This is topic Notorious Bettie Page, The (2005) in forum Feature Info, Trailer Attachments & REAL Credit Offsets at Film-Tech Forum ARCHIVE.


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Posted by Bill Gabel (Member # 1105) on 04-05-2006, 08:55 PM:
 
Picturehouse
Flat 1.85
SRD / SR
5 Reels
Deluxe (B&W on color stock)

ETS

TRT:100 mins.

NOTE: This film is in B&W with Color sections at different parts of the story. Change-over houses near the end of reel 2 there is a topless scene at the beach. Don't miss your cues. [Smile]
 
Posted by John Pytlak (Member # 331) on 04-06-2006, 09:50 AM:
 
quote: Bill Gabel
NOTE: This film is in B&W with Color sections at different parts of the story. Change-over houses near the end of reel 2 there is a topless scene at the beach. Don't miss your cues.
A true professional does not miss cues! (Or much else [Wink] ). Brings back memories of my time at the Grandview Drive-In (1967-1970) showing Russ Meyer features. Never missed a changeover. [thumbsup]
 
Posted by Sean R. Custer (Member # 3531) on 04-21-2006, 02:16 PM:
 
Shot on Kodak -color- stock, printed on Fuji stock. The B&W is mixed with archival footage. All the B&W is fairly flat-toned and shifted a little green from neutral.

If we can make it through "Beyond the Valley of the Dolls" and "Female Trouble" in c/o, I think we'll be OK...
 
Posted by Tao Yue (Member # 836) on 04-23-2006, 03:56 AM:
 
To be clear -- the color sequences were shot on Kodak color stock. The black-and-white sequences were shot on Kodak black-and-white stock. Logical but gutsy move these days. See the article in American Cinematographer. The cinematographer discusses how he was unhappy with how the shine failed to print through to color, and how he ended up having to use a digital intermediate after trying to avoid one.

Any further discussion on how this was shot should probably go in another forum. (Unless you're the negative cutter and have handled the camera negative ...)
 




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