This is topic Anything Else in forum Feature Info, Trailer Attachments & REAL Credit Offsets at Film-Tech Forum ARCHIVE.
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Posted by Bill Gabel (Member # 1105) on 09-02-2003, 11:10 AM:
Dreamworks
Scope / 2.40 (True Scope)
MONO SRD / SDDS / DTS / SR (Standard Woody Allen sound)
6 Reels
Technicolor
TRT: 108 mins.
Studio Print
Posted by Jonathan M. Crist (Member # 413) on 09-02-2003, 12:35 PM:
Did your print have the new Cyan soundtrack? If so, was there any noticeable differnce in quality etc?
Posted by Paul Konen (Member # 41) on 09-05-2003, 09:46 AM:
Yes, It has the new cyan track.
Here is an image
Posted by Michael Brown (Member # 890) on 09-05-2003, 01:18 PM:
Are all prints cyan track?
Posted by Aaron Sisemore (Member # 145) on 09-05-2003, 06:29 PM:
Yes, if the notice sent to theatres from DreamWorks is correct.
-Aaron
Posted by John Pytlak (Member # 331) on 09-06-2003, 07:58 AM:
Paul: Your photo looks quite yellow in overall color balance, such that the cyan track looks green rather than the sky-blue cyan it is.
All others: Even if you normally play digital sound, I hope you will play and listen to the full analog track at least once, and report your subjective impression of the sound quality (compared to conventional analog tracks) in the Film Handler's Forum. Do provide information on the type of analog reader and sound processor you are using there as well.
Posted by Bill Gabel (Member # 1105) on 09-08-2003, 08:17 AM:
My first print was High-Magenta. I have three High-Magenta prints and one Cyan print in my booth now.
We handle screenings for Woody Allen here in NYC.
Posted by Paul Konen (Member # 41) on 09-08-2003, 08:26 AM:
John, It was my first attempt with taking a picture with a Bevan-Poo and primary scope lense. It was backlit with the light (compact florescent) from the build up table.
Posted by Scott Norwood (Member # 30) on 09-23-2003, 01:47 AM:
Here's another scan of the track:

Also, R4 (?) begins with a dark scene. There is a huge "SPLICE HERE" frame immediately before the first frame of picture. I'm sure that mediocre projectionists at changeover houses will love this one.
Posted by Ken Lackner (Member # 1002) on 10-08-2003, 06:29 PM:
quote:
MONO SRD / SDDS / DTS / SR (Standard Woody Allen sound)
I don't get it. How can it be mono and SR? And why would you bother with mono if you have all three digital formats?? For that matter, isn't the optical track suppsed to automatically be SR if you have SRD?
Posted by Bill Gabel (Member # 1105) on 10-08-2003, 08:34 PM:
All of Woody's films are mono. You are only using the center channel. I only post it like that because thats what the leaders state as the sound info.
Posted by Daryl C. W. O'Shea (Member # 1303) on 10-08-2003, 09:57 PM:
quote:
How can it be mono and SR?
Easy, put the same mono track on both the left and right channels and you've got yourself a mono centre channel mix.
Just because you're encoding the track with SR matrixing and noise reduction doesn't mean you have to use all of the (matrixed) channels.
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