint. So I was just exploring whether they extracted the wrong image area from a Super-35 negative, or if the framelines on the print were indeed shifted due to a problem with the contact printer.

------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Research Labs, Building 69, Room 7525A
Rochester, New York, 14650-1922 USA
Tel: +1 585 477 5325 Cell: +1 585 781 4036 Fax: +1 585 722 7243
e-mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion
 


Posted by Jason Black (Member # 684) on 08-25-2002, 02:04 PM:
 
Hey Brad, where's the example pic?
 
Posted by Brad Miller (Member # 2) on 08-25-2002, 02:21 PM:
 
Why it's right here.

Now note carefully the position of the frame line in between the perforations at the end of reel 3 here...

Sure it's off just a tad, but the whole movie was like that. NOW take a look at where the frame lines are in reel 4...

The end result is that it looks like the reel change splice was made out of frame and the projectionist screwed up. Not so. Beware!


 


Posted by Jason Black (Member # 684) on 08-25-2002, 03:17 PM:
 
Such a fast response! Impressive. I'll show this to my guys so that they are aware that the *potential* problem exists.
 
Posted by John Pytlak (Member # 331) on 08-26-2002, 11:16 AM:
 
Much too much shift to be explained by bi-directional printing of the release prints (would typically be only 0.078 - 0.073 = 0.005 inches).
And release prints from Technicolor are usually done in one direction only.

Suspect the shift happened "upstream" of the final printing, during the printing of the master positive or duplicate negative.

------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Research Labs, Building 69, Room 7525A
Rochester, New York, 14650-1922 USA
Tel: +1 585 477 5325 Cell: +1 585 781 4036 Fax: +1 585 722 7243
e-mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion
 


Posted by Josh Kirkhart (Member # 1046) on 09-27-2002, 06:03 AM:
 
6 Reels
Quad
Scope
TES

Attached
Tuck Everlasting
Loose
Ring-full
Emperors Club
Two weeks Notice
Maid in America
A Guy Thing
 


Posted by Brad Miller (Member # 2) on 09-27-2002, 06:23 AM:
 
Did they fix the problem with reel 4 on the final release prints?
 
Posted by Jason Black (Member # 684) on 09-27-2002, 09:01 AM:
 
No problems with my 2 prints.
 
Posted by Jason Whyte (Member # 1433) on 09-29-2002, 07:48 PM:
 
Also no problems with the print I worked on.

Jason (first time poster, long time visitor)

------------------
"Monster Put In Pocket!"
 






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