quote: Leo EnticknapBy the time that Universal had shot FRANKENSTEIN (and even DRACULA, which is also often wrongly cited as Movietone or even full-ap), the camera department had converted all of their cameras for SMPE's new 1.37 aperture (Fall of 1929, to be exact), save for one or two, which until they were fixed/put out of commission, had off-set viewfinders, but photographed full-ap (which was just blocked off in the printer).
This film should be shown in the 'early sound special' ratio of 1.15:1 (approx. - picture is virtually a square).
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